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Stanislaw Galas: From Operas and Operettas: Piano: Instrumental Work
3.50
Stanislaw Galas: From Operas and Operettas: Piano: Instrumental Work
Piano seul
PWM (Polskie Wydawnictwo Muzyczne)
From Operas and Operettas
3.50 GBP - vendu par Musicroom GB
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Geoffrey Bush: Songs From The Ballad Operas for Voice and Piano: Voice:
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Smetana, Bedrich : The Bartered Bride
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Smetana, Bedrich : The Bartered Bride
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Bedrich Smetana (1824?1884) only began to devote himself intensively to the proj...
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Bedrich Smetana (1824?1884) only began to devote himself intensively to the project of an original opera in Czech at the age of 38. The libretto of ?The Bartered Bride?, the second of Smetana?s nine operas, was written for Smetana by the poet and journalist Karel Sabina. The subject chosen for the comic opera was the story of a pair of lovers in the countryside whose relationship is disapproved of by their parents. It is set during the festival at a village church anniversary.
The final form of the work, which soon came to be regarded as a national opera, was preceded by a relatively difficult genesis.
The opera was written between 1863 and 1865 and was premiered on 30 May 1866 at the Provisional Theatre in Prague, where the composer?s last version of the work was also performed in 1870.
This vocal score contains the musical text of the critical edition of Smetana?s own vocal score.
The newly-set edition contains both Czech and German vocal texts; the German singing translation is by Kurt Honolka.
The newly-set and revised performance material for the entire opera, based on the critical edition by Frantisek Bartos, is available on hire. / [La Fiancée vendue] / Classique / Partition /
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Par MASSENET JULES. The instantly recognisable and ever-popular Meditation, from the opera Thaï s by Jules Massenet (1842-1912), remains a strong favourite in the classical repertoire, superbly arranged for Flute and Piano by French flautist, Paul Taffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas, of which he composed over thirty. Thaï s was first performed at the Opera Garnier in Paris in 1894 and continues to be one of the composer's most performed operas. The famous Meditation, isan intermezzo, originally for Violin and Orchestra, which has since been arranged for many different instruments, making it a frequent concert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel 's adaptions include breath marks, phrasing, changing octaves for some notes and articulation, among other aspects. Massenet 's Meditation is challenging through its use of lyricism in the upper register, yet it remains a favoured and popular piece in the Flute's repertoire. / Opéra-opérette / Répertoire / Flûte Traversière et Piano
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Piano Sonatas Op. 24+39+49+70 Wev Q-2, 3, 4, 5
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
(+)
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano
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Konzertante Werke Op. 32 Wev N.15
Piano et Orchestre
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
(+)
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre
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DONIZETTI GAETANO - LUCIA DI LAMMERMOOR - VOIX and PIANO
42.50
DONIZETTI GAETANO - LUCIA DI LAMMERMOOR - VOIX and PIANO
Piano, Voix
Ricordi
Lucia di Lammermoor de Gaetano Donizetti, ecrit sur un livret de Salvadore Camma...
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Lucia di Lammermoor de Gaetano Donizetti, ecrit sur un livret de Salvadore Cammarano, a ete cree au Teatro di San Carlo de Naples le 26 septembre 1835. Il est reste au repertoire sans interruption comme l'un des operas les plus populaires de Donizetti tout au long de son existence de pres de 200 ans. L'edition propose comme texte principal une version de l'opera qui, en majeure partie, est aussi fidele que possible a celle donnee lors de la premiere a Naples. L'edition critique retablit les tonalites originales, conservant ainsi la conception harmonique globale de Donizetti, mais aborde les transpositions qui sont entrees plus tard dans la tradition d'interpretation et d'edition de l'opera. Nous presentons ici la reduction pour voix et piano. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI
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Manon Lescaut
46.10
Manon Lescaut
Italiano
Piano, Voix
Ricordi
Manon Lescaut is the fi rst volume of the series 'The operas of Giacomo Puccini?...
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Manon Lescaut is the fi rst volume of the series 'The operas of Giacomo Puccini? - Critical Edition - in collaboration with Archivio storico Ricordi and Fondazione Simonetta Puccini. It makes available the three main versions of the opera that have survived in various sources: an 1893 version, with the original Act I finale, the fi rst version of Manon's Act IV aria, and the uncut version of the fi nal duet in Act IV- a 'midcareer? version imagined by Puccini in the fi rst decade of the new century, when he sanctioned the almost complete omission of Manon's Act IV aria- and fi nally the last version that Puccini lived to approve, with Manon's aria restored, albeit with a revised literary text. The volume is introduced by a preface to the Puccini Critical Edition, an historical introduction, a detailed description of the opera's many sources and a lengthy critical commentary which discusses numerous problematic details in the musical text. / Voix Et Piano
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Hansel & Gretel (Heumann) (HUMPERDINCK ENGELBERT)
19.40
Hansel & Gretel (Heumann) (HUMPERDINCK ENGELBERT)
Piano seul
Schott
Par HUMPERDINCK ENGELBERT. This volume presents the probably most beautiful and ...
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Par HUMPERDINCK ENGELBERT. This volume presents the probably most beautiful and most popular children's opera that has ever been written, in an easy arrangement for piano, with all excerpts being in the respective original key. Among the seven operas composed by Humperdinck, 'Hänsel und Gretel' is his first and best masterpiece. The magical mood of this fairy-tale and the brilliant music explain why this opera still fascinates both children and adults. The series 'Get to Know Classical Masterpieces' provides an introduction to well-known compositions in simple arrangements for piano by Hans-Günter Heumann. Complete with texts and colour illustrations throughout, these editions will appeal not only to both child and adult pianists, but to any music-lover who wishes to get to know these works better./ Répertoire / Piano
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Classical Favourites from Russia
23.40
Classical Favourites from Russia
1 Piano, 4 mains
Universal Edition
Countless catchy melodies come from Russian operas, ballets and symphonies and i...
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Countless catchy melodies come from Russian operas, ballets and symphonies and if you have heard them once, you will never forget them. For this collection of pieces, Nicolai Podgornov has produced masterful arrangements of classics from russian operas, ballets and symphonies. Compositions such as the famous waltz from Tchaikovsky's Sleeping Beauty or the main theme from his Swan Lake, the waltz from Shostakovich's Jazz Suite No. 2, Prokofiev's Montagues and Capulets from the ballet Romeo and Juliet, Khachaturian's Sabre Dance from Gayane and his Adagio from the ballet Spartacus. All of these are sure to give great pleasure to intermediate-level piano students. Nicolai Podgornov has expertly arranged these popular pieces with easy fingering so that playing them is straightforward - after all, familiar pieces are easier to master. • Easy to middle-grade arrangements of well-known themes from Russian opera and ballet for piano duet • Well-known, easy-to-play melodies from the Russian classics (’Sabre Dance’, ’Waltz No. 2’, ’Flight of the Bumblebee’ etc.) • Includes illustrations of the composers/ Recueil / Piano 4 Mains
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Puccini For Piano Solo (PUCCINI GIACOMO)
18.50
Puccini For Piano Solo (PUCCINI GIACOMO)
Piano seul
Ricordi
38 Inspired Selections from 9 Operas. Par PUCCINI GIACOMO. Piano solo arrangemen...
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38 Inspired Selections from 9 Operas. Par PUCCINI GIACOMO. Piano solo arrangements of 38 inspired selections from 9 Puccini operas: La Bohème, La Fanciulla del West, Gianni Schicchi, Madama Butterfly, Manon Lescaut, Suor Angelica, Tosca, Turandot and Le Villi . Includes plot notes for each opera, information on its premiere, listings of librettists, pronunciation guides, and more. / Classique / Répertoire / Piano
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La Dorilla Rv 709 (VIVALDI ANTONIO)
40.70
La Dorilla Rv 709 (VIVALDI ANTONIO)
Chant et Réduction Piano
-
Intermédiaire
Ricordi
Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé. Par...
(+)
Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present reduction derives from the critical edition of the score, published in this catalog in November 2019. Antonio Vivaldi's La Dorilla, a heroic-pastoral opera on a libretto by Antonio Maria Lucchini, was premiered at the Teatro Sant'Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant'Angelo, where, despite being greatly revised, it was once again successful. Many of its recitatives had been shortened and several arias replaced, some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers, such as Johann Adolf Hasse, Geminiano Giacomelli, Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi, who adjusted the libretto with the precise aim of satisfying the demands of the public, which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Réduction Piano
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Georg Friedrich Händel: The Arrival Of Queen Of Sheba: Piano: Instrumental Work
7.99
Georg Friedrich Händel: The Arrival Of Queen Of Sheba: Piano: Instrumental Work
Piano seul
[Partition]
-
Intermédiaire
Chester
The Arrival of the Queen of Sheba is the best known excerpt from Handel’s...
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The Arrival of the Queen of Sheba is the best known excerpt from Handel’s oratorio Solomon. When audience’s taste for opera waned somewhat Handel turned to the creation of Old Testament-based oratorios in English which werebasically unstaged operas on Biblical themes and which were a great success. This unforgettable music is regal propulsive light-hearted and to 21st century ears extremely familiar. Not only is it frequently chosen as awedding march but can also be found as a ringtone. Nevertheless the joyous message of Handel’s great piece is unbowed and ready to be enjoyed in this Piano arrangement.
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Dueling Carmens: Two Carmen Fantasies (SARASATE PABLO DE / HUBAY JENO)
40.70
Dueling Carmens: Two Carmen Fantasies (SARASATE PABLO DE / HUBAY JENO)
Violon et Piano
[Partition]
Hal Leonard
by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. ...
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by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. Georges Bizet\'s opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he included his newly created composition. It is a lyrical work of great beauty and brilliance. Hubay combined his career of a concertizing virtuoso, composer and violin pedagogue. At the Royal Conservatory in Brussels he became the successor of Vieuxtemps and Wieniawski. Later, Franz Liszt invited Hubay to lead the violin department in the newly created Budapest Music Academy. He created the world-renowned Hungarian school of violin playing. His student, Franz von Vecsey, recorded theCarmen Fantasy in 1904 at age 11! His other students included Joseph Szigeti, Zoltán Szekely, Sándor Végh, Endre Gertler, György Garay and many more. Hubay was a very active composer, creating over 120 works including operas, ballets, concertos, songs and instrumental compositions. Pablo de Sarasate wrote his Carmen Fantasy in 1882. It is a composition of drama and passion, written with his unparalleled brilliance for violin writing. This work has remained in the standard repertory, on programs of virtuoso soloists, as well as a required work for major competitions. / Date parution : 2021-12-09/ Recueil / Violon et Piano
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Puccini - Easy Piano
20.60
Puccini - Easy Piano
Piano seul
Ricordi
This sensational collection contains easy piano arrangements of 25 songs from 8 ...
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This sensational collection contains easy piano arrangements of 25 songs from 8 Puccini operas: La Bohème, La Fanciulla del West, Gianni Schicchi, Madama Butterfly, Manon Lescaut, Suor Angelica, Tosca and Turandot, featuring the beloved 'Nessun dorma.? Includes plot notes for each opera, information on its premiere, listings of librettists, pronunciation guides, and more. / Piano
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La Cenerentola (MOLLICONE HENRY / ROSSINI GIOACHINO)
19.90
La Cenerentola (MOLLICONE HENRY / ROSSINI GIOACHINO)
Piano seul
-
Intermédiaire/avancé
ECS Publishing
Fantasy for Piano Solo. Par MOLLICONE HENRY / ROSSINI GIOACHINO. Although based ...
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Fantasy for Piano Solo. Par MOLLICONE HENRY / ROSSINI GIOACHINO. Although based on music from Rossini's opera, this piano solo is influenced by other Romantic composers: Chopin, Schumann, Tchaikovsky, and most of all Franz Liszt, whose transcriptions of songs and operas served as an inspiration. Duration: 11:30 / Niveau : Intermédiaire à Avancé / Classique / Répertoire / Piano
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Giuseppe Verdi: Triumphal March from 'Aida': Piano Duet: Instrumental Work
2.95
Giuseppe Verdi: Triumphal March from 'Aida': Piano Duet: Instrumental Work
1 Piano, 4 mains
Kjos Music Company
This showy duet arrangement is sure to be a hit in any recital or multiple piano...
(+)
This showy duet arrangement is sure to be a hit in any recital or multiple piano festival concert. It is an accessible arrangement of a stately instrumental piece from one of the world's most famous operas as composed by one ofthe finest opera composers of all time Giuseppe Verdi.
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Jacques Ibert: Histoires - Arr. Kimberly Walter-Clark (Flûte/Piano)
23.90
Jacques Ibert: Histoires - Arr. Kimberly Walter-Clark (Flûte/Piano)
En Français
Flûte traversière et Piano
[Conducteur et Parties séparées]
Leduc, Alphonse
Composed between 1920 and 1921, this set of Histoires is a suite of four short m...
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Composed between 1920 and 1921, this set of Histoires is a suite of four short movements by Jacques Ibert selected out of the ten initial ones, for Flute and Piano. This publication was commissioned by the Alphonse Leduc editors and increased Jacques Ibert's popularity. This four pieces are as followed :3. Le vieux mendiant (The old beggar)4. 'A Giddy girl?6. Le palais abandonné (The abandoned palace)7. Bajo la mesa (Under the table)The difficulty of these works will fit intermediate to upper intermediate players. Jacques Ibert (1890-1962) also composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the French Academy in the Villa Médicis (Roma) and became later administrator for the Paris Opera. / Flûte Traversière Et Piano
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Antonio Vivaldi: La Dorilla RV 709: Vocal: Vocal Score
24.99
Antonio Vivaldi: La Dorilla RV 709: Vocal: Vocal Score
Piano, Voix
[Vocal Score]
-
Facile
Ricordi
Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé-The ...
(+)
Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé-The present reduction derives from the critical edition of the score published in this catalog in November 2019. Antonio Vivaldi's La Dorilla a heroic-pastoral opera on a libretto by Antonio Maria Lucchini was premiered at the Teatro Sant'Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant'Angelo where despite being greatly revised it was once again successful. Many of its recitatives had been shortened and several arias replaced some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers such as Johann Adolf Hasse Geminiano Giacomelli Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi who adjusted the libretto with the precise aim of satisfying the demands of the public which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context the description of the main source employed and a choice of the critical Notes to the musical text.
24.99 GBP - vendu par Musicroom GB
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Carl Nielsen: Piano Music For Young And Old Op.53: Piano: Instrumental Work
11.40
Carl Nielsen: Piano Music For Young And Old Op.53: Piano: Instrumental Work
Piano seul
[Partition]
Carl Nielsen Edition
This edition combines Books 1 and 2 of Piano Music For Young And Old a fantasti...
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This edition combines Books 1 and 2 of Piano Music For Young And Old a fantastic collection of 24 Five-tone pieces in all keys. This critical edition is designed to accurately reflect the Danish composer Carl Nielsen's intentions and musical ideas and to provide a guide to understanding the composition within the context of his artistic and intellectual development.With Carl Nielsen Danish musical life moved into the 20th century. Composing works in almost every genre - opera and music for the stage orchestral music concertos choral works chamber music Organand Piano music and songs - he created a prominent position for himself in international musical life. Carl Nielsen stands out as one of the most significant symphonists of this century. His concertos and chamber music also have an important place in the international repertoire and his two operas have won considerable recognition not only in Denmark but throughout the world.
11.40 GBP - vendu par Musicroom GB
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Favourite Operatic Collection for Piano: Piano: Instrumental Album
8.99
Favourite Operatic Collection for Piano: Piano: Instrumental Album
Piano seul
Kevin Mayhew
An irresistible collection of show-stopping Arias from the great Operas all arr...
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An irresistible collection of show-stopping Arias from the great Operas all arranged as concert pieces for the solo Piano. From Mozart and Offenbach to Rossini and Puccini some of the most powerful poignant and beautifulmelodies reside in the arias of the Opera canon. Just imagine Carmen without Habañera or Turandot without Nessun Dorma...A selection of 14 stunning musical moments have now been lovingly arrangedas Piano Solos for the confident student representing a spectacular addition to any performance repertoire and a satisfying challenge to your skills and techniques. With melodies from Rigoletto Lakmé and LaBohème you'll never be stuck for a suitable solo piece that's both familiar and impressive!
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Philip Glass: Four Mouvements For Two Pianos: Piano Duet: Score
21.99
Philip Glass: Four Mouvements For Two Pianos: Piano Duet: Score
1 Piano, 4 mains
[Partition]
Dunvagen Music Publishers
Composer Philip Glass returned to composition for chamber ensemble after several...
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Composer Philip Glass returned to composition for chamber ensemble after several years of work for films ballet opera and solo instruments. Four Movements For Two Pianos was commissioned by hislong-time advocate the conductor and pianist Dennis Russell Davies and pianist Maki Namakawa and after the success of this piece at the Ruhr Piano Festival the pair decided to continue performing as a duo. The piece can belocated more at the classical end of Glass’ compositional spectrum retaining all the propulsive rhythms arpeggiation and repetitiveness that are the hallmarks of the composer’s work. American composerPhilip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music withrepetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his ownperforming group The Philip Glass Ensemble.
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Carl Nielsen: 5 Piano Pieces Op.3: Piano: Instrumental Work
6.90
Carl Nielsen: 5 Piano Pieces Op.3: Piano: Instrumental Work
Piano seul
[Partition]
Carl Nielsen Edition
Carl Nielsen is perhaps the best known Danish composer and this volume contains ...
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Carl Nielsen is perhaps the best known Danish composer and this volume contains his Five Piano Pieces Op. 3. There is an interesting range of feeling and sentiment in the 5 intimate miniatures composed in 1890. Includes the following movements: Folk Tune Humoresque Arabesque Mignon and Elf-Dance. With Carl Nielsen Danish musical life moved into the 20th century. Composing works in almost every genre - opera and music for the stage orchestral music concertos choral works chamber music Organ and Piano music and songs - he created a prominent position for himself in international musical life. Carl Nielsen stands out as one of the most significant symphonists of this century. His concertos and chamber music also have an important place in the international repertoire and his two operas have won considerable recognition not only in Denmark but throughout the world.
6.90 GBP - vendu par Musicroom GB
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ChordTime Piano Classics Level 2B CD: Piano: Instrumental Album
9.95
ChordTime Piano Classics Level 2B CD: Piano: Instrumental Album
Piano seul
[CD]
Faber Piano Adventures
Level 2B-Contents include: Aria (from the Peasant Cantata) by J.S. Bach; La Donn...
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Level 2B-Contents include: Aria (from the Peasant Cantata) by J.S. Bach; La Donna e Mobile (from the opera Rigoletto) by Verdi; Largo (from the opera Die Fliedermaus) by J. Strauss Jr.; The Little Man in the Woods (from the opera Hansel and Gretel) by Humperdinck; March Militaire by Shubert; Overture (from the opera William Tell) by Rossini; Pizzicato Polka by J. Strauss Jr. and J. Strauss; Polvetzian Dance No. 17 (from the opera Prince Igor) by Borodin; Roses from the South by J. Strauss Jr.; The Rage Over the Lost Penny by Beethoven; Theme from 'The Surprise' Symphony by Haydn; Theme from Trumpet Concerto in Eb by Haydn; Trepak (from the ballet The Nutcracker) byTchaikovsky.
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La Traviata
38.00
La Traviata
Italiano
Chorale SATB
SATB, Piano
Ricordi
Ricordi, the well-known printer of classical opera, presents the works of the gr...
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Ricordi, the well-known printer of classical opera, presents the works of the great opera composers in its CRITICAL EDITION · PRACTICAL SERIES. These revised definitive scores are produced by using all the currently available sources ranging from the original autographs to printed editions, in line with strict philological and critical criteria. Each edition has a brief introduction providing the historical context for the opera in question. This series combines the rigour of a critical approach and a practical, easy-to-follow editorial lay-out. The hidden sadness and frustration of living as a moral outcast, the attempt to simulate innocence in frivolous living and the desperate search for relief from pain and anguish, the destruction of all hope in an unrealistic love affair... this is Violetta Valery. Verdi penetrated the tormented sensitivity of her soul as he visualized her in his music, transforming her individual fate into a universal representation of human suffering. His compassion for her, however, met with bigoted censure: the bourgeois public, scandalized by the presence of a kept woman as a character on the stage, gave the opera an icy reception at its premiere in Venice (Teatro La Fenice, 6 March 183). Certainly an inferior cast for the occasion did little to help. Only the following year, when La traviata was revived for another production in Venice (Teatro San Benedetto), did the tale of Violetta manage to overcome this prejudice and win the unconditional esteem it so deserves. / Voix Et Piano
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Saint François D'Assise, Vol.2 (Acte II, 4ème Et 5ème Tableaux) Réduction Chant Et Piano
97.60
Saint François D'Assise, Vol.2 (Acte II, 4ème Et 5ème Tableaux) Réduction Chant Et Piano
En Français
Piano, Voix
[Partition]
Leduc, Alphonse
Saint Francis of Assisi is an opera in 3 acts by Olivier Messiaen. This volume i...
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Saint Francis of Assisi is an opera in 3 acts by Olivier Messiaen. This volume is focused on the Act II - 4. L'Ange Voyageur and 5. L'Ange Musicien which depict the appearance of Angels to Saint Francis.Based on the life of Saint Francis of Assisi, this opera is set in Italy and is composed as per below:Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L'ange voyageur 5. L'ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French organist and composer who was passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes and the 'Treatise on Rhythm, Colour and Ornithology' in 7 volumes. / Chant Et Piano
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Vocal Score / Softcover. Par VERDI GIUSEPPE. In a letter of 2 January 1851, Verd...
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Vocal Score / Softcover. Par VERDI GIUSEPPE. In a letter of 2 January 1851, Verdi suggested for the first time Antonio Garcia Gutierrez play El Trovador as a possible subject for his new Opera: 'It seems to me very beautiful, imaginative, and full of strong situations'. Once he had settled on the subject, the composer immediately began looking for a theater in which to produce the Opera and after protracted negotiations he decided to stage Il Trovatore in Rome. The premiere occurred on 19 January 1853 at the Teatro Apollo and was an enormous success. The appreciation of the new work increased from performance to performance. The third performance was the last the composer was contractuallyobliged to attend: at the end of the evening the audience presented Verdi with two laurel wreaths. Verdi 's account of the performances, contained in a letter to his friend Clarina Maffei, was eloquent: 'They say that this Opera is too sad and that there are too many deaths. But ultimetley in life everything is death! What exists?. . . ' Notwithstanding Verdi 's pessimism, Il Trovatore circulated rapidly. In fact, no other Opera of Verdi except 'Ernani' enjoyed such instant and widespread success./ Répertoire / Chant et Piano
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