Arrangement: Newman Paul Jared. Par NEWMAN PAUL JARED. Ces paramètres contiennent très peu doigtés donc les joueurs seront souvent être poussés à utiliser leurs crayons et leur propre jugement. Facile à guitare clés ont été choisis dans l'ensemble, mais modulations entraîner la clé impaire occasionnelle pour les segments de la brèves et contrepoint qui serait partagée par les deux mains sur le piano est nécessairement relégué à l'un à la guitare. Les sélections sont : Mélodie, Opus 4, #2 (Mendelssohn) - Mazurka, opus 6, #3 (Schumann) - Waltz, opus 36, #3 (Backer-Gröndahl) - Le Sommeil de l'Enfant, opus 35 (Carreño) - et valse, opus 36, #3 (plage). / Niveau : Intermédiaire / Classic - Solos / Recueil / Guitare Classique

600 Years Of Carols, Chorales, Preludes And Pastorales On 2 Guitars. Par NEWMAN MICHAEL. Celebration of the Christmas holiday includes a rich musical tradition. For this score and accompanying CD, the internationally-renowned Newman and Oltman Guitar Duo presents a ravishing collection of sacred music written for Advent, Christmas, and Epiphany. The duo has chosen music from six centuries in a wide variety of musical styles, including familiar Christmas tunes, little-known gems, and interesting variations on familiar themes written by such composers as Bach, Handel, Pachelbel, Mendelssohn, and Brahms. Selections range from beautiful Renaissance tunes suitable for beginning guitarists to concert repertoire for advanced players. / Niveau : Intermédiaire / Christmas - Duets / Recueil / Guitare Classique

New Harmony Book. Par HAUNSCHILD FRANK. This workbook for all musicians gets down to the rudiments of music right from the start. Notation is dealt with in depth and in an easily understandable way, as are the harmonic series and the various intervals and triads as well. There are step-by-step explanations of how to use chord symbols, with the relationships of the chords to each other being demonstrated as well. In addition there is close examination of the circle of fifths and the circle of fourths, the chord-scale systems of the major scales, and the harmonic and melodic minors, as well as pentatonic scales, symmetrical scales and blues scales. Numerous illustrations and examples, exercises and solutions, commentaries and analyses make a decisive contribution to a better understanding of the rudiments of music. / Niveau : Débutant / All Styles - Theory and Harmony / Autre FM / Guitare

 Scott JOPLIN (1867 ou 1868-1917) est un pianiste afro-américain dont les compositions ont fait le tour du monde, Il a composé les Ragtimes les plus connus, dont le célèbre ' Entertainer's Rag ' qui a servi pour le film de George Roy HILL, avec Paul NEWMAN et Robert REDFORD, ' l'Arnaque ', en 1973,MAPLE LEAF RAG est aussi très connu, et, l'ayant joué au piano, je me suis amusé à en faire une version pour guitare solo, qu'il m'arrive toujours de jouer,Il y a quelques années, j'ai composé une suite pour flûte et guitare, ' PORTS D'ATTACHE ', qui contient onze pièces illustrant différents pays, dans un style marquant chacun de ceux-ci dans la mémoire collective, Pour les Etats-unis, l'idée m'est venue d'un Ragtime dans le style de Scott JOPLIN, tant il est vrai que ce génie a marqué l'histoire de la musique Nord-Américaine, J'en propose donc ici, comme un hommage à Scott JOPLIN, la version solo pour guitare de NEWPORT ( pour chaque pièce de ' PORTS D'ATTACHE ', j'avais choisi le nom d'un port de chaque pays ), / Guitare

For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. / Date parution : 2022-01-14/ Recueil / Guitare

Par TAYLOR MARTIN. La méthode de guitare de Taylor Martin vous offre la chance d'étudier avec l'un des géants de la guitare jazz. Salué par la légende de la guitare, Chet Atkins, comme ' un des plus grands et les plus impressionnants guitaristes du monde aujourd'hui...' et célébré par Times de New York de Jazz comme 'Guitariste meilleur d'Europe', Martin partage les secrets de son style pour la première fois dans cette incroyable tutor. Apprenez comment Martin crée des arrangements de solos de guitare de standards de jazz via une série d'études progressifs visant à introduire des guitaristes de niveau intermédiaire et ailleurs dans le monde d'arranger et performance en solo. Tous les exemples de musique sont transcrits en notation standard avec tablature et joués par Martin lui-même sur le CD qui l'accompagne. Vous n'obtiendrez pas une meilleure chance d'étudier avec l'un des maîtres de l'instrument ! / Niveau : Débutant à Intermédiaire / Jazz - Methods / Méthode / Guitare

Learn the Guitar in a creative new way. Par PELLS TIM / FRANKE JENS. Les méthodes Passport to Play Guitar en anglais font découvrir l'apprentissage de la guitare en écoutant, lisant et jouant ensemble, et sont destinées aux guitaristes classiques ainsi qu'aux « joueurs acoustiques » ouverts sur le plan stylistique. Les livres comprennent des chansons et des compositions du monde entier, comme le blues et le jazz d'Amérique du Nord, le folk et les traditions d'Europe, d'Afrique et d'Amérique latine, ainsi que des morceaux personnels inspirés par les personnes et les lieux que Tim et Jens ont rencontrés au cours de leurs voyages. Parce que les musiciens du monde entier apprennent mieux en écoutant et en jouant ensemble, nos auteurs ont enregistré chaque chanson. Ainsi, vous pouvez facilement jouer et groover avec d'autres musiciens - et apprendre quelque chose par la même occasion. Tim et Jens croient en la formule « Keep It Simple » pour réussir, c'est pourquoi ils utilisent des illustrations et réduisent le textes explicatifs au minimum. Au lieu de s'escrimer à lire des textes détaillés, les professeurs de guitare expérimentés recommandent de jouer chaque morceau des livres, de la première à la dernière note. Parce que la chose la plus importante est que faire de la musique vous fasse vous sentir bien - dès le premier instant. / Date parution : 2021-11-25/ Méthode / Guitare

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

One-of-a-kind collection of accessible, must-know chord shapes and progressions used. If you're new to the guitar, you're probably eager to learn some chords to play along with your favorite songs. This one-of-a-kind collection of accessible, must-know chord shapes and progressions used in famous rock, pop, folk, blues, R and B, and reggae tunes provides easy-to-read notation, tips, chord grids, and photos showing you exactly what to play for both acoustic and electric styles. With this book you'll learn how to play basic guitar chords with these hit songs: / Pédagogie / Etude / Guitare

Jazz Piano Solos Series Volume 57. Par METHENY PAT. 24 songs from this legendary guitarist and composer beautifully arranged for jazz piano solos! Includes: Always and Forever - Antonia - Are You Going with Me? - Better Days Ahead - First Circle - Have You Heard - In Her Family - (It's Just) Talk - James - Last Train Home - Letter from Home - The Longest Summer - Make Peace - A Map of the World - Mas Alla - Minuano (Six-Eight) - New Year - Phase Dance - Question and Answer - The Road to You - Sirabhorn - So May It Secretly Begin - Sometimes I See - Unity Village. Includes chord names./ Recueil / Guitare

From the Classic Hot Licks Video Series Newly Transcribed and Edited!. Par HILAND JOHNNY. For the first time, the legendary Hot Licks guitar instruction video series is being made available in book format with online access to all the classic video footage. All the guitar tab from the original video booklets has been re-transcribed and edited using modern-day technology to provide you with the most accurate transcriptions ever created for this series. Plus, we've included tab for examples that were previously not transcribed, providing you with the most comprehensive Hot Licks guitar lessons yet. Johnny Hiland is one of Nashville's scariest pickers. In this Hot Licks video, he takes you through key aspects of hot country guitar playing, including chicken pickin',double stops, pedal steel licks, hybrid picking, banjo rolls, and much more. As a bonus, Hiland is joined by Arlen Roth, Bill Holloman, and Shannon Ford for some truly memorable barn-burning band segments./ Etude / Guitare

One of the best of the new generation of singer-songwriters, Brandi Carlile plays a unique blend of alt-rock and country-folk music. This songbook features all 35 songs from her three studio albums, Brandi Carlile,The Story, and Give Up the Ghost. All songs in this must-have collection are arranged as Brandi recorded them. Titles: Again Today * Before It Breaks * Cannonball * Caroline * Closer to You * Downpour * Dreams * Dying Day * Fall Apart Again * Follow * Gone * Happy * Have You Ever * I Will * If There Was No You * In My Own Eyes * Josephine * Late Morning Lullaby * Looking Out * Losing Heart * My Song * Oh Dear * Pride and Joy * Shadow on the Wall * Sixty Years On * Someday Never Comes * The Story * That Year * Throw It All Away * Touching the Ground * Tragedy * Turpentine * Until I Die * Wasted * What Can I Say. / Miscellaneous, Scores, Songbooks / Recueil / Guitare

Réglage de la guitare à corde complète, plutôt que le standard concert tuning, est une tradition qui a ses racines dans la diapositive jouant des country-blues des maîtres du passé. L'approche est capable de créer des arrangements solo sounding gros, riche, avec le minimum d'effort. Dans ce DVD, Stefan Grossman présente et analyse une variété de traditionnelles ajustements ouvertes apportés dans le pays, de blues et de styles de Delta, explorant les options cordale caractéristiques de chaque réglage avec sept chansons de blues fingerstyle passionnant. / Guitare