The ring of the cymbals and crack of the tambourine - this renaissance medley relives the days of yore. Available: SATB a cappella SAB a cappella. Performance Time: Approx. 4:30.

Twelve Renaissance Masterpieces from Spain France Germany Italy and England including works by Gombert Hassler Lassus and Weelkes. All works are edited for performance by The King's Singers. Performance notes translations and pronunciation guide included.

Fill your performance space with the glory of a German Renaissance Christmas with selections from this outstanding collection! Mixed choruses from high school through professional will appreciate the clean well-edited editions. Works include: Es ist ein Ros' entsprungen (Praetorius) Dixit Maria (Hassler) Angelus ad pastores ait (Hassler) Psallite unigenito (Praetorius) Maria wallt zum Heiligtum (Eccard).

Collection-Here are five representative works of Josquin des Prez probably the most famous European composer of the high Renaissance style of polyphonic vocal music in a value priced collection for mixed choirs and madrigal groups. Includes: Allegez moi Mille regretz Nymphes des bois Petite Camusette Scaramella.

Morley's early-Renaissance setting of the Magnificat And Nunc Dimittis alternates between the unison lines based upon Gregorian tones and an SATB chorale-style texture. Edited by Francis Burgess and Royle Shore.

Almost 40 compositions half of which written for accompanied and unaccompanied choir can currently be found in the catalogue of works by the young Polish composer Katarzyna Danel (born in 1992). After winning several national composition prizes she was awarded the 1st prize of the 13th International Composition Competition 'Musica Sacra Nova' 2016 for Misericordias Domini for eight-part mixed a cappella choir. The complex sacred a cappella choral work is based on the eponymous Gregorian chorale (Psalm 89:2). This Latin choral piece is characterized by three main structures: by aleatoric sound clouds in major pentatonic scales which are emphasized by sustained organum-like notesfrom the Gregorian chorale melody on the one hand by Renaissance-style polyphony combined with modern harmony on the other hand and finally by long static chords merging in space and harmony. A wonderfully mystical spherical composition which by means of ad libitum passages marked in the musical text even gives the performer the opportunity to interpret the piece individually.

Written in the late Renaissance period by Tomas Luis de Victoria this beautiful piece captures the wonder and mystique of Christ's birth. Russell Robinson has arranged “O Magnum Mysterium ” making it more accessibleto both school and church choirs by setting it in a slightly higher key than the original and with notation that is more easily understood. The music of the Renaissance has a pure clarity of sound that every singer shouldexperience. Capture the wonder of Christmas and the holidays with “O Magnum Mysterium.”

William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under ThomasTallis at the Chapel Royal before becoming organist and master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist. Ego Sum Panis Vivus was inspired by theantiphon to the Benedictus at Lauds on the feast of Corpus Christi. It makes a perfect anthem for any Eucharist service or Mass. It is scored for SATB choir with Piano reduction for rehearsal purposes.

William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under ThomasTallis at the Chapel Royal before becoming Organist and Master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist. O Sacrum Convivium was inspired by the Antiphonto the Magnificat at the 2nd Vespers of Corpus Christi. It makes a perfect anthem for any Eucharist service or Mass. It is scored for SATB choir with Piano reduction for rehearsal purposes.

An anthem for four voices attributed to the Renaissance composer Richard Farrant. Edited by Martin Shaw and written for SATB chorus with Piano accompaniment for rehearsal purposes only.

Bullard's carol for unaccompanied SATB chorus sets a Renaissance-period text by Ben Johnson.