The early sonatas. Par SCHUBERT FRANZ. Schubert was visibly adventurous in his early piano sonatas, as is apparent in their wide-ranging key schemes, diverging versions of many movements or entire sonatas, and numerous works left incomplete. This revised Urtext edition contains the sonatas he composed between 1815 and 1817. An updated preface and valuable notes on central questions of performance practice (e.g. articulation, pedalling and embellishments), with a special emphasis on his idiosyncratic treatment of accent-like diminuendo hairpins, form a useful introduction to the sonatas. Schubert?s drafts and fragments can be accessed on the Bärenreiter website. - Urtext edition based on the ?New Schubert Edition?, with drafts and fragments accessible on the Bärenreiter website (see BA 9642: Extras) - Reader-friendly engraving with practical page-turns and running titles to facilitate the location of sonatas and movements - Valuable notes on performance practice in Schubert?s day (Ger/Eng) - Critical Commentary with readings relevant to performance, especially regarding Schubert?s notation of accents (Eng) / Date parution : 2022-07-30/ Recueil / Piano

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), each volume contains works by three different composers, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. In contrast to conventional piano anthologies, the pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The explanations included at the end of each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.After Vol. 1 with works by Bach, Handel and Scarlatti and Vol. 2 with compositions by Haydn, Mozart and Cimarosa, Vol. 3 contains pieces by Beethoven, Schubert und Hummel, including popular pieces such as Beethoven's 'Für Elise' and lesser known, yet stimulating settings by Johann Nepomuk Hummel. / Piano

Op. Post. 147 - D 575. Par SCHUBERT FRANZ. La Sonate en Si majeur fait partie des premières Sonates pour piano de Schubert. Composée en août 1817, elle ne fut cependant publiée que longtemps après sa mort. La tonalité inusitée à son époque témoigne de la juvénile envie d?expérimentation de Schubert; de la même manière et la même année sont ainsi nées également des sonates en Ré bémol majeur, La bémol majeur et fa dièse mineur. Les surprenantes modulations ainsi que les abrupts changements de caractère entre passages lyriques et explosions dramatiques sont typiquement schubertiens. Le manuscrit autographe de la partition ayant disparu, cette édition repose sur les esquisses autographes ainsi que sur des copies provenant de l?entourage du compositeur. La préface rédigée par l?experte de Schubert Andrea Lindmayr-Brandl ainsi que toute la partie de remarques et commentaires fournissent des renseignements détaillés sur l?origine de l??uvre, les sources ainsi que leurs variantes. Un autre point fort réside dans les doigtés du pianiste Martin Helmchen. / Date parution : 2023-03-11/ Répertoire / Piano

Franz Schubert's scherzos were right at the beginning of a development that, in the course of the 19th century, resulted in the separation of the scherzo from the sonata and its emancipation as an independent piano piece. These traces become apparent in the three pieces compiled in this volume: the two popular Scherzos in B flat major and D flat major (D 593) and the Scherzo in D major (D 570) which has survived, together with an allegro fragment, in the composer's autograph. With its pleasantly flowing melody, its typically Schubertian harmony and the modest technical demands, this piece might soon outrank its well-known sister work in B flat major. / Piano

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In autumn 1827 Schubert composed eight 'Impromptus' for publication as a complete collection by Haslinger in Vienna. When the plan fell through Schubert offered his 'Impromptus' to Schott as pieces which 'could be issued individually or all four together'. The name of the works probably originated from the publisher Haslinger and Schubert also used it for his collection published later as op. posth. 142. The lyrical-romantic works are suitable for advanced piano students and have the character of sonata movements. Robert Schumann who regarded them as parts of a four-movement sonata drew attention to the second collection published by Diabelli in 1839 in hisreview.For the first time this scholarly-critical Urtext edition presents the musical text of the 'New Schubert Edition' in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert’s time as well as performance on the modern concert grand piano into consideration.A detailed foreword suggestions for performance and notes on the evaluation of the primary sources complete the edition.- Scholarly-critical editions based on the Urtext of the New Schubert Edition taking all known sources into account- Newly engraved editions with optimum page-turns- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer- With a detailed foreword (Ger/Eng) and critical commentary (Eng)Mario Aschauerstudied piano historical keyboard instruments conducting and musicology in Linz Salzburg and Vienna. He performs as a soloist and chamber musician with groups including the Austrian Calamus Consort presenting a wide-ranging repertoire on fortepiano harpsichord and organ. Four Impromptus op. 90 - D 899: I. Impromptu C minorII. Impromptu E flat majorIII. Impromptu G flat majorIV. Impromptu A flat majorFour Impromptus op. post. 142 - D 935: I. Impromptus F minorII. Impromptus A flat majorIII. Impromptus B flat majorIV. Impromptus F minor Critical Commentary

Schubert composed his great Piano Sonata in A major just a few months before his untimely death in 1828. The balance this work strikes between lyrical melody, emotional intimacy and pianistic brilliance makes it a highlight among his sonatas, not least because of its poetic 'Andantino?.This scholarly-critical edition by Walburga Litschauer is based on the Urtext of the 'New Schubert Edition? and uses the autograph manuscript as the prime source. The edition is rounded off by a new foreword, valuable notes on performance practice as well as a Critical Commentary with information on performance-relevant alternative readings and Schubert's notation of accents.Schubert's drafts of the A major Sonata can be accessed on Bärenreiter's website.- Edited on the basis of the 'New Schubert Edition?- Newly engraved scholarly-critical performing edition- Notes on performance practice (Ger/Eng)- Access to Schubert's drafts on the Bärenreiter website- New foreword (Ger/Eng) and a Critical Commentary (Eng) / Piano

Schubert's great C minor Sonata D 958 was composed in 1828 just a few months before his death, along with the late sonatas in A major (D 959) and B-flat major (D 960). Conceived as a triptych, they constitute his musical testament to the piano sonata genre.This scholarly-critical edition by Walburga Litschauer is based on the 'New Schubert Edition? and presents this masterpiece in a spacious new engraving. Notes on performance practice, especially on pedalling, and Schubert's distinctive manner of writing accents, form a Foreword to the work. Rounding off the edition is a Critical Commentary which presents alternative readings of interest to performers. Schubert's drafts for all four movements of the sonata can be accessed on Bärenreiter's website.- Newly engraved scholarly-critical performing edition- Detailed notes on performance practice (Ger/Eng)- Practical page turns- Access to Schubert's drafts- New Foreword (Ger/Eng) and Critical Commentary (Eng) / Piano

Par SCHUBERT FRANZ. L'impromptu est une composition instrumentale, censée écrite 'in promptu', improvisée. Le terme impromptu apparaît pour la première fois dans les oeuvres de Jan Vaclac (Hugo) Vôrisek (1791-1825, les Impromptus Opus 7 publiés en 1822). Schubert reprend ce titre et nous présente des Pièces de caractère lyrique très structurées: D935/1 Mouvement de forme Sonate très libre - D 935 / 2 Menuet un peu lent entrecoupé d'un Trio agité - D 935 / 3 Variations sur le Thème de l'entracte du 4o acte de la Musique de Scène de Rosamunde - D 933 / 4 Danse endiablée inspirée de l'Europe Centrale. De Schubert, Schumann écrivait 'Il a des sons pour les impressions les plus délicates, les pensées, même pour les différentes situations de l'existence. Quelque nombreux que soient les pensées et les efforts de l'homme, la musique de Schubert répond à toutes ces diversités' Schubert, musicien de l'âme, de l'amour, des clairs-obscurs. Les manuscrits autographes et Editions originales disponibles à ce jour, nous ont permis de réaliser un texte qui répond fidèlement aux intentions du compositeur. Schubert a souvent noté incomplètement les liaisons: nous avons rétabli les omissions du compositeur, elles paraissent entre parenthèses. Il en est de même pour certaines accentuations (points, tirets, accents, etc.). En bas de page sont conseillées certaines interprétations d'ornements (grupetto, appogiatures, etc.). / Niveau : Elémentaire / classique / Répertoire / Piano

Complementing the Impromptus and Moments musicaux, the Wiener Urtext Edition also presents a new edition of the three late piano pieces D 946. Careful study of Schubert's autographs has led to various retouchings in the musical text, in D 946/2 for instance to the supplementation of a bar. The edition offers a new approach to the issue of the second episode of D 946/1, deleted by Schubert in the autograph, but included in the posthumous first edition and meanwhile embraced in modern concert practice. The separate edition of these repertoire pieces that have enjoyed increasing popularity since the 1970s has been expanded to include the two piano piano pieces D 916B/C that have survived as fragments and have been completed by Robert D. Levin in close observance of Schubert's compositional principles. Like the three piano pieces D 946, both works originate from the context of the Impromptus and have survived in the composer's autograph sketches. Their inclusion in this volume completes the picture of Schubert's late keyboard output and provides new impulses for the pianistic concert repertoire. / Piano

Schubert?s well-known collection of Moments Musicaux was published in 1828, during the last year of the composer?s life, but some of the pieces date back to the beginning of the 1820s. In 1823 he published his extremely popular Air russe which later became the third piece of the Moments Musicaux and during the following year the chordal sixth piece entitled Plaintes d?un Troubadour . The multi-faceted lyrical atmospheric pieces are particularly suitable for piano teaching because of their charming variety as well as their moderate technical demands. They have become an indispensable part of the concert repertoire.

For the first time this scholarly-critical Urtext edition presents the musical text of the New Schubert Edition in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert?s time as well as performance on the modern concert grand piano into consideration.

A detailed foreword, suggestions for performance and notes on the evaluation of the primary sources complete the edition.

- Scholarly-critical editions based on the Urtext of the New Schubert Edition, taking all known sources into account
- Newly engraved editions with optimum page-turns
- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer
- With a detailed foreword (Ger/Eng) and critical commentary (Eng) / Classique / Partition / Agrafé /

Through Famous Pieces by Schubert Chopin and Tchaikovsky. 15 famous melorides by Composers in romantic era arranged for children. The purpuse of this book is NOT to study piano technique, but to touch the sound of each era through the historical masterpieces.

Franz Schubert était l'un des compositeurs les plus prolifiques de la musique de piano ensemble, et ces deux marches de démontrer sa maîtrise de l'écriture pour un piano à quatre mains. Les Deux Marches caractéristiques, op. 121, ont été composés en 1826 et sont les marches seulement que Schubert a écrit pour piano à quatre mains qui sont en 6/8 mètres. Les deux marches sont en ut majeur et sont scherzo comme dans l'humeur, révélant penchant Schubert de brusques changements dynamiques, son esprit musical, et son écriture mélodique bien. On y trouve aussi un enregistrement de CD en circulation de l'étiquette Naxos. / Piano

Par SCHUBERT FRANZ. A fabulous composition by Austrian composer and innovator of the romantic art songs (or lieder), Franz Schubert. Fantaisie In F Minor isn't the most popular of Schubert's works but is often regarded as one of his finest in terms of both character and style. It is passionate, melancholy and the simple, repeated tune carries a weight of sadness. Originally for Piano four-hands Jeremoe Ducros has wonderfully arranged this work for two-hands Piano solo. / Classique / Répertoire / Piano

The Complete Winterreise and Seven Other Great Songs-Of the many transcriptions Franz Liszt made of the works of other composers those he made of the songs of Franz Schubert are among his most inspired. This volume contains the legendary pianist's twelve transcriptions from Schubert's great song cycle 'Winterreise' along with the four songs of 'Geistliche Leider' and the beloved single songs 'La Rose' 'Lob Der Thranen' and 'Die Forelle'. These rare transcriptions offer unique blending of Classical inspiration with Romantic virtuosity. Here Liszt retained the intense lyricism and emotional impact of Schubert's songs as he transformed them into dazzling compositions for solo piano. This Dover publication has alleviated yearsof anxiety that availability of authoritative editions of these masterpieces were becoming thin on the ground. Now nineteen rare gems of the keyboard literature are once more available reproduced from extremely rare early editions.