Music from the Motion Picture Soundtrack. Par PASEK BENJ / PAUL JUSTIN. 11 chansons de la bande originale du film à succès, dont 'The Anonymous Ones' et 'A Little Closer', écrites exclusivement pour le film. Toutes les chansons sont arrangées pour le piano, la voix et la guitare avec les grilles d'accords et les paroles complètes. La mélodie est incluse dans la partie de piano. Sommaire : The Anonymous Ones - For Forever - If I Could Tell Her - A Little Closer - Only Us - Requiem - Sincerely, Me - So Big/So Small - Waving Through a Window - Words Fail - You Will Be Found. / Date parution : 2021-12-09/ Recueil / Piano/Vocal/Guitare (PVG)

arranged for Pianoforte and String Quintet-Concerto for Pianoforte and Orchestra No.4 Op.58: arranged for Pianoforte and String Quintet.Piano Violin (2) Viola (2) Violoncello.This anonymous sextet arrangement of Beethoven’s Fourth Piano Concerto was highly popular in Vienna during the composer’s lifetime. We know this from at least two sets of handwritten parts which were then in circulation.No Piano part has been handed down; indeed the original sets of parts probably omitted the Piano.The soloist presumably studied his part from the first edition of the solo part published with the original performance material in 1808. (The full score did not appear until 1861).The sextetversion deftly integrates the original wind parts into the string texture. The arrangement stands in the tradition of Piano reductions with chamber music accompaniment of the sort which were also made for Mozart’s Piano concertos K.413 to 415 and later for the Chopin concertos.This Urtext edition edited by the renowned Beethoven scholar Jonathan Del Mar presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.First ever publication of this arrangement.Includes a separate solo part as was customary in Beethoven’s day.Provides new possibilities for soloists to perform this work.

An Anthology-All eighteen pieces in this collection are reliably dated to the reign of James I and whether by named composers or anonymous ones appear in sources other than the notable Virginal books preserved in the Fitzwilliam Museum Cambridge. The contents demonstrate the variety of forms in the Keyboard repertoire of this period from plainsong-based compositions to dances by Orlando Gibbons. The 'Pretty ways for young beginners to look on' possibly by Thomas Tomkins are a fascinating example of music contemporary to the time written with the didactic purpose of instructing musicians in the techniques of counterpoint.

Easy Piano Pieces for Children (36). The 'Keyboard Crocodile' is actually quite harmless. This friendly beast crawls colorfully and playfully amidst these piano pieces from all over the world chosen from among the easiest pieces of all times. It wont wag its tail at the Funeral ofMax the Turtle or snarl at Carefree Jack. This delightful little reptile quickly finds its way into the hearts of all children beginning to play the piano. The only thing the 'Keyboard Crocodile' would like to sink its teeth into areboring piano albums for beginners! The 'Keyboard Crocodile' is actually quite harmless. This friendly beast crawls colourfully and playfully amidst these piano pieces from all over the world chosen from among the easiest pieces of all times. It won't wag its tail at the 'Funeral of Max the Turtle' or snarl at 'Carefree Jack'. This delightful little reptile quickly finds its way into the hearts of all children beginning to play the piano. The only thing the 'Keyboard Crocodile' would like to sink its teeth into are boring piano albums for beginners! Anonymous: Early French Dance Bach, J. S. : Musette Bartó k: Sorrow Batschinskaja: The Old Cuckoo-Clock Beethoven:German Dance Burgmuller: Arabesque Duncombe: Fanfare Minuet Fux: Almost a Canon Gillock: Fiesta Gillock: The Swinging Sioux Graupner: Bourree Gretschaninow: Riding on the Hobby Horse Gurlitt, C. : Night Journey Gurlitt, C. : The Little Rascal Gurlitt, C. : Theme and Variation Haydn: 2 German Dances Haydn: Gipsy Dance Kabalewskij: Dance Kodàly: Children's Dance Lefeld: Little Mouse Löhlein: Balletto Martin: Boogie No. 1 Mozart: Minuet Mozart, Leop. : Bourlesqe Schubert: Ecossaise Schumann: Hide and Seek Schumann: Soldier's March Schwerdtner: The Funeral of Max the Turtle Schwertberger: Samba in Sixths Seifert: Little Piece Takàcs: Glider Flight Takàcs: Pien-Tshung Turk: Carefree Jack Turk: Echo in the Castle Vanhal: Allegretto WitthauerTurk: Gavotte / Niveau : Facile / Répertoire d'Examen / Recueil / Piano

Dvorák, Antonín Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urtext edition of Dvorák's only piano concerto - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel 'olc adapted to fit this new edition Edition no. BA 10420-90 ISMN 9790260108394 Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel 'olc.

g-moll Op. 33 B. 63-Composed in 1876 Dvorák’s only piano concerto has been overshadowed by his other two concertos for violin and violoncello respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883 which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert vanSteijn decided instead to present the version by Karel Šolc. - New Urtext edition of Dvorák’s only piano concerto - Foreword by Dvorák scholar David R. Beveridge (Eng/Cz/Ger) - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel Šolc adapted to fit this new edition - Full score (BA10420) and two-piano reduction (BA10420-90) available for sale - Performance material (BA10420-72) available for hire

Some of the most often taught original piano literature by dozens of master composers of the past has been carefully selected and compiled by difficulty level. The Early Intermediate edition features 17 pieces by 15 composers, including: Anonymous (18th century): Minuet in G from The Notebook for Anna Magdalena Bach · Johann Sebastian Bach: Gavotte II: La Musette from English Suite No. 6, BWV 811 · Johann Sebastian Bach: Prelude in C Major from The Well-Tempered Clavier, Book 1 · Béla Bartók: Three Pieces from For Children, Sz. 42 · Ludwig van Beethoven: Minuet in G Major, WoO 10, No. 2 · Ludwig van Beethoven: Sonatina No. 1 in G Major, Anh. 5, No. 1 · Anton Diabelli: Rondino · César Franck: The Doll's Complaint · George Frideric Handel: Sarabande from Suite in D minor, HWV 437 · Franz Joseph Haydn: German Dance in D Major, Hob. IX: 22, No. 2 · Friedrich Kuhlau: Scottish Dances Nos. 2, 3, 5 and 6 from Six Scottish Dances · Edward MacDowell: To a Wild Rose from Woodland Sketches · Wolfgang Amadeus Mozart: Minuet in G Major, K. 1 · Jean-Philippe Rameau: La tambourin · Franz Schubert: Waltz in A Major · Robert Schumann: Soldiers' March from Album for the Young · Pyotr Il'yich Tchaikovsky: Italian Song from Album for the Young.

Johann Jacob Froberger (1617 67) enjoyed an outstanding reputation during his lifetime as his compositional style represented a synthesis of Italian French and English influences. There is now a growing awareness that Froberger?s significance for Keyboard music of the 17th century is comparable only with that of Jan Pieterszoon Sweelinck.Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition the editorial method and performance practice. Information on contemporary instruments ornamentation and Froberger?s biography is also included.Both volumes VI.1 andVI.2 contain music from anonymous copies of the 17th century undoubtedly made from autograph manuscripts which were returned to the Singakademie in Berlin from Kiev in 2001. They also include further new discoveries of manuscripts and compositions.The New Edition of the Complete Works will comprise a total of eleven volumes.- Urtext scholarly-critical edition setting new standards.- Reflects the current state of research.- Music from the newly-discovered ?Kiev sources?.- Detailed explanatory notes (Ger/Eng).

Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt about Lamentate: 'Lamentate is music for piano solo and orchestra. With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is 'one'. This 'one' could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract. Overall, it could be said that my work is marked by two diametrically opposed moods. By way of slight exaggeration, I would characterize these two poles as being 'brutal-overwhelming' and 'intimate-fragile'. The two characters are not simply placed opposite one another, much rather being left to develop themselves in a conflict that runs throughout the entire work.'/ Répertoire / Piano et Orchestre

Par SUZUKI SHINICHI. The New International Edition of Suzuki Piano School, Volume 4, includes French, German and Spanish translations as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed to include a new piece, Tcherepnin's 'Bagatelle. ' Mozart's 'Minuet III' and 'Minuet VIII, ' from 8 Minuets have been removed, and Burgmuller's 'Arabesque' and 'By the Limpid Stream' have been moved here from Book 5. Titles: Rondo, from Divertimento in D Major, K. 334 (W. A. Mozart) * Minuet I, from 8 Minuets, K. 315g (W. A. Mozart) * Arabesque, from 25 ProgressivePieces, Op. 100, No. 2 (Burgmuller) * By the Limpid Stream, from 25 Progressive Pieces, Op. 100, No. 7 (Burgmuller) * Musette in D Major, from J. S. Bach s Notebook for Anna Magdalena Bach (Anonymous) * Sonata in G Major, Op. 49, No. 2 (Allegro, ma non troppo; Tempo di minuetto) (Beethoven) * Bagatelle, Op. 5, No. 9 (Tcherepnin) * Gavotte, from Suite in G Minor (J. S. Bach) * Minuets I and II, from Partita in B-flat Major (J. S. Bach) * Gigue, from Partita in B-flat Major (J. S. Bach). / Méthode / Méthode / Piano

The New International Edition of Suzuki Piano School, Volume 2 includes French, German and Spanish translations, new Romantic and 20th-century pieces, as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed slightly with minimal reordering of the music. The Mozart Minuet and Bach Musette from the earlier edition were eliminated and replaced with two new 20th-century pieces by Bartók (noted below), and the Bach Minuet in G Minor (from J. S. Bach's Notebook for Anna Magdalena Bach) has been moved to Volume 3. Other improvements include a cleaner appearance with less editing and spacious new engravings, as well as more detailed titles that include the keys, sources, composer dates, and catalog numbers. Titles: Écossaise (J. N. Hummel) * A Short Story (H. Lichner) * The Happy Farmer, from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in G Major, BWV 822 (J. S. Bach) * Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena Bach (Anonymous) * Minuet in G Minor, BWV 822 (J. S. Bach) * Cradle Song, Op. 13, No. 2 (C. M. von Weber) * Arietta (W. A. Mozart) * Hungarian Folk Song, from For Children, Sz. 42 (Béla Bartók) * Melody, from Album for the Young, Op. 68, No. 1 (R. Schumann) * Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena Bach (C. Petzold) * Sonatina in G Major, Anh. 5 (Moderato, Romance) (L. van Beethoven) * Children at Play, from For Children, Sz. 42 (Béla Bartók).

Contents: Daniel Gottlob Tuerk: Sei mir gegruesst Erik Satie: En plus Erik Satie: Redite Theodor Kirchner: Albumblatt in e Op.7 No.5 Alec Rowley: Two Dances from Op.41 Christian Gottlob Saupe: Sonatina in g William Walton: Hop-scotch Ane Scholl/Rolf Anderson: Boogie Express Franz Schubert: 6 Laendler from D366 Wolfgang Rihm: 2 Waltzes Anonymous: 2 German Dances Michael Proksch: Ein Spanier fuer Elise Giles Farnaby: The old Spagnoletta Thomas Peter-Horas: Nachtfahrt Mike Cornick: Conga (from Latin Suite No.1) Witold Lutoslawski:Ungehoerte Melodie Carl Maria von Weber: Andantino in c Op.10 No.2 Luis Andriessen: Nuit d'ete Wolfgang Amadeus Mozart: Sonata in C K19d (Allegro) Ruth Schonthal: A Bouquet of Wild Flowers and the Butterfly Robert Schumann: Two Pieces (Op.85 No.3 6) Claus Kuehnl: Korona (Chromatic Study) Max Reger: Waltz in c-sharp minor Op.22 No.4 Eberhard Werdin: Ketusa

Edited by Thurston Dart and William Oxenbury. A collection of 25 dances by Italian composers originally printed in Venice 1551. Transcribed from the copy in the Liceo Musicale Bologna.ANONYMOUSGagliarda 'Cathaccio'; Gagliarda 'Comadrina'; Gagliarda 'El Poverin'; Gagliarda 'Fantina'; Gagliarda 'Fornerina'; Gagliarda 'Gamba'; Gagliarda 'Gonelia'; Gagliarda 'La Canella'; Gagliarda 'La vien dal porto'; Gagliarda 'L'herba fresca'; Gagliarda 'Lodesana'; Gagliarda 'Mezza notte'; Gagliarda 'Moneghina'; Gagliarda 'Tu te parti'; Gagliarda 'Venetiana'; La Forze d'Hercole; Passamezzo antico I; Fassamezzo antico II; Passamezzo antico III; Passamezzo nuovo I; Passamezzo nuovoII; Passamezzo nuovo III; Pavana 'Fusi'; Saltarello 'A la O'; Saltarello del Re

Edited by Kenneth Elliott. A transcription of the ms. Panmure 10 in the National Library of Scotland known as 'Duncan Burnett's Book' c.1610. 10 keyboard pieces by William Kinloch Duncan Burnett and others together with a short selection of Scots airs for cittern and for violin.CONTENTSANONYMOUS (Almayne; Coranto; Galliard; Green grows the rushes (Violin); Ile of Rea (Cittern); Jhon come kisse me noue (Cittern); Kathren Oggie (Violin); Last time I came over the mure (Violin); Laydie Louthian's lilte (Cittern); Pavan: The queine of Inglands Lessoune; Sueit smylling Katie loves me (Cittern))BURNETT Duncan (Pavan)JOHNSON Edward (Pavan: Jhonstounisdelyt)KINLOCH William (Galliard of the Lang paven; Kinloche his Fantassie; Kinloch his Lang pavane)LASSO Orlando di (Sussanna (Un Jour))