Create in Me. Nick Strimple has composed a set of three easy anthems, and lacking in difficulty is absolutely true. But elegant and distinguished also describes these settings of familiar texts. This setting of Psalm 51 is for unison choir or solo voice and organ accompaniment.

For massed unison voices organ piano and percussion with optional SATB chorus.All shall be Amen and Alleluia was commissioned as the concluding piece for a concert in Princeton University Chapel New Jersey onApril 29 2009 to be sung by a large chorus of 500 voices. It was written to follow a performance of Son of God Mass by the same composer sung by a smaller choral group.

Scored for unison voices and organ or piano. Psalm 98 paraphrased by David Walser. Music by Arthur Wills.

Peter Jenkyns' The Owls is a delightful piece for Unison Voices with Piano accompaniment and is ideal for school choirs and assembly use.

Originally written as a solo work this unison setting for treble voices and organ depicts Mary standing at the foot of the cross. In the music the falling phrases represent Mary's weeping – and the rising phrases her grief and great sadness of heart.

The fifth variation in Britten's third opus the Corpus Christi Carol finds words in a hymn first found in the early 16th century music was later added by Peter Warlock and then in 1933 by Benjamin Britten.Ithas been arranged by the composer from his Choral Variations and edited by David Willcocks.

The question in the title may seem abstract but learning that the poet was five and the profundity behind her thoughts is the first impressive moment. The first melody line holds the weight of the question. The second melody dances while your thoughts become dazzled. Returning to the first theme you enjoy the unanswered questions of the ages from the innocence of youth. Easy.