Compositeur(s): JEROME PIGEON, FRANK KUTNER, JOSE URRUTIA ACORDA GOICOCHEA / Piano Et Chant

Vignola Frank (Performed). Par VIGNOLA FRANK. Filmed in the perfect acoustics of the Sheldon concert Hall, guitar virtuoso Frank Vignola shows his timeless musicianship and talents in this live concert. The Frank Vignola Quintet has shattered the barriers between popular music and traditional jazz to create an exciting new sound in acoustic string music. Their repertoire, together with Vignola\'s amazing virtuosity, puts them in a league by themselves, creating a new genre of music, melding contemporary gypsy jazz, bluegrass, toe-tapping swing, blues and acoustic rock. The Frank Vignola Quintet includes Vinny Raniolo (guitar), Rick Zukor (percussion), Aaron Weinstein (violin), and Pete Coco (bass) who all give an outstanding performance. This DVD is sure to please all types of viewers. Pieces include Tico Tico, Salad and Donuts, Hungarian Rhapsody, Limehouse Blues and more. DVD length is 1 hour 50 minutes. Also, included with this DVD are two bonus audio CDs of the concert. Listen to your favorite tunes in this audiophile quality recording anywhere and anytime! / Jazz - Concert/Documentary / Accessoire / Guitare

Arrangements pour piano facile de 15 titres du hit comédie musicale de Broadway, Jersey Boys, qui raconte l'histoire de Frankie Valli and The Four Seasons. / Piano

Inspired by the sheer greatness of showbiz legend Frank Sinatra this collection draws together three of his most famous and best loved hits all arranged by Charles Beale for SA voices and Piano accompaniment.

Inspired by the sheer greatness of showbiz legend Frank Sinatra this collection draws together three of his most famous and best loved hits all arranged by Charles Beale for SA Men's voices and Piano accompaniment.

Par VIGNOLA FRANK. Douze études comping rythmiques avec grilles de corde, de notation et de tablature. La compilation de Vignola Frank le livre de Blues montre accompagnement de guitare de manière brève et précise. Les etudes comping utilisent un style de corde ' agression ', seulement jetant dans voicings de la corde dans les lieux importants, ne pas sonner tout au long de toute la pièce. Frank nous montre que moins est certainement plus. Pour obtenir l'idée complète d'exercices de Frank dans cet ouvrage, écouter les CD de son brouillage de la série de Blues. Frank utilise ces idées exactes de ces enregistrements. / Niveau : Intermédiaire / Jazz - Accompaniment / Tablatures / Guitare Tablatures Flatpick et Plectre

Frank Bridge’s Three Songs for Medium Voice Viola and Piano is the second volume in a 30-volume series by The Frank Bridge Trust in association with Thames Publishing celebrating the works of Frank Bridge. This publication features the songs Far far from each other Where is it that our soul doth go? and Music when soft voices die and includes the score for Viola separately making the collaboration of the three musicians easier. The songs can be and often are performed together as a cycle but also work as short individual pieces. The first performance of the three songs in December 1908 marked a rareoccurrence as Frank Bridge played the Piano part himself. Far far from each other is the most ambitious of the three pieces for all three musicians. The words are excerpts from Matthew Arnold’s ‘Empedocles on Etna and Other Poems Parting’.Where is it that our soul doth go? is the shortest of the three songs and the words are a translation of the last stanza of Heinrich Heine’s Clarisse translated by K. F. Kroeker.While the first two songs are original settings Bridge first wrote Music when soft voices die for High Voice Piano and Cello in 1903. The present version was transcribed in 1907. Music when soft voices die the short poem providing the words for this piece is one of the most influential and well-known of Shelley’s works.Watch Three Songs performed by Rebecca Ringle (Mezzo-Soprano) Luke Fleming (Viola) and Roger Steptoe (Piano):

Par VIGNOLA FRANK. Ce volume dans la Vignola Frank Play-ainsi que la série contient neuf solos qui ont été écrits et enregistrés blues et le rythme des changements dans plusieurs clés différentes. Un des etudes a été enregistré à un tempo plus lent pour la pratique et également au tempo de la performance. Les enregistrements de performance-tempo des solos comprennent des nombreux choeurs de section rythmique seulement. Cela permet la pratique individuelle des solos écrites ou pratique des idées originales avec une section rythmique ' live '. À l'occasion, au cours de ces sections ' rythmique seulement ', Frank Vignola jouera un solo improvisé pour quatre, 12 ou 24 mesures. Cela permet à l'étudiant d'interagir avec l'enregistrement en copiant les idées, s'appuyant sur ce qui a juste été joué ou pratiquer les accords de la pièce. La série de changements de rythme Frank Vignola donne tout élève de grandes idées de guitare jazz pour jouer les solos sur une des formes musicales plus populaires dans le jazz. Ecrit en notation et tablature. Egalement disponible en japonais de ATN, Inc. / Niveau : Débutant à Intermédiaire / Jazz - Improvisation / Tablatures / Guitare Tablatures

Just Between Frets is the latest collaboration of Tommy Emmanuel and Frank Vignola. Frank and Tommy turn many a well known tunes inside out with their virtuosity and unique chemistry as a duo creating anon-stop chain of magical musical moments that were captured in a couple of spontaneous recording sessions. This book is a transcription of the album and features standard notation and tablature for both Frank’s and Tommy’s parts.Tunes include: Paper Moon How High the Moon Clouds and many more.

Par VIGNOLA FRANK. This Modern Guitar Method Supplement (formerly of the Frank Vignola Play-Along Series) contains solos which have been written and recorded over blues and rhythm changes in many different keys. Learn more about commonly used chord changes by having the opportunity to jam on them extensively. Some of these etudes have been recorded both at a slower tempo for learning and at performance tempo. The performance-tempo recordings of the solos include numerous choruses of rhythm section only. This allows for individual practice of the written solos or practice of original ideas with a 'live' rhythm section. Occasionally, during these 'rhythm only' sections, Frank Vignola will play an improvised solo for four, 12, or 24 measures. This allows the student to interact with the recording by copying ideas, building upon what has just been played, or practicing the chords to the piece. The Modern Guitar Method Supplement Blues and Rhythm Changes series gives any student of jazz guitar great ideas for playing solos over two of the most popular musical forms in jazz. It is recommended that the student be able to play the jazz standard 'I Got Rhythm' before using this book/CD set. / Niveau : Débutant à Intermédiaire / Jazz - Improvisation / Méthode / Guitare

(1929-1945)-Pour le compositeur la mise en musique de la vie d'Anne Frank souleva bien des émotions. Il a deux filles du même âge et son pére est né en 1929 comme Anne Frank. Il est important de ne jamais oublier comment la politique et leracisme ont détruit la vie d'une jeune fille innocente. à une époque où dans certains milieux on nie 'existence des camps d'extermination on vénére les anciennes idoles et le racisme augmente à nouveau ilne peut jamais y avoir trop d'oeuvres commémoratives. Anne Frank était une jeune fille comme les autres avec les inquiétudes les rêves et les souhaits de son âge. Une belle oeuvre à programmer lors de votre prochain concert.

(1929-1945)-Pour le compositeur la mise en musique de la vie d'Anne Frank souleva bien des émotions. Il a deux filles du même âge et son père est né en 1929 comme Anne Frank. Il est important de ne jamais oublier comment la politique et le racisme ont détruit la vie d'une jeune fille innocente. à une époque où dans certains milieux on nie l'existence des camps d'extermination on vénère les anciennes idoles et le racisme augmente à nouveau il ne peut jamais y avoir trop d'?uvres commémoratives. Anne Frank était une jeune fille comme les autres avec les inquiétudes les rêves et les souhaits de son âge. Une belle ?uvre à programmer lors de votre prochain concert.

Ode à la Musique (1961)for Baritone 4-part mixed chorus trumpet two horns three trombones piano and double bass Frank Martin (1890-1974) Frank Martin was born in Geneva Switzerland on 15 September 1890. He was the tenth and youngest child of a clergyman’s family. He played and improvised on the piano even before he went to school. By the age of nine he had composed charming children’s songs that were perfectly balanced without ever having been taught musical forms or harmony. A performance of Bach’s St. Matthew Passion heard at the age of twelve left a lasting impression on the composer for whom J.S. Bachremained the true master. He attended classical languages high school and to please his parents went on to study mathematics and physics at the University of Geneva for two years. Simultaneously he started studying piano and composition with Joseph Lauber who initiated him in the “craft” especially in instrumentation. Between 1918 and 1926 Frank Martin lived in Zurich Rome and Paris working on his own searching for a personal musical language. In 1926 he founded the “Société de Musique de Chambre de Genève” which he led as pianist and harpsichord player for ten years. He taught improvisation and theory of rhythm at the “Institut Jacques-Dalcroze” and chamber music at the Geneva Conservatory of Music. He was artistic director of the “Technicum Moderne de Musique” from 1933 to 1940 and president of the Swiss Association of Musicians between 1942 and 1946. In 1932 he became interested in the 12-tone technique of Arnold Schönberg. He incorporated certain elements into his own musical language creating a synthesis of the chromatic and twelve-tone techniques without however abandoning the sense of tone – that is the hierarchical relations between notes. Le Vin Herbé (1941) was the first important work in which he completely mastered this very personal idiom. Together with the Petite Symphonie Concertante (1944-45) it established his international reputation. Martin’s many musical activities in Switzerland interfered with the peace and