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Almost Baroque: Piano: Instrumental Album
3.50
Almost Baroque: Piano: Instrumental Album
Piano seul
Schaum Publications
Almost Baroque
3.50 GBP - vendu par Musicroom GB
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ShowTime Piano Disney Level 2A: Piano: Instrumental Album
6.75
ShowTime Piano Disney Level 2A: Piano: Instrumental Album
Piano seul
-
Facile
Faber Piano Adventures
Level 2A-ShowTime Piano Disney presents contemporary and classic Disney hits arr...
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Level 2A-ShowTime Piano Disney presents contemporary and classic Disney hits arranged for the pianist at Level 2A. Students develop fundamental skills reading basic rhythms intervals and simple chords all while playing appealing songs from favorite movies such as Aladdin Pirates of the Caribbean Mulan and more. Almost There (Princess and the Frog) - Baroque Hoedown (Main Street Eletrical Parade at Disneyland« Resort and Magic Kingdom« Park) - Chim Chim Cher-ee (Mary Poppins) - Colors of the Wind (Pocahontas) - He's a Pirate (Pirates of the Caribbean: The Curse of the Black Pearl) - Proud Corazon (Coco) - Reflection (Mulan)- Under the Sea (The Little Mermaid) - AWhole New World (Aladdin.)
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The Almost Unknown Stephen Sondheim: Piano Vocal and Guitar: Artist Songbook
39.99
The Almost Unknown Stephen Sondheim: Piano Vocal and Guitar: Artist Songbook
Piano, Voix et Guitare
[Partition]
Rilting Music
39 Previously Unpublished Songs from 17 Shows and Films-Stephen Sondheim is well...
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39 Previously Unpublished Songs from 17 Shows and Films-Stephen Sondheim is well-known for his compositions for Broadway and the silver screen but whilst many are familiar with tunes such as Everything's Coming Up Roses (Gypsy) I Feel Pretty (West Side Story) Send In The Clowns (A Little Night Music) and Not a Day Goes By (Merrily We Roll Along) t hey may be surprised to find that he wrote many more songs that never made it onto the stage. This collection contains 39 previously unpublished songs from 17 shows and films including pieces cut from Anyone Can Whistle A Funny Thing Happened On The Way To The Forum Into The Woods Merrily We Roll Along Wise Guys and more. Each piece is arrangedfor Piano and Voice with Guitar chords. The 'Almost Unknown' in the title of this collection refers to the fact that some of the songs though never before published have been recorded and might be known to the most knowledgeable of Sondheim connoisseurs. However it is safe to say that the songs in this landmark collection are among the least known of Sondheim's creations.
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Jonathan Warburton: Almost Swing: Trombone and Accomp.: Instrumental Work
10.95
Jonathan Warburton: Almost Swing: Trombone and Accomp.: Instrumental Work
Trombone et Piano
Warwick Music Limited
Almost Swing
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Ben Fong-Torres: Becoming Almost Famous -: Reference Books
9.95
Ben Fong-Torres: Becoming Almost Famous -: Reference Books
Backbeat Books
Becoming Almost Famous -
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Memory Almost Full
41.10
Memory Almost Full
Piano, Voix et Guitare
[Partition]
MPL Communications Ltd
Partitions pour piano, chant et guitare (grilles d'accords) de l'album 'Memory A...
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Partitions pour piano, chant et guitare (grilles d'accords) de l'album 'Memory Almost Full' de Paul McCartney / Piano/Vocal/Guitare (PVG) / Partition
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Play Piano With Bailey Rae Rihanna Norah Jones....
26.70
Play Piano With Bailey Rae Rihanna Norah Jones....
Piano, Voix et Guitare
[Partition + CD]
Amsco Wise Publications
Compilation. Authentic piano transcription of eight great songs, including vocal...
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Compilation. Authentic piano transcription of eight great songs, including vocal line, full lyrics and chord symbols.The accompanying CD includes 'soundalike' backing tracks and full demonstration performances. Featured songs include: Diana Krall's Almost Blue , The Nearness Of You by Norah Jones, Corinne Bailey Rae's Choux Pastry Heart and much more! / Rép International / Recueil / Piano, Chant et Guitare
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J. Paul Williams James Michael Stevens: Christmas Day Is Almost Here: 2-Part
Fred Bock Music Company
Christmas Day Is Almost Here
14.25 GBP - vendu par Musicroom GB
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World's Greatest Love Songs Piano
24.36
World's Greatest Love Songs Piano
Piano seul
[Partition]
Alfred Publishing
57 of the Most Popular Love Songs of All Time. This comprehensive collection of ...
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57 of the Most Popular Love Songs of All Time. This comprehensive collection of love songs includes selections by the finest composers and songwriters from the worlds of movies, pop, Broadway and jazz. The titles also span more than 80 years with hits from the 1920s all the way through 2007. This collection includes chord symbols and lyrics, and most of the pieces are in vocal ranges appropriate for singing along. The 57 titles include: Almost Like Being in Love * Angel Eyes * As Time Goes By * At Last * Beautiful (As You) * Beauty and the Beast * Because You Loved Me * Can You Feel the Love Tonight * Can You Read My Mind' * Dream a Little Dream of Me * Embraceable You * Emily * Endless Love * Five Foot Two, Eyes of Blue * The Gift * Hero * How Could I Ever Know' * How Deep Is Your Love * How Do I Live * I Believe In You and Me * I Could Write a Book * I Don't Want To Miss A Thing * I Get a Kick Out of You * I Only Have Eyes for You * I've Got You Under My Skin * I've Grown Accustomed to Her Face * Killing Me Softly With His Song * Kiss The Girl * Laura * Let's Do It (Let's Fall in Love) * Love Is a Many Splendored Thing * Love is Here to Stay * Misty * My Funny Valentine * Reflection * Send in the Clowns * Somewhere, My Love * Take My Breath Away * Taking a Chance on Love * Teach Me Tonight * The Morning After * The Rose * Theme from Ice Castles (Through the Eyes of Love) * This I Promise You * This Kiss * This Magic Moment * Three Coins in the Fountain * Up Where We Belong * Wedding Song (There is Love) * When A Man Loves a Woman * When I Fall in Love * Wind Beneath My Wings * You Light Up My Life * You Raise Me Up * You'll Be In My Heart * You'll Never Know * (Your Love Has Lifted Me) Higher and Higher. 144 pages. / Instrumental Music, Miscellaneous, Piano Music, So / Recueil / Piano
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Jason Robert Brown: The Bridges of Madison County: Vocal Solo: Mixed Songbook
25.99
Jason Robert Brown: The Bridges of Madison County: Vocal Solo: Mixed Songbook
Piano, Voix
[Partition]
Hal Leonard
A dozen vocal selections from this Tony Award-winning musical adaptation of the ...
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A dozen vocal selections from this Tony Award-winning musical adaptation of the bestselling novel are featured in this collection presented in vocal lines with piano accompaniment. Includes: Almost Real · Always Better · Another Life · Before and After You/One Second and a Million Miles · Falling into You · It All Fades Away · Temporarily Lost · To Build a Home · What Do You Call a Man like That' · When I'm Gone · Wondering · The World Inside a Frame.
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Almost A Cappella - Worship Moments: SATB: Vocal Score
13.75
Almost A Cappella - Worship Moments: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Shawnee Press
Almost A Cappella - Worship Moments
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Kevin Volans: String Quartet No.9 - Shiva Dances (Parts): String Quartet: Parts
24.99
Kevin Volans: String Quartet No.9 - Shiva Dances (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3...
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Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.Kevin Volans (the composer) notes on the piece:In the past I have been interested in trying to go beyond historicism (1970s) beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy' almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This of course has already been done by a numberof composers (many from New York Phil Niblock and La Monte Young to name but two) butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work and fearing this would make the label stick I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic an aesthetic which however pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure the ego underfoot.You get theimpression He dances on the spot not movingaround at all. I like that.The piece is dedicated to Pablo Pascual Cilleruelo.
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Kevin Volans: String Quartet No.9 - Shiva Dances: String Quartet: Score
16.99
Kevin Volans: String Quartet No.9 - Shiva Dances: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3...
(+)
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.Kevin Volans (the composer) notes on the piece:In the past I have been interested in trying to go beyond historicism (1970s) beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy' almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This of course has already been done by a numberof composers (many from New York Phil Niblock and La Monte Young to name but two) butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work and fearing this would make the label stick I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic an aesthetic which however pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure the ego underfoot.You get theimpression He dances on the spot not movingaround at all. I like that.The piece is dedicated to Pablo Pascual Cilleruelo.
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Matthaus-Passion Bmv 244 (BACH JOHANN SEBASTIAN)
22.05
Matthaus-Passion Bmv 244 (BACH JOHANN SEBASTIAN)
Choeur Mixte et Instrument Divers
[Partition]
Carus Verlag
Par BACH JOHANN SEBASTIAN. Practical performing Urtext edition based on the late...
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Par BACH JOHANN SEBASTIAN. Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach’s intentions. Bach scholars are well aware that Bach’s original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. J. S. Bach's St Matthew Passion BWV 244 for SATB and Piano. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research./ Répertoire / Choeur Mixte et Instrument Divers
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Hans Abrahamsen: Concerto For Piano And Orchestra: Piano: Score
60.99
Hans Abrahamsen: Concerto For Piano And Orchestra: Piano: Score
Piano et Orchestre
Wilhelm Hansen
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by comm...
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Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general
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The exploding Head (JOST CHRISTIAN)
21.65
The exploding Head (JOST CHRISTIAN)
Voix Soprano, Piano
Schott
fragment from Das Urteil (The Judgement) by Franz Kafka. Par JOST CHRISTIAN. Kaf...
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fragment from Das Urteil (The Judgement) by Franz Kafka. Par JOST CHRISTIAN. Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost/ Répertoire / Soprano et Piano
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Karsten Fundal: Together Apart/Apart Together: Chamber Ensemble: Score
Wilhelm Hansen
Together Apart/Apart Together for Saxophone Accordion and Double Bass was compo...
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Together Apart/Apart Together for Saxophone Accordion and Double Bass was composed by Karsten Fundal in 2004. Written for and commissioned by Poing. Programme note: This piece is the 3rd in a row of pieces which concentrates on a rhythmical relationship that continues to puzzle me. It is actually two relationships embedded. The 1st is a pattern that is very inspired by the composer Per Nørgård who in the beginning of the 90ies got very preoccupied with the idea that you can have rhythms that never meet. This happens if you start a rhythm like a quintuplet on the beat and one like a triplet off beat. This can with different rhythms give very intricate interwoven patterns that gives the illusion that they are not cyclic. In my case I use the two ratio five to seven in the described way. This rythms have the strange property that if you take each 5th note of the seven and each 7 note of the five you get a ratio almost identical: 49:50. This is very intriguing as you can use the possibility of letting them be equal or the possibility of letting them interfere. In the first case you get an interlocking rhythm which is ?smooth?; an equal rhythmic pattern. In the second case you get a similar situation but where one of them is one short after 50 of the other ones which results in a disturbing almost equality but not quite. Therefore the title: because when I use the unequal rhythm I put the two layers in a similar tone register or a similar way of playing and when I use the equal one I put them a part tone wise speaking. This is a very technical description but it is very hard to put it in more wide terms but you might compare it with driving in a train and looking at two fence rows behind each other: if the poles are placed exactly halfway between each other you will experience an illusion of a fast jump if there is enough distance between them as a result of the perspective. If they are placed in a way that there are almost the same numbers of
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Kurt Cobain: Montage Of Heck
47.90
Kurt Cobain: Montage Of Heck
Biographie
Omnibus Press
Written by Brett Morgen with Richard Bienstock, Cobain: Montage Of Heck is a tru...
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Written by Brett Morgen with Richard Bienstock, Cobain: Montage Of Heck is a true goldmine of exclusive material collected and created for the acclaimed documentary. Delving further into the interviews, art and photography used in the film, this book is the perfect companion piece to the definitive film on this genuine legend's life.Even if you haven't yet seen the film, or you've loved it and have been left wanting more, Cobain: Montage Of Heck will definitely quench your thirst for all things Kurt Cobain and Nirvana. The legendary singer, songwriter and guitarist has gone down in history as almost a mythically brilliant voice of a generation, turning late 20th century angst into electrifying rock music. Brett Morgen's Montage Of Heck documentary was fully authorised by the Cobain family, after his widow Courtney Love approached him with the idea for the film.Getting exclusive access to Cobain's personal and family archives was an unprecedented achievement, allowing Morgen to delve deeply into home movies, recordings, artwork, photography, demos and journals, presenting an intimate portrait of Cobain's personal life as well as his astonishing artistry. The exclusive interviews in the film have provided fans with incredible insight into Cobain's life, featuring words from all the key figures like Courtney Love, Krist Novoselic, and his parents. Included in this book are extended versions of these interviews, giving unbridled vision into his life and work, told by the people who knew him best.Accompanying these interviews are some incredible and often never-before-seen visuals including animation stills from the films, personal art, candid photography and other treasures from his personal archive. Looking at these visuals, readers will find a true sense of the tortured genius, the artist who achieved enormous success and almost demi-god status yet still struggled with his personal, all-too-human demons. Since Cobain's tragic death, fans have been left with nothing but his music and an overwhelming amount of press rumours and cinema speculation. Now, Cobain: Montage Of Heck and the accompanying documentary provides the most definitive insight into the real man behind the musical legend.For nearly everyone who is interested in popular music, this book is absolutely fascinating. Cobain's boundary-pushing art has almost been overshadowed by rumour, but this book thankfully restores both to their rightful place, setting examples of his boundless creativity alongside authorised truths from the people who knew him intimately. Cobain: Montage Of Heck is sure to be seen as a true classic of rock biography. / Livre
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