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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
30.10
Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violon et Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
(+)
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
30.10 EUR - vendu par Woodbrass
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
19.67
Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestre, Violon
Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...
(+)
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard. The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard. The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice. This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre
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Felix Mendelssohn Bartholdy: Konzert In E: Violin: Instrumental Work
26.00
Felix Mendelssohn Bartholdy: Konzert In E: Violin: Instrumental Work
Violon
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
(+)
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
26.00 GBP - vendu par Musicroom GB
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Felix Mendelssohn Bartholdy: Konzert In E - Performing Edition: Violin:
22.50
Felix Mendelssohn Bartholdy: Konzert In E - Performing Edition: Violin:
Violon et Piano
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
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Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Felix Mendelssohn Bartholdy: Performance Practices
16.50
Felix Mendelssohn Bartholdy: Performance Practices
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In The Violin Concerto Op. 64 and Chamber Music For Strings-Mendelssohn’s ...
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In The Violin Concerto Op. 64 and Chamber Music For Strings-Mendelssohn’s Violin Concerto Op.64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to Léonard.The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard.The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099) available for sale- Parts of both early and late versions (BA9050) available for sale- Violin & Piano in the revised late (popular) version (BA9099-90)
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
26.40
Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
Violon et Piano
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Tonleitern / Scales / Gammes Vol. I: Violin
18.50
Tonleitern / Scales / Gammes Vol. I: Violin
Violon
[Partition + CD]
Dowani
Chaque volume contient 26 gammes très faciles de Cherubini Mazas Bériot Dan...
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Chaque volume contient 26 gammes très faciles de Cherubini Mazas Bériot Dancla Wohlfahrt David Kayser Gebauer Pennequin et Sevcik. Nous avons renoncé dans la présente édition de gammes destinées aux violonistes débutants aux explicationsconcernant les tonalités l'harmonie les degrés etc. Il est laissé à l'appréciation de chaque professeur d'ajouter des informations complémentaires selon l'âge et le tempo de travail individuel de l'élève. De ce fait il ne s'agit pas d'une méthodede théorie musicale mais d'un concept méthodique didactique dont les exercices s'adaptent aisément aux enfants tout en abordant un objectif pédagogique moderne.1 Franz Wohlfahrt: Nr. 1 D-Dur2 Ferdinand David: Nr. 2 A-Dur3 Charles Dancla: Nr. 3 D-Dur4 Heinrich Ernst Kayser: Nr. 4 G-Dur5 Luigi Cherubini: Nr. 5 D-Dur6 Otakar 'evcík: Nr. 6 G-Dur7 Heinrich Ernst Kayser: Nr. 7 D-Dur8 Charles-Auguste de Bériot: Nr. 8 D-Dur9 Charles-Auguste de Bériot: Nr. 9 G-Dur10 Franz Wohlfahrt: Nr. 10 G-Dur11 Jean Pennequin: Nr. 11 D-Dur12 Jacques-Féréol Mazas: Nr. 12 G-Dur13 Jean Pennequin: Nr. 13 G-Dur14 Charles Dancla: Nr. 14 G-Dur15 Charles-Auguste de Bériot: Nr. 15 E-Dur16 Jacques-Féréol Mazas: Nr. 16 A-Dur17 Jacques-Féréol Mazas: Nr. 17 E-Dur18 Charles-Auguste de Bériot: Nr. 18 A-Dur19 Jacques-Féréol Mazas: Nr. 19 D-Dur20 Luigi Cherubini: Nr. 20 A-Dur21 Franz Wohlfahrt: Nr. 21 e-moll22 Luigi Cherubini: Nr. 22 a-moll23 Charles-Auguste de Bériot: Nr. 23 e-moll24 Franz Wohlfahrt: Nr. 24 A-Dur25 Jacques-Féréol Mazas: Nr. 25 e-moll26 Michel-Joseph Gebauer: Nr. 26 A-Dur
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Felix Mendelssohn Bartholdy: Violin Concerto In E Minor Op.64: Violin:
12.99
Felix Mendelssohn Bartholdy: Violin Concerto In E Minor Op.64: Violin:
Orchestre, Violon
Simrock
On July 30 1838 Mendelssohn wrote to Ferdinand David his concertmaster at Lei...
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On July 30 1838 Mendelssohn wrote to Ferdinand David his concertmaster at Leipzig telling him that he would like to write a Violin Concerto for him: One in E minor goes through my head and the beginning will not leave me in peace. This Violin Concerto is now a pillar of the Violin repertoire and is commonly known as the Mendelssohn Concerto.
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Felix Mendelssohn Bartholdy: Violin Concerto In E Minor Op.64: Violin:
Violon et Piano
Dover Publications
One of the most beloved concertos in the violin repertoire this piece features ...
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One of the most beloved concertos in the violin repertoire this piece features important formal innovations that place it on a par with the most significant works in the genre. Mendelssohn created the concerto specifically for Ferdinand David his close friend and concertmaster of the Leipzig Gewandhaus Orchestra for which the composer served as conductor. An instant success upon its 1845 premiere the concerto remains essential to the repertoire of every aspiring violin virtuoso.Edited by the distinguished teacher and performer Leopold Auer this authoritative practice and performance edition includes a 16-page insert of a separate removable violin part.Professional and amateur musicians alike will appreciate this durable yet inexpensive edition which features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment.Reprint of the Carl Fischer New York 1917 edition.
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Franz Wohlfahrt: Sixty Studies For The Violin: Violin: Instrumental Album
Violon
Dover Publications
A great way for beginning violinists to practice and build up their technique t...
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A great way for beginning violinists to practice and build up their technique this classic book of exercises has served generations of music students and their teachers. The studies provide practice in string crossing bow strokes shifting and finger patterns.A native and lifelong resident of Leipzig Germany Franz Wohlfahrt (1833–84) studied with one of the world's greatest violinists Ferdinand David. Wohlfahrt's Sixty Studies for the Violin has remained a mainstay of the beginning violinist's education from the nineteenth century to today. The sixty etudes are divided into two volumes: Volume 1 focuses on studies in the firstposition and Volume 2 advances to third position employing more complex rhythms and bowings. Diligent practice of these studies will improve students' sight reading advance their rhythm skills and prepare them for a more difficult repertoire. Reprint of the G. Schirmer Inc. New York edition.
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Tomaso Antonio Vitali: Ciaccona: Violin: Instrumental Work
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Tomaso Antonio Vitali: Ciaccona: Violin: Instrumental Work
Violon et Piano
Schirmer
Arranged for Violin and Piano by Ferdinand David.
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Violin Concerto #1 In G Minor Op. 26 Violon 2 (BRUCH MAX)
6.55
Violin Concerto #1 In G Minor Op. 26 Violon 2 (BRUCH MAX)
Violon
[Partition]
Breitkopf & Härtel
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the r...
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Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?' The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ Répertoire / Violon 2 (Partie Séparée)
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Franz Schubert: Three Sonatinas Op. 137: Violin: Instrumental Album
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Franz Schubert: Three Sonatinas Op. 137: Violin: Instrumental Album
Violon et Piano
-
Intermédiaire/avancé
Schirmer
Edited by Ferdinand David.
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Giovanni Battista Viotti: Concerto No. 22 in A Minor: Violin: Instrumental Work
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Giovanni Battista Viotti: Concerto No. 22 in A Minor: Violin: Instrumental Work
Violon et Piano
Schirmer
Composed by Giovanni Battista Viotti (1755-1824). Revised after the edition of F...
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Composed by Giovanni Battista Viotti (1755-1824). Revised after the edition of Ferdinand David by Henry Schradieck.
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Hector Berlioz: Rêverie Et Caprice Score: Orchestra: Score
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Hector Berlioz: Rêverie Et Caprice Score: Orchestra: Score
Orchestre, Violon
[Partition]
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Romance pour le violon-Die auf dem Material seiner Oper ?Benvenuto Cellini? basi...
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Romance pour le violon-Die auf dem Material seiner Oper ?Benvenuto Cellini? basierende ?Rêverie et caprice? von 1841 ist eines der populärsten Werke Berlioz? und wurde von den bedeutendsten Violinisten des 19. Jahrhunderts Ferdinand David Heinrich Wilhelm Ernst Henri Wienia
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Bach Johann Sebastian - 15 Duette Nach Bwv 772-786 - Violin, Viola
20.60
Bach Johann Sebastian - 15 Duette Nach Bwv 772-786 - Violin, Viola
Violon, Alto (duo)
Breitkopf & Härtel
Composer : Bach, Johann SebastianInstrumentation : Vl,VaEditor : David, Ferdinan...
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Composer : Bach, Johann SebastianInstrumentation : Vl,VaEditor : David, Ferdinand
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Romanzen G/F-Dur Op. 40/50 (BEETHOVEN LUDWIG VAN)
12.80
Romanzen G/F-Dur Op. 40/50 (BEETHOVEN LUDWIG VAN)
Violon et Piano
[Partition]
Breitkopf & Härtel
Par BEETHOVEN LUDWIG VAN. Editeur(s) d'origine: David, Ferdinand/ Répertoire / ...
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Par BEETHOVEN LUDWIG VAN. Editeur(s) d'origine: David, Ferdinand/ Répertoire / Violon et Piano
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15 Duette Nach Bwv 772-786 (BACH JOHANN SEBASTIAN)
21.70
15 Duette Nach Bwv 772-786 (BACH JOHANN SEBASTIAN)
Violon, Alto (duo)
[Partition]
Breitkopf & Härtel
nach den/ based on the „Zweistimmige Inventionen“ BWV 772-786 . Par BACH JOH...
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nach den/ based on the „Zweistimmige Inventionen“ BWV 772-786 . Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: David, Ferdinand/ Répertoire / Violon et Alto
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Ferdinand David: Rememberance: Violin: Instrumental Work
Violon
Alfred Lengnick
Rememberance
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Violin Playtime 1 (Violin And Piano) (KEYSER PAUL DE)
12.40
Violin Playtime 1 (Violin And Piano) (KEYSER PAUL DE)
Violon et Piano
[Partition]
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Facile
Faber Music Limited
Par KEYSER PAUL DE. With Violin Playtime the beginner Violinist can make music f...
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Par KEYSER PAUL DE. With Violin Playtime the beginner Violinist can make music from the very first lessons. In the three books that make up the series, there are over 100 little pieces - a treasure trove of attractive tunes - some traditional, some well known, some newly composed. The underlying approach is 'learn as you play' and a carefully devised groundplan of technical development makes it a manual in disguise - a tutor without text. Suitable for Beginner to Grade 1. / Niveau : Facile / Recueil / Violon et Piano
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