A terrific Choral Suite from Andrew Lloyd Webber's The Phantom Of The Opera and part of the Novello Voices Choral Suites Series. Contains: Think Of Me, Wishing You Were Somehow Here Again, The Music Of The Night, The Phantom Of The Opera and All I Ask Of You . These popular modern songs from one of the most famous West End show have been set by Barrie Carson Turner in fabulous arrangements for SATB and Piano accompaniment. / Chant Et Piano

Nine songs from the West End musical. Includes 'All I Ask Of You', 'The Point Of No Return' and 'The Phantom Of The Opera'. / Ligne Mélodique, Paroles Et Accords

Big Note Vocal Selections-9 songs from the Broadway spectacular including: All I Ask of You · Angel of Music · Masquerade · The Music of the Night · The Phantom of the Opera · The Point of No Return · Prima Donna · Think of Me · Wishing You Were Somehow Here Again.

Bande originale du film 'Phantom Of The Opera' arrangée pour piano et chant. / Piano/Vocal/Guitare (PVG) / Partition

Popular Airs from 16 Operas/Late Intermediate to Early Advanced-Every opera contains certain themes or musical bits which seem to catch on at first hearing and remain favorites for long after. To real opera lovers there is an irresistible urge to repeat these melodies at home. Keyboard Opera contains 16 popular selections all transcribed especially for keyboard performance including My Heart at Thy Sweet Voice (Samson and Delilah (Saint-Saens) and Aragonaise from Le Cid (Massanet).

Batti Batti O Bel Masetto is taken from the Opera Don Giovanni. Don Giovanni is widely regarded as one of the greatest pieces of music ever composed and of the many operas based on the legend of Don Juan Mozart's is thought to be beyond comparison. The opera was billed as dramma giocoso or playful drama belonging to a genre neither completely comic nor completely tragic. In the original production the actors alternated between spoken recitative and sung aria but most modern productions use the secco-recitatives composed by Mozart in place of the spoken text.

A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano

Acte II-Saint Francis of Assisi is an opera in 3 acts by Olivier Messiaen. This volume is focused on the Act II - 4. L'Ange Voyageur & 5. L'Ange Musicien which depict the appearance of Angels to Saint Francis. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French organist and composer who was passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on Rhythm Colour and Ornithology' in 7 volumes.

Opera in three acts-Handel?s Agrippina HWV 6 was performed with great success at the 2015 International Handel Festival in Göttingen (Germany) using the new Bärenreiter edition including the performance material and this vocal score.Agrippina is the last opera that Handel completed and premiered in Italy. The excellent libretto is one of the few original opera libretti that he set to music. The plot is tightly constructed the characters sharply etched and equipped with a wide range of human emotions. Agrippina is married to her third husband the Roman emperor Claudius. After he is presumed dead she attempts with deception andintrigue to place her son Nero on the throne.The vocal score includes all the numbers from the appendix of the full score. These were used either during the successful Venetian series of performances in 1709/10 or were deleted or replaced by other numbers versions and variants.Urtext edition based on the Halle Handel EditionPerformance material available for hireHardback full score (BA4092-01) and paperback vocal score (BA4092-90) available for saleVocal scores includes:- A singing translation in German- Extensive bilingual Foreword (Ger/Eng)- Idiomatic uncluttered Piano reduction

Dmitri Shostakovich is regarded by musicians and audiences alike as one of the most important and powerful composers of the 20th century. His music reflects his own personal journey through some of the most turbulent and tragic times of modern history. ‘Katerina Ismailova’ is the alternative name of Shostakovich’s opera Lady Macbeth of the Mtsensk District op.29. As op.114 the work is a revision of the original opera with two new entr’actes a major revision to Act 1 Scene 3 and smaller changes elsewhere. This opera in 4 Acts is accompanied by a libretto by Aleksandr Preis based on ashort story by Nikolai Leskov.

Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.

Testo Cantato In Italiano-Madama Butterfly took wing under turbulent circumstances. The premiere (Milan Teatro alla Scala 17 February 1904) was a disaster; while a second production only months later (Brescia Teatro Grande 28 May 1904) was instead a resounding success. Inthe intervening period the composer had made considerable changes to the score enough that the result qualifies as a ?second version?. Still other changes were to come however as the opera toured in successive productions. The definitive version which is reflected in this edition was produced in 1906 at the Opéra Comique in Paris and published by Ricordi the following year. Puccini thus invested considerable effort into the creation of his favorite opera ? and into shaping the fate of theheroine herself a manifestation of the extremes of patient waiting and steadfast love. The music is a complete and masterful expression of the pity and disillusionment that surround the figure of Cio-Cio-San: her absolute but misguided hope herpathetic pretence in the name of love her miserable demise.

Capture the grandeur and power of the very best Opera themes in this specially selected set of Piano solos with accompanying CD. From the early devout stage works of Handel and Purcell through the exotic and playful productionsof Mozart and Rossini to the spectacular and heart-stopping innovations of Wagner Tchaikovsky and beyond this set of specially selected movements have been carefully arranged as Piano solos. Featuring full performances of allthe pieces on CD this is an absolutely essential collection for any Opera lover and a superb source of unusual Piano repertoire.