Verdi, Giuseppe Messa da Requiem In this new scholarly-critical edition of the ?Messa da Requiem?, the editor, on the basis of all available sources, succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work. A hitherto unexamined handwritten reduction for voice and piano casts a new light on the evaluation of several known sources and leads to new philological and editorial decisions. This edition presents a detailed Critical Commentary as well as a preface on the genesis and history of the work. In addition the preface includes a short section on the most important editions published in the 19th century and compares them with regard to problematic passages in the work and the suggestions they made to solve musical problems. ? Verdi?s monumental work in a Bärenreiter Urtext edition ? Trilingual preface (Ital/Eng/Ger) ? Detailed Critical Commentary (Eng) ? Idiomatic well-presented piano reduction Edition no.: BA 7590-90 ISMN: 9790006541591 Editor: Uvietta, Marco Arranger: Campora, Andrea Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: X, 154 S. - 27,0 x 19,0 cm

Vocal Score / Softcover. Par VERDI GIUSEPPE. In a letter of 2 January 1851, Verdi suggested for the first time Antonio Garcia Gutierrez play El Trovador as a possible subject for his new Opera: 'It seems to me very beautiful, imaginative, and full of strong situations'. Once he had settled on the subject, the composer immediately began looking for a theater in which to produce the Opera and after protracted negotiations he decided to stage Il Trovatore in Rome. The premiere occurred on 19 January 1853 at the Teatro Apollo and was an enormous success. The appreciation of the new work increased from performance to performance. The third performance was the last the composer was contractuallyobliged to attend: at the end of the evening the audience presented Verdi with two laurel wreaths. Verdi 's account of the performances, contained in a letter to his friend Clarina Maffei, was eloquent: 'They say that this Opera is too sad and that there are too many deaths. But ultimetley in life everything is death! What exists?. . . ' Notwithstanding Verdi 's pessimism, Il Trovatore circulated rapidly. In fact, no other Opera of Verdi except 'Ernani' enjoyed such instant and widespread success./ Répertoire / Chant et Piano

Référence unique par son ISBN 9790040502787 cette partition musique de Verdi Giuseppe n'est autre que VESPRI SICILIANI qui a été composée pour Voix Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Ricordi. La référence catalogue de cette oeuvre est CP05027805. / Voix Et Piano / Partition

Référence unique par son ISBN 9790041370361 cette partition musique de Verdi n'est autre que VESPRI SICILIANI qui a été composée pour Voix Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Ricordi. La référence catalogue de cette oeuvre est CP05027804. / Voix Et Piano / Partition

Vocal Score-This is the Complete Vocal score of the entire opera with singing text in Italian and English. A beautiful imaginative opera and it is one of Verdi’s most famous works and most successful opera. The premiere occurred on 19 January 1853 at the Teatro Apollo in Rome and was an enormous success. The appreciation of the new work increased with each performance. The third performance was the last that Verdi was contractually obliged to attend: at the end of that evening the audience presented Verdi with two laurel wreaths.

Soft Cover ed 1960-Verdi's tenth Opera Macbeth had its premiere at the Teatro alla Pergola in Florence on 14 March 1847. That the composer himself had a high opinion of the work is confirmed both by his correspondence and by his dedication of the vocal score to his father-in-law Antonio Barezzi.Seventeen years later long after Macbeth had firmly established itself in the repertoiry of Italian and foreign theatres Verdi agreed to revise the Opera for its first Paris production at the Theatre-Lyrique on 21 April 1865. The revisions were far more extensive than he had initially anticipated but the self-criticism he brought to the processindicated his continuing belief in the viability of the Opera. The Paris premiere of the revised version was not a success and even after the publication of a vocal score of the 1865 Opera many Italian theatres continued to perform the original version. Nevertheless since Verdi considered the revisions definitive Ricordi chose to market the 1865 version which has thereafter always remained in the catalogue.

Opera Completa Per Canto E Pianoforte In Brochure. Par VERDI GIUSEPPE. The hidden sadness and frustration of living as a moral outcast, the attempt to simulate innocence in frivolous living and the desperate search for relief from pain and anguish, the destruction of all hope in an unrealistic love affair. . . this is Violetta Valery. Verdi penetrated the tormented sensitivity of her soul as he visualized her in his music, transforming her individual fate into a universal representation of human suffering. His compassion for her, however, met with bigoted censure: the bourgeois public, scandalized by the presence of a kept woman as a character on the stage, gave the opera an icy reception at its premiere in Venice (Teatro La Fenice, 6 March 183). Certainly an inferior cast for the occasion did little to help. Only the following year, when La traviata was revived for another production in Venice (Teatro San Benedetto), did the tale of Violetta manage to overcome this prejudice and win the unconditional esteem it so deserves./ Répertoire / Chant et Piano

Par VERDI GIUSEPPE. Langue: English(UK)/Deutsch/Français/Nederlands / Classique / Date parution : 1905-06-24/ Répertoire / Chant et Piano

Opera Completa per canto e pianoforte - Edizione tradizionale - Testo cantato in Italiano. Par VERDI GIUSEPPE. The hidden sadness and frustration of living as a moral outcast, the attempt to simulate innocence in frivolous living and the desperate search for relief from pain and anguish, the destruction of all hope in an unrealistic love affair. . . this is Violetta Valery. Verdi penetrated the tormented sensitivity of her soul as he visualized her in his music, transforming her individual fate into a universal representation of human suffering. His compassion for her, however, met with bigoted censure: the bourgeois public, scandalized by the presence of a kept woman as a character on the stage, gave the opera an icy reception at its premiere in Venice (Teatro La Fenice, 6 March 183). Certainly an inferior cast for the occasion did little to help. Only the following year, when La traviata was revived for another production in Venice (Teatro San Benedetto), did the tale of Violetta manage to overcome this prejudice and win the unconditional esteem it so deserves./ Répertoire / Chant et Piano

Par VERDI GIUSEPPE. Langue: English(UK)/Deutsch/Français/Nederlands / Classique / Date parution : 1905-06-24/ Répertoire / Chant et Piano