Par BACH JOHANN SEBASTIAN. Originally written in the key of G major, Michael Lorimer has transcribed Bach's Cello Suite 1 (BWV1007) for guitar in D major, with the sixth string dropped to D. In his preface, Lorimer notes that the guitar lends itself well to transcriptions of cello music because the two instruments occupy a similar range and 'the lute-like style-brisé (broken chord) textures of this music invite performance on our modern instrument. ”Guitar transcriptions from cello literature are not new to the guitar repertoire. Although the guitar per se did not exist during Bach's time, Bach himself is known to have transcribed his own cello music for the Baroque lute. What sets Lorimer'sarrangement of Suite 1 apart and facilitates performance of this challenging but worthwhile piece, is the fact that he has provided adequate right-hand fingering and an extraordinary amount of left-hand digitation- all contributing to the musical rendition of an outstanding transcription. Bach's masterpieces transcribed for classical guitar. / Niveau : Avancé / Classic - Solos / Répertoire / Guitare Classique

100 Gospel Songs And Hymns For Cello And Guitar is a comprehensive collection of all-time favorite gospel hymns arranged for Cello solo with suggested written chordal accompaniment. FingerstyleGuitar and strum styles are indicated on each solo. Other chordal instrumentalists can also use the written material and accompany the Cello soloist. These treasured songs are ideal for any worship service or gathering.

Easy Classical Guitar-This album includes 16 Bach works selected from the Lute Violin and Cello Suites arranged for the beginning classical guitarist.

Arranged For Guitar-Although Johann Sebastian Bach did not write any music for the guitar transcriptions of his unaccompanied string music and music for lute have long been a part of the guitar repertoire. Despite the respect that this musiccommands among musicians and audiences debate still exists as to what constitutes an appropriate means of transcribing interpreting and performing this music on the guitar. It is this debate that prompted this long-awaitededition of Bach's unaccompanied cello suites by scholar and concert guitarist Stanley Yates. This definitive work includes performance scores comparison scores and an invaluable 40-page guide entitled Arranging Interpreting and Performing the Music of J.S. Bach. Furthermore the author offers comments on his arranging process and suggestions on using this edition including: ornamentation slurs fingerings notation and implementation of thecomparison scores. Written in standard notation in guitar-friendly keys.

Anne Danican-Philidor's Italian influenced Sonata in D Minor for Oboe (or Flute) and Guitar (with Viola da Gamba/Cello ad lib) as edited by Johannes Tappert. The solo Oboe (or Flute) and Viola da Gamba/Cello parts are also included on separate insert.

A musical celebration of children's rights for narrator choir and ensemble/backing tracks.It's easy to learn once heard not easily forgotten funny yet serious lighthearted yet touching: a parable of our times and for our times.The chorus of 'Jake And The Juveniles' would have a very good chance of winning the annual Doveton Talent Contest if only they could get Jake out of bed in the morning. But even when they do down at the shelter where they rehearse they are met by the demolition men and then the blank face of bureaucracy.Although they are close to despair this is where with his unexpected arrival on the scene the Right Genie comes in veryhandy. But instrumental though the genie is in pushing for the rights of our hero and the Juveniles he also encourages Jake to look beyond his own immediate problems however important they may seem to a world where children have more pressing needs than his.Parts for Piano Bass Cello Clarinet Drums Flute/Vibraphone Guitar Violin I and Violin II are included.

Arranged For Guitar. Par BACH JOHANN SEBASTIAN. Bien que Johann Sebastian Bach n'a pas écrit toute musique pour guitare, transcriptions de sa chaîne non accompagnés de musique et de la musique pour luth ont longtemps été une partie du répertoire de la guitare. Malgré le respect que les commandes de cette musique entre les musiciens et débat public existe toujours sur ce qui constitue un moyen approprié de transcription, d'interpréter et de faire de cette musique à la guitare. C'est ce débat qui a poussé cette édition tant attendue des suites pour violoncelles non accompagnés de Bach par érudit et concert guitaristes Stanley Yates. Ce travail définitif comprend les scores de rendement, les scores de comparaison un un guide inestimable de 40 pages intitulé arrangeant, interprétation et l'exécution de la musique de J.S. Bach. En outre, l'auteur offre des commentaires sur son processus d'arrangeur et suggestions sur l'utilisation de cette édition, y compris : l'ornementation, insultes, doigtés, notation et mise en oeuvre des résultats des comparaison. Ecrit en notation standard dans les clés de guitare facile. / Niveau : Intermédiaire / Classic - Solos / Répertoire / Guitare Classique

Excellent selection of music from the baroque period that is easy to play. Contents: Allegro from Sonata in C (Scarlatti) · Allemande · Alman (Dowland) · Andante (Scarlatti) · Concerto in A Minor Op. 3 No. 8 (Vivaldi) · Courante (Lully) · Gavotte (Handel) · La Bandoline (Couperin) · La Milordine (Suite in G Minor) · Menuett (Telemann) · Minuet · Minuet I · Prelude from Sonata for Cello (Corelli) · Tambourin.

For All Instruments With Guitar Chords. Par BIELEFELD ROBERT. Players of all kinds of instruments including flute, fiddle, mandolin, recorder, whistle, guitar, harp and more can use this collection of music which is popular at modern renaissance festivals. The music is presented simply, with melody lines and chord symbols, allowing for a wide range of interpretation. In addition to many period dance tunes, the book contains a selection of vocal numbers with lyrics included. Each selection is accompanied by text to suggest ideas for performance, place the music in a modern festival context and provide useful information to those interested in studying historical sources of early music. Cantiga's arrangements of some of the tunes in this book can be heard on the companion recording. They are played at a listening tempo by the ensemble: Wooden flute or recorder, fiddle, cello, harp and percussion. / Niveau : Débutant à Intermédiaire / Recueil / Tout Instrument

Désaccord - Timbre 1 - Scherzando 1 - Nocturne 1 - Cadenza 1 - Cadenza 2 - Nocturne 2 - Scherzando 2 - Timbre 2 - Accord