Songs Of Africa contains twenty-two pieces for mixed voices compiled and edited by Fred Onovwerosuoke. representing a wide range of countries including Nigeria Ghana Congo South Africa and many others. Suitable for use in concert programs and Church services.

Building from a quiet beginning to a celebrative finish this rhythmic anthem is unbridled fun. Perfect for Palm Sunday or any time during the year it combines portions of the traditional Latin Sanctus text with an Africanmelody. The result is a delightful anthem of joy. Add the optional percussion to enhance the presentation.

a capella-This playful contemporary African folksong is a lot of fun to perform with layered vocal parts African percussion and humorous references to the choir members singing.

Layered call and response vocals African percussion and optional movement all combine to create this cross-cultural celebration. Easily-learned with lots of repetition will make this an unforgettable concert experience. Available for SATB only. Performance time: Approx. 2:30.

The anticipation of the coming Messiah is captured with the African percussion and choral writing in this exciting new choral from Michael Barrett. The African folk song Kum Ba Yah is the pivotal point within this carol. Not to be missed!

Benjamin Harlan has taken an African folksong and created a new anthem which radiates Christmas joy. The optional percussion adds excitement and interest.

Prayer for Africa-This dignified song by Enoch Mankayi Sontonga (1860-1904) and Sek Mqhayi (1875-1945) is the Pan-African Anthem and is sung throughout the continent. This setting may be sung a cappella or with chimes and layered percussion.

Dan Forrest's Jubilate Deo brings to life the global aspect of the traditional Psalm 100 by setting it in seven different languages and drawing from a wide spectrum of musical influences. Here movement 4 shifts to Africa setting portions of the text in Zulu and drawing from African vocal and drumming traditions. Works well in the context of the entire work or standing alone.

Traditional Zulu Dowry Song-Here is a popular Zulu traditional song as arranged by Rudolf de Beer former conductor of the Drakensberg Boys Choir of South Africa. What a vivid connection to the people and culture of that part of the world! Authenticpercussion and movement suggestions give this selection great visual appeal. Available separately: SATB SSAA. Duration: ca. 1:50.

Be quiet be still listen and hear far away a voice is calling this is the translation of this original work that evokes the wonder and beauty of the country of South Africa. The gentle declaration of the text with subtle movement background drum and rich harmony portray the dignity and culture of the music and the people.

Shadowland from the Lion King Broadway stage production is superbly arranged here for SATB choir by Mac Huff. The simple African phrase alternates with an inspiring English lyric all above the undulating African percussion. Performance time: 4 minutes

Lively percussion captures the attention followed by a stacking of voices singing this popular South African folk song. Attention is given to vocal writing that creates rhythm patterns around the melody use of repetition and the use of both English and Swahili. A perfect beginning a cappella work for young singers and developing choirs. Percussion parts are available for download on the Closer Look page. Lively percussion captures the attention followed by a stacking of voices singing this popular South African folk song. Attention is given to vocal writing that creates rhythm patterns around the melody use of repetition and the use of both English and Swahili. A perfect beginning a cappella work for young singers and developing choirs. Percussion parts are available for download on the Closer Look page.