For Brass Quintet-Joseph Horovitz. Suite of five pieces for brass quintet: two trumpets horn trombone and tuba. Full Score.This work was composed in 1964 at the request of the well known American tuba player Roger Bobo. It was soon taken into the repertoire of the Philip Jones Brass Ensemble who gave the first BBC broadcast. The first recording was on Pye records by the Hallé Brass Ensemble. Since then it has become a regular repertoire piece and recorded as well as broadcast all over the world.The Suite consists of five movements all illustrating aspects of the Burlesque Theatre Music Hall circus and cabaret so popular at the end of the 19th century and into the 20th. The titlesof the short movements are: Soubrette Song Trick Cyclists Adagio Team Soft Shoe Shuffle and Les Girls.The five orchestral brass instruments (two trumpets horn trombone and tuba) are exploited in a chamber music manner but the cumulative effect has a theatrical quality in keeping with the title.

London Rags is largely based on two patriotic tunes God Save The Queen and Rule Britannia. These are used in blues and ragtime transformations and the melodies are not complete until they appear in the form of a classical rag in G major at the end. Commissioned by London Brass at the suggestion of Philip Jones. The first performance was at the Queen Elizabeth Hall London 16 December 1986. Scored for 2 Trumpets Horn Tenor Trombone and Tuba. Score available separately (NOV120873).

An exciting quintet for brass by composer Edward Gregson for Horn in F two Trumpets Trombone and Tuba. Available here are the individual parts.

Fanfare: For Brass Quintet is a fantastic thrilling and uplifting piece expertly composed by Richard Rodney Bennett.Fanfare: For Brass Quintet is guaranteed to resonate around the room at any performance giving a sense of royalty and grandness.

Contemporary British composer Brian Kelly has composed a series of place-inspired suites including the Cuban Suite and the New Orleans Suite. The Suite Parisienneâ??s four movements suggest the Paris of years gone by Quartier Latin Promenade Memoire Moulin Rouge in music that shows a deep understanding of brass instruments and a lively sophisticated setting of melodies that are almost but not quite French tunes. The solistic opportunities for each instrument are generously shared and the three livelier movements make a brilliant frame for the longing tone of the Memoire movement.