Twelve Fantasias for Flute without Bass TWV 40:1-12 . Par TELEMANN GEORG PHILIPP. The Fantasias For Flute Without Bass address themselves less to the virtuoso than to the amateur flutist, who will find everything he wishes in these pieces. Although Telemann himself may have lost track of his works, the many flutists who have perfected their technique and musical interpretation with the help of these lovely Fantasias will never forget them. - Urtext of the Telemann Edition. / Répertoire d'Examen / Répertoire / Flûte Traversière

For Flûte And Bassoon. Score Only.. Par VILLA-LOBOS HEITOR. For flute and bassoon. Score only. / Rép Classique / Répertoire / Flûte Traversière

Par BASSINGTHWAIGHTE SARAH. Left Behind for Solo Flute (left-hand only) by Sarah Bassingthwaighte. From the composer: 'I was approached with the idea of composing a piece for solo flute using only the left hand. This could be played by someone with a right-hand or wrist injury, or for anyone interested in trying a new flute adventure. My first thought is that the options would be very limited, and then I thought of something Stravinsky said that has rolled around in my head for years: 'The more constraints one imposes, the more one frees one's self. And the arbitrariness of the constraint serves only to obtain precision of execution.' He spoke often about the necessity of imposing restrictions to creating great music.' / Date parution : 2022-11-29/ Répertoire / Flûte Traversière

Piccolo, Alto and Bass Flute / Piccolo, Alt- und Bassflöte. Par LEVINE CARIN / MITROPOULOS-BOTT CHRISTINA. A comprehensive and systematic presentation of all relevant techniques for playing contemporary music. Following on the great success of the first volume, this second book systematically explains the full technical and timbral potential of the piccolo, also and bass flutes. The techniques are presented with instructive examples from the modern flute repertoire that also serve to illustrate peculiarities of notation. Useful tips for practising are presented as an aid to performance. The CD allows you to compare your playing with recordings by Carin Levine. The volume is an indispensable and practical tool for composers, performers andteachers. Features: Comprehensive and systematic presentation of all relevant techniques for playing contemporary music on the piccolo, alto and bass flutes Clear explanations of timbral peculiarities Helpful suggestions for experimentation CD with recorded examples Illustrative musical examples with excerpts from contemporary works Previously tested on all standard models of piccolo, alto and bass flutes German and English text / Pédagogie / Livre / Flûte Traversière

Par GORDON ANDREW D.. As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves” based on the influences of the great Funk, Soul and R&B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Saxophone part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on Flute styles such as: ; 100 Ultimate Blues Riffs for Flute, ; 100 Ultimate Jazz Riffs for Flute, ; The Blues Scale for Flute as well as another book that A. D. G. Productions publishes ; Ultimate Funk Grooves for Flute authored by Ben Tompsett which have all been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Andrew's, he has written this instructional book ; 100Ultimate Soul, Funk and R& B Grooves based on the influences of the great Funk, Soul and R& B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG's, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Flute part playing along with a rhythm section of Guitar, Bass, Drums, Keyboards and in many of the grooves, Percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the Flute part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks./ Recueil / Flûte Traversière

Par COLQUHOUN MICHAEL. Salsa is a popular Hispanic-American urban dance music with deep African and Cuban roots. Charanga is a style of Salsa which was popular from the 1920's through the 1970's. What made Charanga unique was that along with the usual percussion section (congas, bongos/cowbell, timbales, maracas/guiro and clave) there was a string section and a flute lead. When the music was cocinando (or 'cooking”), the percussion, piano, bass and strings would play a powerfully swinging, polyrhythmic patter over which the Charanga flutist was free to improvise complex and intricate riffs. These days, while Salsa is popular as ever, the Charanga as a separate entity is rare. The flute, however,continues to be an important solo instrument. This piece is a cubist portrait of Charanga, and is dedicated to all the great Latin Charanga flutists./ Répertoire / Flûte Traversière

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting off point for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible. / Niveau : Intermédiaire / Recueil / Flûte Traversière

Take centre stage and play along with a live rhythm section featuring Bass, Drums and Piano This collection features 24 great songs, from Jazz and Blues standards through Soul and Gospel favourites and lively Swing and Latin numbers. The authentic CD backing tracks will help you achieve a more professional performance. What's included: Printed music - 24 pieces in melody line arrangements Two audio CDs - Professional 'soundalike' performances of every piece featuring a live band on CD 1, plus backing tracks to play along with on CD 2. / Flûte Traversière

Ces 12 sonates pour flûte traversière et basse ont été publiés à Amsterdam en 1723 à un accueil très positif. Cela peut être démontré non seulement par l'existence de nombreuses copies pirate, mais aussi par les instances telles que le fait que la partie de la dixième Sonate a été conservée dans l'excellent travail incrusté sur une table haut en marbre imitation appartenant au Prince Friedrich von Schwarzbourg-Rudolstadt. Ils montrent des éléments de la galant émergents de style et sont distinguent par la surprenantes tournures de phrase et une variété extraordinaire d'expression. D'un point de vue stylistique, cette collection représente une contribution précieuse au genre de la Sonate solo, qui était à cette prééminence gagner du temps sur la Sonate en trio. / Flûte Traversière Et Basse Continue

Par OMBREDANE OLIVIER. Les musiques des caraïbes font partie de notre patrimoine culturel. Elles ont emprunté et adapté des rythmes et des harmonies à nos musiques européennes ; elles se sont transformées au contact des peuples indigènes enracinés dans cette région du globe, pour créer leur propre identité musicale. Une forte spécificité africaine leur confère un caractère particulièrement dansant et chaloupé. La flûte est un instrument très présent dans cette musique, tant dans les caraïbes françaises (flûte des Mornes) que dans les caraïbes espagnoles. Nous découvrirons tout le long de ce volume, bon nombre de rythmes syncopés spécifiques à chacune de ces musiques. À ce propos, des exercices rythmiques seront proposés sous forme de petits patterns audio, extraits directement des morceaux. Je vous conseille aussi de chanter toutes ces mélodies en entier ou par petits extraits ; l’appropriation par transmission et appropriation orale est plus efficace et renforcera à coup sûr la lecture rythmique de ces rythmes complexes. N’hésitez pas non plus à chercher dans le mouvement et la danse vos propres jeux musicaux et appuyez-vous sur les accompagnements joués par les percussions, la basse et le piano (version playback seul) pour trouver les appuis rythmiques qui vous aideront à interpréter les mélodies de ce recueil. Il est conseillé de penser la battue à la blanche dans tous les morceaux à 4/4. Les indications de phrasés (points, liaisons, accents divers) sont des indicateurs importants pour jouer dans le style ; vous trouverez dans la version flûte 1 et dans l’accompagnement une façon d’interpréter cette musique. À vous de trouver la vôtre !/ Recueil / 1 ou 2 Flûtes Traversières

Par SNIDERO JIM. Ce livre/cd permet aux flûtistes de tous niveaux d'étudier le langage du jazz. Il contient 21 solos qui sont enregistrés sur le CD par Frank Wess (Flûte), Mike LeDonne (Piano), Dennis Irwin (Basse) et Kenny Washington (Batterie). Deux enregistrements par morceaux : une version complète + une version sans la partie solo. / Méthode en anglais / Méthode / Flûte Traversière

15 Solo Etudes for Jazz Phrasing, Interpretation, and Improvisation. Par SNIDERO JIM. Ce livre/cd permet aux flûtistes de s'initier au jazz. Il contient 15 solos, basés sur la progression des accords. Ces morceaux sont enregistrés sur le CD par Jim Snidero (flûte), Mike Le Donne (Piano), Peter Washington (Basse) et Kenny Washington (Batterie). Deux enregistrements par morceaux : une version complète + une version sans la partie solo. / Niveau : Facile / Méthode en anglais / Méthode / Flûte Traversière