Here is a fantastic resource for introducing the music of the Renaissance to developing ensembles or groups with limited male singers. Purchase the Performance Kit and receive a code to access audio tracks online through My Library. The six works by Thomas Weelkes featuring optional percussion are: Come Let's Begin Four Arms Two Necks One Wreathing Late in My Rash Accounting The Nightingale Since Robin Hood Strike It Up Tabor.

Five renaissance pieces for women arranged by John Leavitt for SSA a cappella.Contents include: Sonatemi Un Balletto Je Le Vous Dirai O Dear Love (Mein Feinslieb) How Merrily We Live and Tanzen Und Springen.

Les pièces à trois voix mixtes sont proposées pour soprano, alto et basse, certaines d'entre elles peuvent être chantées par une voix de femme et deux voix d'homme. De même, la plupart des pièces à quatre voix mixtes (SATB) peuvent être exécutées par trois voix de femme et une voix d'homme. Contenu : 3 VOIX MIXTES: J'ay espéré (chanson de la Renaissance publiée par Pierre Attaingnant) - Hélas ! Que c'est ung grant remort (chanson de la Renaissance (publiée par Pierre Attaingnant) - 0 Felice nocchiero (Canzonette de Orazio Vecchi) - L'ultima volta ch'io (Canzonette de Orazio Vecchi - Lasso no é cor mio ( Villanella de Luca Marenzio) - Se il dolce sguardo (Villanella de Luca Marenzio) - Quando sperai (Canzonette de Claudio Monteverdi) - Son questi i crespi (Canzonette de Claudio Monteverdi) - Your shining eyes (Madrigal de Thomas Bateson) - 0 Felix anima (Motet de Giacomo Carissimi) - Due pupille (Nocturne de Wolfgang A. Mozart) - Psaumes 31 et 69 (Joseph Haydn) - Mich zieht es nach dem Dârfchen (Schumann) - Wesley's Challenge (Tom Johnson) - 4 VOIX MIXTES: 0 bone Jesu (Marco Antonio Ingenieri) - 0 Salutaris hostia (Giovanni Francesco Anerio) - Panis angelicus (Claudio Casciolini) - Ach, Gott, wie manches Herzelied (Choral de J.S. Bach) - Ach wie flüchtig, ach wie nichtig (Choral de J.S. Bach) - Erlaube mir, feins Mädchen (J. Brahms) - Somebody loves me (Gershwin) - Margie, Barber shop song (arrangement de Jacques Petit) - Every time I feel the Spirit (Spiritual arrangé par Marc Meyer) - Wesley 's Challenge (Tom Johnson) Compositeur/Auteur : CORNU Françoise
Discipline/Instrument : choeur Support : Partition
Style/Genre : méthode - études
Date de parution : sept.-03

A selection of nine works by Tomkins including his seven Penitential Psalms which comprise a fine and coherent set. Edited by Ivan Moody this is part of a series of short volumes each devoted to a single composer or appropriate group of composers thoroughly exploring the unlimited resources of Renaissance sacred polyphony.

Discovery Level 2-Introduce your choir to Renaissance a cappella singing through this well-known Thomas Morley madrigal. An excellent choice at festival and contest for younger choirs. Available separately 3-Part Mixed (opt. a cappella) 2-Part(opt. a cappella) VoiceTrax CD. Duration: ca. 1:50.

This musical setting of a Renaissance text is a playful contemporary madrigal. Great for concerts or festivals it will be a welcome addition to your choral library! Available: 3-Part Mixed. Performance Time: Approx. 1:45.

One of the most recognized anthems from the English Renaissance in a new adaptation specifically geared to the limits of younger voices and middle school choirs. Intimate and expressive this would work well in both concert and worship settings and provides a great way to introduce young singers to historical choral works. Available for SSA and 3-Part Mixed.

(Let All Be Singing and All Be Dancing)-Hassler's lively and dance-like madrigal originally written for five voices a cappella is re-voiced here for 3-part mixed and optional accompaniment. Both English and German are included and can be sung in either language or a combination. A smart choice for young singers beginning their exploration into Renaissance music.

Introduce your SSA ensembles to Renaissance style with this edition of the 3-voice Palestrina masterwork. Available: SSA a cappella. Performance Time: Approx. 2:00.

The vocal score for this popular and highly entertaining set of Madrigals for mixed chorus. Composed by John Rutter for the occasion of the 75th birthday of composer and musician George Shearing the set comprises five Madrigals written with an obvious and warming affection for the Renaissance secular polyphonic tradition. Some are unaccompanied and others have full Piano and optional Double Bass parts thus creating a rich and varied concert programme when performed as a set.

This energetic and rhythmic 16th-century piece is an excellent introduction to the music of the Renaissance. Includes secular or Christmas lyrics and optional hand drum. Available: SAB a cappella SSA a cappella. Performance Time: Approx. 1:00.

The English Renaissance composer Thomas Weelkes gave us the madrigal “Welcome Sweet Pleasure” in 1598 as an SSATB score. Patrick Liebergen has edited and arranged this wonderful work into an SSA choral that isdance-like and excellent for teaching text declaration. The accompaniment is optional making the work perfect for any general concert or madrigal dinner performance.

O Dear Love-This charming secular Renaissance lied for treble voices is an excellent introduction to imitative part-singing and will be a superb addition to concert and contest programs. German and English lyrics. Duration: ca. 1:30.