L'oeuvre musicale qui a pour support une Partition a pour titre Pour le violon. C'est une partition musicale composée par Debussy Claude et qui est destinée aux joueurs de Violon. Le détail de l'instrumentation Violon vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Violon / Partition

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Scholarly critical edition with many corrections in the score and orchestral parts.Clear presentation of orchestral parts in an enlarged format 25.5 cm x 32.5 cm.?Prélude A L?Aprés-Midi D?Un Faune? often referred to as the first composition of the ?modern? era is one of Debussy?s most popular and frequently performed orchestral works. The piece comes down to us in an array of sources and several important ones are drawn upon for the first time in Bärenreiter?s scholarly-critical edition.Most of the currently available editions are based on the first edition from 1895 which however contains many engraver errors.When the corresponding orchestral parts are also taken into consideration countless discrepancies are revealed.Bärenreiter?s Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes found in no other source include metronome markings different pitches and additional notes as well as added tempo and articulation markings which all subtly enhance Debussy?s finely sculpted work. There is even a breath mark added to the famous solo Flute passage which opens the work.

'You know how Syrinx disregarded fiery Aphrodite and what price she paid for her too great pride and love for virginity; how she turned into a plant with reedy growth substituted for her own when she had fled from Pan's love and how she still sings Pan's desire!' (Nonnus of Panopolis Dionysiaca book 16. Greek poet 5th cent.AD)Debussy's la fl te de Pan (better known as Syrinx) was originally written for flute. The characteristics of the cello capture and unfold what is distinctly French about this piece.

The third volume of the Heifetz Collection is a treasure trove of material for violinists, including many items that have never been published before. Jascha Heifetz (1901-1987) remains a landmark among violinists of the twentieth century, a performer who virtually redefined the limits of the possible for his chosen instrument. These transcriptions and arrangements, made to enrich his own repertoire, will be a great boon to young virtuosos looking for a challenge. Many of them were provided by the Heifetz family and are published here, for the first time. Music by Albeniz (Sevilla), Castenuovo-Tedesco (Ritmo di Tango), Debussy ( La chevelure), Fauré (Aubade), Kodaly (Danube-Tisza), Prokofieff (Gavotta, Op. 32) among others are included in this handsome collection, which is a must purchase for players and lovers of fine violin music. / Violon Et Piano

Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of

Instrumental Play-Along-Great solo arrangements of beloved melodies from Bach Beethoven Brahms Gounod Debussy Handel Rossini Satie and more! Contains: Ave Maria ? Brandenburg Concerto No. 5 ? Caro Mio Ben ? Clair de Lune ?Funeral March of a Marionette ? Gymnopédie No. 1 ? Hallelujah Chorus ? Hungarian Dance No. 5 ? Minuet ? Piano Sonata No. 14 (?Moonlight?) ? Pomp and Circumstance ? Symphony No.5 ? William Tell Overture.

A choice collection of perennial favourites by such masters as Bach Brahms Debussy Handel Haydn Saint-Saens Schubert Tchaikovsky and Wagner.

12 repertoire pieces for cello Grades 6-8-Principal Cello is an exciting collection of 12 pieces for more advanced cellists. Covering Grades 6–8 it features music in a range of styles with works by Janá ek Debussy and Grieg sitting alongside hidden gems by William H. Squire and Georg Goltermann. Cello arrangements of popular recital pieces such as Borowski’s Adoration are also included making this the ideal companion for exploring new repertoire in practice concerts or exams. Key features: pieces from Lists B and C of ABRSM’s Cello syllabus at Grades 6–8 newly created editions of rarely-played repertoire recordings ofcomplete performances and playalong tracks available for download at www.abrsm.org/principalcello Other publications for Cello: More Time Pieces for Cello 2 Spectrum for Cello Spectrum for String Quartet  

Partitions arrangées pour violon + un CD audio contenant 2 versions de chaque titre: une démonstration complète puis une version sans le violon qui vous permettra de jouer accompagné. / Violon / Partition + Cd

Quinze des pièces classiques populaires pour violon dans les arrangements de ligne mélodie facile par Daniel Scott, avec le soutien spécialement enregistré pistes. Junior Guest Spot est idéal pour les débutants et les jeunes interprètes, à l'aide de courtes ententes faciles en touches simples. Le CD accompagne contient les versions plein rendement et sauvegarde uniquement les versions donc vous pouvez jouer à la ligne solo. / Violon / 84 pages / Partition Cd