Franz Schubert(1797-1828) was an Austrian composer working in the early Romantic era. First published in 1823 Die Nacht (D. 983c/Op. 17 No. 4) is scored for an unaccompanied four-part male chorus(TTBB) with words by Friedrich Wilhelm Krummacher. In this lyrical song Schubert cleverly uses the expressive nature of the upper male range to serenade the beauty of the night.

Following the solid success of Dickau's SATB setting of the beautiful love poem by e.e. cummings here is his musical arrangement for men's voices. It is an impressive yet romantically intimate piece suited for festival highschool college and beyond. Also available for SATB and SSAA. Duration: ca. 4:00.

Night-This beautiful Romantic partsong for male voices is offered in a new Choral Treasury edition featuring both the German text and an English translation by Dr. Leavitt. Available: TTBB a cappella. Performance Time: Approx. 1:45.

This 1989 #1 pop hit by Richard Marx will provide a wonderful romantic moment in a Valentine's concert spring concert or any time you need a special expression of love! The background vocals create a warm texture and the melodicphrases will warm the heart! Available separately: SATB a cappella TTBB a cappella. Duration: ca. 3:10.

Jeremiah 2:2 31:19 Ezekiel 16:60. The text drawn from the book of Jeremiah and Ezekiel attests that God's love for the people is unending. The style of music evokes the sweetness of the German romantic traditions. Available separately: TTBB and optional organ.

Already popular as an SATB composition this new voicing gives male choirs the opportunity to experience David Dickau's romantic music and Sara Teasdale's inspiring engaging poetry.

Weltliche Männerchöre. This multifaceted cross section of the art of men’s choir literature from the romantic era contains some genuine rarities. It includes compositions of high musical and literary quality which are no longer available in other editions. In addition to choral pieces for small ensembles in the style of the Liedertafel [men’s singing societies], which are oriented on classical models [Zelter, Sohr, Schneider], there are compositions for larger ensemble in which soli and tutti alternate [Loewe, Marschner], as well as songs of a traditional folk song character [Fröhlich, Kreutzer, Volkmann]./ Répertoire / Choeur d'Hommes