Par TAUZIN BRUNO. Cette méthode a pour objectif de vous apprendre à accompagner à la basse les styles des musiques latines (Bossa, Merengue, Guajira, Mambo son, Cumbia, Samba...), avec des lignes et grooves évolutifs, qui se renouvellent sans cesse afin de donner l?impression de ?faire la même chose? sans jamais ?jouer la même chose?. Cet ouvrage démarre par un indispensable rappel des bases théoriques, relatives aux accords à accompagner, mais aussi aux arpèges permettant de le faire à la basse. Puis, il s?agira d?accompagner 6 grilles d?accords, inspirées de 6 grands standards de la musique latine, et ce de 6 façons différentes, en faisant évoluer graduellement chaque ligne, l?une après l?autre. Des grooves simples au départ, qui seront enrichis progressivement par l?ajout de nouveaux ingrédients, pour évoluer vers des lignes de plus en plus étoffées, créatives et variées. Sur le disque joint à la méthode, vous trouverez de nombreux fichiers audios et vidéos. Les vidéos (mp4) présentent en images toutes les lignes de basse telles qu?elles doivent être jouées, à vitesse normale (sur leur playback) puis au ralenti. Les enregistrements audios (mp3), pour leur part, proposent les playbacks correspondants, là encore à deux tempi différents. Vous pourrez donc y jouer à votre tour les grooves proposés, ou y développer librement vos propres idées. / Date parution : 2022-05-03/ Etude / Guitare Basse

Rythmes afro-cubains sont chaudes, et la basse est le coeur battant de la rainure ! Maintenant vous pouvez apprendre à jouer CLAC basse dans sept styles populaires d'Afro-Cuban : cha cha, son montuno, songo, timba, Afro-Cuban 6/8, Latin jazz et Latin jazz en 7. Si vous lisez l'onglet ou la notation standard, vous sera rapidement apprendre tous ces styles et développer vos techniques de gifle basse pour créer des articulations de style appropriée. Le CD inclus a percussion pistes, play-le long des voies ferrées et des chansons complètes pour vous aider à améliorer votre groove à un rythme afro-cubains. / Guitare Basse / 56 pages / Partition + Cd

Finally, an authentic collection of Salsa/Latin favorites, with syncopations, voicings and bass figures guaranteed to make you play in whole new ways and expand your musical awareness. There is no drum set on this recording! All the percussion is purely Latin/American and the rhythm section is tight! Be sure to check this one out. It's like no other play-a-long in the series. Rhythm section is Mark Levine-Piano David Belove'Bass John Santos-Timbales and miscellaneous percussion Harold Muniz-Congas and miscellaneous percussion. Sabor - Linda Chicana - Mambo Inn - II/V7/I Cha Cha - II/V7/I Bolero - Afro Blue - Come Candela - Delirio - Manteca - Curacao - Philly Mambo - Mindanao - Picadillo

This book will help any musician unlock the secrets of the Afro-Cuban rhythmic feel. By clearly demonstrating the underlying pattern called the Clave and the comping patterns called Tumbaos which are played over the Clave, this book will help every bass player learn these fundamental Latin rhythms. (Matching keyboard book (EL9706CD) also available.)

The Easy Jazz Play-Along series includes songs with accessible chord changes and features recordings with novice-friendly tempos.For Easy Jazz Play-Along Volume 5: Easy Latin Classics, just follow the streamlined lead sheets in the book and play along with the professionally recorded backing tracks on the CD.The CD is playable on any CD player and is also enhanced so Mac and PC users can adjust the recording to any tempo without changing pitch.Easy Jazz Play-Along Volume 5: Easy Latin Classics includes 18 songs such as Baia (Bahía), Begin the Beguine, Flamingo and Slow Hot Wind (Lujon) to name a few. / Tout Instrument

Par GORDON ANDREW D.. Langue: English(US)/Deutsch/Français/Nederlands/Nihongo / Niveau : 3 / Recueil / Guitare Basse

Bb Instruments. This is the only professional-level Latin fake book ever published! It features nearly 600 pages of the best in contemporary and classic salsa, Latin jazz and Brazilian music, with detailed arrangements, exactly as recorded, to help bands play in authentic Latin styles. Many tunes include bass lines for each section, piano montunos, and horn counter-lines. Includes a bilingual preface, song lyrics in Spanish, Portuguese and/or English, a drum and percussion appendix, and convenient spiral binding. Outstanding artists represented include: Ray Barretto, Eddie Palmieri, Ruben Blades, Puerto Rico All-Stars, Tito Puente, Irakere, Los Van Van, Ivan Lins, Tom Jobim, Joao Bosco, Milton Nascimento, Airto, Mario Bauza, Dizzy Gillespie, Daniel Ponce, Seis Del Solar, Chick Corea, Arsenio Rodriguez, Celia Cruz, Perez Prado, Orquesta Sensacion, and many more!/ Recueil / Instruments en Sib

275 pages of Afro-Cuban classics, Brazilian music and Latin jazz tunes, designed for classroom or professional use. Available in C, Bb, Eb and bass clef versions. Most tunes never seen in print before. Presented in 'Real Easy' format with the tune on one page and educational material on each facing page. Part I is suitable for high school ensembleswhile Part II contains more challenging tunes for college or professional use. The educational materials include scales for soloing, piano voicings, guitar voicings, sample bass parts, etc. When needed, there are separate rhythm section charts &/or horn harmony charts to help your band play authentic-sounding versions of the tunes. The Rhythm Section Appendix gives the student a complete overview of all the major Afro-Cuban and Brazilian rhythmic styles, with sample parts for each player. So, no prior experience with Latin music is necessary to start having fun! / Ensemble Music, Instrumental Music, Methods & Tuto / Recueil / Instruments en Do

Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can be used. The use of piano and guitar is recommended for authenticity but not necessary. All text appears in both English and Spanish. / Violoncelle Et Contrebasse

Includes scales for soloing, piano voicings, guitar voicings, sample bass parts for each tune. When needed, there are separate rhythm section charts and /or horn harmony charts to help your band play authentic-sounding versions of the tunes. The rhythm section appendix gives the student a complete overview of all the major Afro-Cuban and Brazilian rhythmic styles, and sample parts for each player. / Instruments En Do