Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Cool syncopation funky riffs and smooth stylish tunes. A vibrant collecton of original pieces in a range of contemporary styles so take a break from the classics and get into the groove as you cruise from blues to rock to jazz.

Par MIER MARTHA. Classical melodies from piano, opera, and orchestral literature are revisited in this unique series. The arrangements feature jazz styles including ragtime and blues. Students who are familiar with some of these gems will enjoy their new settings while those playing them for the first time will become familiar with these wonderful melodies. Titles: Boogie for Elise * Habanera * Jazzy Sonatina No. 2 * Lively Sonatina * Old French Song * Perky Turkish March * Ragtime Rage * Ragtime Surprise * Traumerei Dreams. / Instrumental Music, Miscellaneous, Piano Music / Recueil / Piano

Erwin Schulhoff was a German-speaking composer who was born in Prague in 1894 and died in the Nazi concentration camp in Wülzburg (Bavaria) in 1942. In the 1920s he returned to his native Prague to teach at the local conservatory. His compositions, with their blend of traditional genres, jazz syncopations, dance rhythms and moderately expanded tonality, were fully attuned to the tenor of the times.This edition contains five of Schulhoff's piano cycles with a total of thirty-five jazz-inflected pieces ranging from the relatively easy 'Esquisses de jazz? (1927) to the fairly demanding 'Cinq études de jazz? (1926). This is the first Urtext edition of this music and draws on the original prints comparing them with the surviving handwritten sources. Errors have been corrected and distinctive traits of Schulhoff's notation retained.- First Urtext edition of these jazz-inspired works for piano- Foreword (Ger/Cz/Eng) and Critical Commentary (Eng) / Piano

Par LEVINE MARK. « Le livre du piano jazz » traite des techniques fondamentales et de l'art avancé du jeu, de Art Tatum à Mulgrew Miller.La structure de ce volume est insolite : au lieu de réunir tous les voicings en un chapitre et la théorie en un autre, les thèmes alternent au cours du livre.Mark Levine explique toujours la théorie musicale à l'aide des transcriptions et des pièces qu'interprètent souvent les musiciens de jazz. Le choix va de standards comme « Just Friends » à « Infant Eyes », la magnifique ballade de Wayne Shorter. « Le livre du piano jazz » s'adresse en premier lieu aux pianistes. Mais grâce aux avantages visuels qu'offre le piano, d`autres instrumentalistes et des chanteurs ont aussi un accès facile aux harmonies du jazz. Un livre qui vous inspire à travailler et explorer votre piano. / method / Recueil / Piano

Classical melodies from piano opera and orchestral literature are revisited in this unique series. The arrangements feature jazz styles including ragtime and blues. Students who are familiar with some of these gems will enjoy their new settings while those playing them for the first time will become familiar with these wonderful melodies. Titles include: 'Hungarian Jazz Dance' 'Jazz Solo' 'June Blues' 'The Ragtime Farmer' 'Ragtime for Elise' 'Ragtime Minuet' 'Santa Lucia Rag' 'Solfegietto Jazz' and 'Venetian Blues'.

Par MOEHRKE PHILIPP. Compositions by Philipp Moehrke covering the diverse styles of different Jazz pianists including background information about the compositions and styles. This book is an excellent complementary volume to “Jazz Piano – Voicing Concepts ” and offersfresh and practical new material. / Jazz / Recueil / Piano

Jazz Piano Essentials includes a collection of riffs patterns and exercises as well as explanations of stylistic piano idioms such as stride walking bass rootless voicings rhythm changes blues swing bebop and others supported with transcriptions arrangements and solos based on standards. It also contains many intros and endings along with standard runs and fills. A unique compendium full of personal tips and secrets of jazz piano collected over a lifetime of study and performance. Classical musicians starting to investigate jazz or intermediate to advanced players wanting to enhance their skill set will find this book to be full of promise and absolutelyessential.

Designed to introduce the young intermediate-level pianist to playing the blues Jazzin' the Blues presents fifteen original blues compositions in various keys styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part so the student can play along with a professional rhythm section which includes piano vibraphone alto flute drums andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory blue notes grace notes pedal-points tremolos trills syncopation anticipation delayed beats slash chords boogie-woogie left-hand patterns walking bass stride piano style straight eighths swingeighths passing tones rolled chords riffs 'filler' chords substitutions and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping); in addition the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping practice and jazzsoloing plus a list of noteworthy jazz pianists a key to chord symbols and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book you will be by the time youcomplete it! Includes access to online audio.

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste plat sur le support du piano. / Jazz / Partition / Wiro /

Compilation. Solos de piano moyens à avancées. Scott Joplin, Kid Ory, ALE Waller, Sy Oliver, Jimmy Dorsey, Dizzy Gillepsie, Charlie Parker, David Martin, moine de Thelenious et d'autres normes de jazz compilés / Rép International / Recueil / Piano

Méthode en anglais.
Every musician should have a basic understanding of how and why pianists voice chords in certain ways. This book, designed by a horn player, addresses and explains the basics of authentic, hip sounding chord voicings in simple, non-pianistic language. You?ll be comping on your own over Standards in a short period of time. Includes written voicings over many of the most popular Aebersold play-a-long tracks, so you can comp with bass and drums backing you up! No piano skills are required to use this book effectively. Play great jazz voicings today!

Covers all styles of comping, from basic amd fundamental approaches to modern! A complete collection of II/V7/I voicings for jazz keyboard, starting with simple diatonic voicings and progressing into more harmonically rich and diverse voicings with intricate passing tones and complex harmonies. No longer will you be stuck using the same kinds of voicings over and over, even in different styles. Now you can have a variety of II/V7/I voisings available at your fingertips for every musical situation.
Langue : en anglais