15 Solo Etudes for Jazz Phrasing Interpretation and Improvisation-For jazz phrasing interpretation and improvisation.A new and exciting way for alto saxophone players to learn and practice basic jazz style.This book/CD set features 15 solo etudes based on blues and standard chord progressions demonstrated by Jim Snidero on alto saxophone along with a world-class rhythm section: Mike LeDonne piano; Peter Washington bass; and Kenny Washington drums.The recording features two separate versions of each etude: one with the soloist and rhythm section and one with the rhythm section only. See and hear how the soloist phrases play with or without the soloist on the CD and learn basic jazz style first-hand.

The jazz ballad 'Theme for Ernie', composed by Fred Lacey, is presented in the arrangement by Jim Snidero for his album 'Strings', featuring alto saxophone, string ensemble and jazz rhythm section.Recommended editions for further study include the corresponding book 'Strings' (ADV7058), which includes the complete transcriptions of the alto saxophone solos of the CD of the same name. / Saxophone / Advance Music

A selection from the critically acclaimed CD album 'Strings' by Jim Snidero, recorded in New York City under the impression of September 11, 2001, 'Forever Gone' is an evocative ballad featuring the string section and an alto saxophone solo. / Saxophone / Advance Music

Par RICKER RAMON. 'Suspended Animation' is a contemporary straight-eighth feel with sections that can be opened up for any player to solo. The entire composition is built on only two suspended chords, and is written in a manner that makes it easy for young bands to quickly get into the piece. With only two chords to worry about, much of the anxiety of wrong notes is eliminated and the student can immediately concentrate on making music. Professionals will also have fun with the chart when it is opened up for extended solos. The piece was inspired by an improvised solo and chord progression that is found in Volume 1 of the Ramon Ricker Improvisation Series. Beginning improvisers will find the brief Notes on the Improvised Sections helpful. But, a more thorough discussion can be found in Volume 1 of the Ramon Ricker Improvisation Series. Medium Easy Advance Music is proud to present our new Groovin' Easy Series. We've taken 10 tunes from two popular Advance Music publications (Reading Key Jazz Rhythms and The Ramon Ricker Improvisation Series) and asked our writers to give us creative and musically challenging charts that are also playable by young bands. To the normal big band instrumentation of 5 saxes, 3 trumpets, 3 trombones and rhythm section we've added optional parts for flute, clarinet, French horn, guitar and auxiliary percussion. In addition, each chart is written to sound full with a reduced instrumentation of only 3 saxes, 2 trumpets, 1 trombone and rhythm section. The brass ranges are reasonable with the lead trumpet never going above a written C and the rhythm section parts are carefully notated and thought out./ Répertoire / Big Band

Par RICKER RAMON. Contemporary straight-eighth 'Maiden Voyage' feel. This chart takes up where 'Suspended Animation' left off. Uses same two suspended chords and adds a bridge. There is space for anyone in the band to solo. To help the beginning improviser, the composer has included some brief 'Notes on the Improvised Sections'. In addition this chart is correlated with material found in Vol. 1 of the Ramon Ricker Improvisation Series. Advance Music is proud to present our new Groovin' Easy Series. We've taken 10 tunes from two popular Advance Music publications (Reading Key Jazz Rhythms and The Ramon Ricker Improvisation Series) and asked our writers to give us creative and musically challenging charts that are also playable by young bands. To the normal big band instrumentation of 5 saxes, 3 trumpets, 3 trombones and rhythm section we've added optional parts for flute, clarinet, French horn, guitar and auxiliary percussion. In addition, each chart is written to sound full with a reduced instrumentation of only 3 saxes, 2 trumpets, 1 trombone and rhythm section. The brass ranges are reasonable with the lead trumpet never going above a written C and the rhythm section parts are carefully notated and thought out./ Répertoire / Big Band

Foreword by Gary FosterProgressionIce Cream KonitzMarshmallowSubconscious-LeePalo AltoSound-LeeI Remember YouAll Of MeFoolin' MyselfAlone TogetherCherokeeWhat Is This Thing Called Love'Round MidnightYou Stepped Out Of A Dream / Saxophone / Advance Music

Historical information about Händel's Water Music Suites is limited, but certainly these works were intended for two, possibly three, parties given by King George I on the Thames River, London, between 1715 and 1736. Händel and his orchestra played on a barge. Since then the some twenty-two separate original pieces have been organized into three Suites and nicknamed 'Water Music?, each having a separate key and likely corresponding to these river parties. This transcription of Water Music Suite II for saxophone quartet has two purposes: to make this music available to saxophonists for performance and education, and to provide in one volume the entire Suite II. The exception to the latter, because of the limits of endurance, is the exclusion of the short Adagio, a brief interlude between the fi rst two movements. Included though are the Allegro, Hornpipe, Minuet, Lentement, and Bourree. These works were originally meant for an outdoor performance, and one of the original intentions of the saxophone was to play in French military bands, also an open-air purpose. The original scoring of brass, woodwind, and string instruments (but no continuo) transcribe well for saxophones. Matching the ranges of instruments of the original to the saxophone quartet was a primary objective. In addition, this arrangement strives to disperse melodic material to all four saxophones so as to make the arrangement pleasing to all the members of the quartet while providing variety to an audience. Any dynamic, articulation, and tempo markings are to be taken only as suggestions so as to allow interpretation by the performers. The musical study and performance of all styles while using examples of composition and performance that represent excellence is necessary for saxophonists who wish to be well-rounded musicians. For the above reasons saxophonists are urged to listen to recordings of the original orchestration in order to learn and imitate proper interpretation of Baroque style. There are currently a number of excellent recordings of Handel's Suites on period instruments, such as (but not limited to) those by conductors John Eliot Gardiner, Christopher Hogwood, and the ensemble Tafelmusik. The Lewis-Clark State College Saxophone Quartet has for many years enjoyed performing Suite II for concerts, ceremonies and social settings, and I thank Advance Music for the opportunity to bring these great works to the profession. / 4 Saxophones (SATBar)

Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Fischer Clare Music Of Vol.1 Piano de Fischer Clare. Cette partition qui est éditée par les éditions Advance Music fait partie de la catégorie de la musique Jazz

A collection of 50+ Liebman original compositions, spanning the period from the '70's to 2006. The material includes all facets of Lieb's eclectic approach: modal, chromatic, blues, lyrical and free compositions. Many of the pieces include exact piano voicings and bass-lines. Also included is an essay on 'Why Compose?' as well as descriptions of the inspiration for each of the tunes.Having the invaluable experience of being associated with Lieb on many levels for many years, and also having played and recorded many of these compositions, I can say from experience that his music offers not only the greatest challenges but also the greatest rewards. Practicing and performing his compositions will give you exposure to every type of playing situation imaginable and broaden your musical and improvisational horizons. (Phil Markowitz)I call Dave an 'improvisionary? - a great jazz composer and improviser with a unique vision of the world, reflected in his compositions, some of which are found in this great new collection. It always takes more than one 'look? to play one of these pieces. They are, to say the least, challenging - but clearly worth it! Congratulations, Bro! And thanks to the wonderful Veronika Gruber of advance music for continuing Hans's great work. (Richie Beirach) / Instruments Mélodiques en Do (Fl/Gtr/Pf)

A travers cette méthode d'apprentissage Flûte Traversière vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage Key Jazz Rhythms Flute Cd a été écrit par Auteurs Divers et éditée par les éditions Advance Music sous la référence ADV14705. / Flûte Traversière / Partition Cd

A travers cette méthode d'apprentissage Saxophone vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage Developping A Personnal Saxophone Sound Liebman a été écrit par Auteurs Divers et éditée par les éditions Advance Music sous la référence ADV7018. / Saxophone / Partition

Par WOODS PHIL. Completely revised and newly engraved ‘97 edition. This classic cross-over work by the legendary Phil Woods is now published exclusively by Advance Music. Advanced / Niveau : Difficile / score and part / Répertoire / Saxophone Alto et Piano

A travers cette méthode d'apprentissage Guitare Basse vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage Melodic Playing In The Thumb Position (String Bass) Cd a été écrit par Auteurs Divers et éditée par les éditions Advance Music sous la référence ADV15006. / Guitare Basse / Partition + Cd