Adapted fot Flute and Harp or Piano-Mozart's beautiful Andantino K299 for Flute and Harp was composed for the Duc de Guines and his talented daughter. This Andante has been adapted (and cadenza added) for performance without Orchestra and all editorial markings are specifically for harpists. However the part may be easily performed on the Piano by ignoring the editorial markings and adding some discrete pedalling wherever appropriate.

1 Outstanding NFMC Selected Solos-Proven piano solos fill this compilation of selected gems chosen for various National Federation of Music Clubs (NFMC) Junior Festival lists. This collection features pieces for intermediate to late-intermediate level students. Titles: Barcarolle Impromptu · Cathedral Echoes (Harp Song) · Dance of the Trolls · Jasmine in the Mist · Jesters · Maestro There's a Fly in My Waltz · Mother Earth Sister Moon · Northwoods Toccata · Sounds of the Rain · Un phare dans le brouillard (A Lighthouse in the Fog).

piano scoreÉdité par Kovács MátyásInstrument: Harp and pianoGenre: 20th Century MusicPages: 24 ppDate du parution: Juillet 1976

Par HARPER JOHN. / Niveau : Assez Facile / classique / Répertoire / Flûte Traversière et Piano

This generous compilation of Rachmaninoffâ??s Piano music reflects the 'best of the best' â?? selected shorter works that have been most often performed and most frequently recorded by such great Keyboard artists as Horowitz Richter Gilels Cliburn and Rachmaninoff himself. Offered here for the first time in a single collection are the Prelude in C-sharp Minor; three exquisite Etudes-Tableaux from Op. 33 and 39; seven best-loved Preludes from Op. 23 and 32; three Moments Musicaux from Op. 16; the Barcarolle and Humoresque from Morceaux de salon Op. 9 and the charming Polichinelle from Op. 3.

Arrangeur: Siegfried Petrenz. Par BACH JOHANN SEBASTIAN. The importance of the Art of Fugue, a late work of Bach, is undisputed. The composer died while preparing it to be printed. The work has been given the highest recognition by musicians and music lovers ranging from his contemporaries to the present day. This stands in sharp contrast to the reception of the work. It is scarcely to be found in the piano repertoire or ib concert programs and, above all, it is almost entirely absent from the curriculum in the study of music. One the reasons for this – the technical demands which the fugues and canons present – has been addressed with the present edition of the work. The four-voiced notation of the score from the firstedition has been distributed over two pianos, and each piano part is allotted its own score. This follows the model of Bach, who arranged Contrapunctus 13, the three-voiced mirror fugue, for two harpsichords. Thus each player has two voices to play – somewhat on the level of difficulty of the two-part inventions – and these parts present no extraordinary technical demands. The goal of this edition is to give pianists and music lovers, but above all music students the possibility to get to know this work, one of the greatest work of music literature, by playing it and reaping the rewards of “incredible” musical experiences and knowledge./ Répertoire / 2 Claviers

Edition complète en fac-similés de l'oeuvre de Fédéric ChopinPiano : Alex Szilasisur un athentique Piano PLEYELOeuvres proposées par Alex Szilasi19 Valses : 1 - KK IVb no11 (a-moll - A minor - La mineur) - 1'54''2 - - KK IVa no13 (Asz-dur - A flat major - La bémol) - 1'25''3 - - KK IVb no12 (E-dur - - E major - Mi majeur) - 2'23''4 - - KK IVa no14 (Esz-dur - E flat major - Mi bémol majeur) - 2'21''5 - - KK IVa no15 (e-moll - - E minor - Mi - mineur) - 2'58''6 - - KK IVb no10 (Esz-dur - E flat major - Mi bémol majeur) - 1'56''7 - - Op. 18 Grande Valses Brillante (Esz-dur - E flat major - Mi bémol majeur) - 6'02''8 - - Op. - 34 no1 - Grande Valses Brillante (Asz-dur - A flat major - La bémol) - 5'56''9 - - Op. - 34 no2 - Grande Valses Brillante (a-moll - A minor - La mineur) - 6'23''10 - Op. - 34 no3 - Grande Valses Brillante (F-dur - - F major - Fa majeur) - 2'33''11 - - Op. posth. 69 no2 - (h-moll - - B minor - - Si mineur) - 3'34''12 - Op. posth. 70 no1 - (Gesz-dur - - G flat major - Sol bémol majeur) - 2'17''13 - Op. posth. 70 no2 (f-moll - - F minor - fa mineur) - 1'41''14 - Op. posth. 70 no3 - (Desz-dur - - D flat major - - Ré bémol majeur) - 2'31''15 - Op. - 64 no3 (Asz-dur - A flat major - La bémol) - 3'21''16 - Op. posth. 69 no1 - (Asz-dur - A flat major - La bémol) - 3'47''17 - Op. - 64 no1 (Desz-dur - - D flat major - - Ré bémol majeur) - 1'57''18 - Op. - 64 no2 (cisz-dur - - C sharp minor - - Ut dièse mineur) - 3'54''19 - Op. - 42 Grande Valse (Asz-dur - A flat major - La bémol majeur) - 4'02''Trois - Ecossaises : 20 - Op. posth. 72 no3 (D-dur - D Major - Ré majeur) - 1'05''21 - Op. posth. 72 no4 (G-dur - - G Major - - Sol majeur) - 0'37''22 - Op. posth. 72 no5 (Desz-dur - D flat Major - Ré bémol - majeur) - 0'37'' / Piano / niveau : 1 / Fac-Similés - Format: 12.5 X 14

An Urtext edition of Frederic Chopin's Waltz In C Sharp Minor Op.64 No.2 as edited by Ewald Zimmermann with fingering by Hans-Martin Theopold.