Choralpassion nach den vier Evangelien Op.7 Hugo Distler born on the 24th June 1908 in Nuremberg and died on the 1st November 1942 in Berlin was a German Organist choral conductor teacher and composer. He studied at the Leipzig Conservatory moving to Berlin in 1940 where he became Director of the Berlin National and Cathedral Choir. - For Tenor solo Bass solo Mixed choir: SSATB - Composed 1933

Set of parts ( Violin I II; Viola; Cello; Bass)As the name suggests the ???Missa Popularis??? has its musical roots in folk music.This becomes clear in the very first bars of the Kyrie where the Violin plays amelody in the style of a Swedish folk tune above a Bass Ostinato. The musical charm of the Mass derives from the combination of Choir [SSA(TB)] and String Quartet.The Choral parts enable performances by female choir or mixed choir. In the latter case the String Quartet is reinforced by a Double Bass.The version for female choir was premi?red in Poznan on 25 April 2015 with Alicja Szeluga conducting the Skowroniki GirlsChoir.also available for sale full score (BA7420) and vocal score (BA7420-90)

Par PAGANINI NICCOLO. A major choral work by one of UE’s contemporary stars. The Mass was commissioned by the Westminster Cathedral Choir in celebration of the 75th birthday of Cardinal Basil Hume. Recorded by the Choir on both Teldec and Warner Classics labels. (Choral scores and instrumental parts are also available for sale. )/ Répertoire / Violon et Piano

Par COLERIDGE-TAYLOR SAMUEL. The period of composition (ca. 1893) for the Suite de Pièces for violin and piano or violin and organ was especially productive for Samuel Coleridge-Taylor (1875-1912) in the realm of chamber music. Unpublished works include a piano quintet, clarinet sonata, nonet, piano trio, and a piano sonata. It is notable that the different versions of the Suite for piano and organ are so contrasting. Typically, pieces in this genre that exist in versions for piano and organ have little that separate them in terms of musical content. However, Coleridge-Taylor not only approaches each keyboard instrument quite differently but conceived the violin part with notable melodic differences. This can be considered exceptional as they were both issued by the same publisher within a close timeframe. Coleridge-Taylor would have been very familiar with the organ from his early church experience as a boy in addition to studies at the Royal College of Music with Walter Alcock. His writing is consistently idiomatic for the instrument. The few registrational directions in the first edition, assuming they are by Coleridge-Taylor, demonstrate an understanding of the need to balance the organ part with the violin part so that the organ is not too loud. Rather than numbering the manuals I and II, with II being the quieter manual, the score indicates Swell and Choir but there is no requirement for the Great to be used. There are also extended sections where no manual indication is given at all. Whether the registration markings were made by Coleridge-Taylor or an editor at Schott is unclear but the indication for a Choir manual suggests not so much the need for an organ of three manuals but an instrument with a range of foundational colours for writing that is often accompanimental in nature. / Date parution : 2023-06-01/ Répertoire / Violon et Orgue

Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem.During the year 1771 when Mozart was 15 years old he and his father Leopold were touring Italy which was at that time the most formidable citadel of the music world. In the following four years the young Mozart was received at the homes and villas of Italy's aristocracy. He met the most famous musicians of the time including Niccolo Piccinni operatic rival to Gluck and Padre Martini from whom he was to benefit from studies in counterpoint. He also met many noted male soprano singers and for one the celebrated Venanzio Rauzzini he wrote in 1773 the motet Exsultate Jubilate from whichcomes the well known Alleluia.At the end of his life only 19 years later in Vienna 1791 Mozart was very ill and working on a number of massive works such as the operas The Magic Flute and Titus also the Requiem. Titus was completed in 18 nerve-shattering days as it had to be performed in Prague in September 1791. At its premiere it was a complete flop. This affected the now overworked almost penniless composer's spirit and he returned to Vienna suffering from mental and physical exhaustion. Rest was denied him. The Magic Flute had to be finished for its premier on September 30th 1791. The task of the Requiem still faced him. In this weakened state Mozart thought that he was in fact writing his own requiem reading evil omens into the commissioning of the work. He thought someone had calculated the precise time of his death and was thus troubled with sombre thoughts. He completed the first two of the twelve parts. The next six parts were in an unfinished state and his manuscript ceased at the Lacrimosa. Süssmayer who was working closely with Mozart at the time was given the task of finishing the Requiem.Ave Verum Corpus is also one of his final works. It is a setting of an anonymous hymn written as a motet for Anton Stoll the choirmaster at Baden in June 1791.Mozart was a composer of great genius who

Par VINE CARL. The popular seasonal music of the English Georgian parish church - often called gallery music - yielded a wonderfully rich harvest of hymns, carols and anthems. Drawn from a repertoire only recently rediscovered and recorded on the Hyperion label by the choir Psalmody and The Parley Instruments, these new editions offer a sparkling array of fresh, alternative Easter and passiontide music./ Répertoire / Quatuor à Cordes

Reciting Or Speaking Choir. Par STOCKHAUSEN KARLHEINZ. / Répertoire / Ensemble de Musique de Chambre

Early version only for strings and later version with woodwinds, brass and timpani. Urtext of the Haydn Complete Edition
Edition : Piano Reduction/Vocal Score; Urtext Edition
Editor : Dack, James;Feder, Georg
Binding : paperbound
Instrumentation : 2 Soprano solo, Mixed Choir-SATB, Flute, 2 Clarinet (b flat), 2 Fg, 2 Trumpet, Kettledrum, 2 Violin, Basso continuo / Partitions classique / Cordes / Violon / BARENREITER

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea”, the masque which was composed at almost the same time. Though in many respects this 'Te Deum” is reminiscent of the 'Utrecht Te Deum”, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition” (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum”./ Répertoire / Violon 1 (Partie Séparée)

Early version only for strings and later version with woodwinds, brass and timpani. Urtext of the Haydn Complete Edition
Edition : Piano Reduction/Vocal Score; Urtext Edition
Editor : Dack, James;Feder, Georg
Binding : paperbound
Instrumentation : 2 Soprano solo, Mixed Choir-SATB, Flute, 2 Clarinet (b flat), 2 Fg, 2 Trumpet, Kettledrum, 2 Violin, Basso continuo / Partitions classique / Cordes / Violon / BARENREITER

Programme Note This short one-movement quartet is a kind of modernization of the 14th century French motets a cadeau to this weird and fantastic music whose abstract and almost deprecatory introvert expression appears unaccountably modern and incredibly ancient at the same time. MOTET is a sober cool treatise on rhythm and statics depicted in a Gothic crypt-like atmosphere. The almost completely non-vibrato movement is suggestive of boys’ choir monks’ processions and the piercing sound of musical glasses. An ancient world is reborn and becomes the world of today. Poul Ruders 1979

Edited by Lionel Pike.Anthem for voice choir soloists strings keyboard and instrumental continuo.

Young Austin begs his parents to play violin. But Austin doesn't make time to practice until one night he is visited by the violin fairy who warns him that if he doesn't practice his violin it will shrink. Austin's classmates are amazed at what happens next! Austin discovers that if he wants to sound good he must practice. This heartwarming story teaches the benefits of hard work and attaining one's goals. Austin's dream of becoming a big violin star is starting to come true. The book's whimsical illustrations by acclaimed illustrator Susan Oliver add to the charm and merriment of the story. The book includes a CD of 10 easy original songs for violin or voice (with lyrics sung bya children's choir) and narrations of the story. (Recommended for ages 4-8)

Violin Cello & Voices Version-These are the Violin and Cello Parts for the Violin Cello and Voices version of Tarik O'Regan's Death Is Gonna Lay His Cold Icy Hands On Me for Double SATB Choir Violin and Cello. The Vocal Score is available to purchase separately.

Full Score and String Quartet Parts-Scenes from Gjeilo's majestic native Norway inspired this contemporary poem. Words and music are fused in a poignant yet lyrical work with a pulse of its own. An excellent festival choice for mature women's choirs. String Quartet Parts. Duration: ca. 3:30.Vocal Score: HL08501772