The music of Gabriel Fauré (1845-1924) is an important link between the innovations of late Romanticism and the experimentation of the early 20th century. A student of Saint-Saëns, he, in turn, taught Ravel and was a mentor to the young modernists of Les Six. These 12 nocturnes and 12 barcarolles, composed over a span of 40 years, document his move from Romanticism to the frontiers of 20th-century music. Reprinted from authoritative French editions.

Romantic Tone Poems for Piano Solo Late Intermediate to Advanced Level. Par CHRISTOS TSITSAROS. Five beautiful pieces that are in essence deeply romantic tone poems. Tsitsaros weaves styles that range from late romantic, early impressionistic, early 20th century modal, and even a little New Age throughout the book. Tied together by exuberant lyricism, these French-inspired pieces will delight and enchant. Suitable for an advanced student or a college level recital. Titles: Echoes of a Sea Cave · Evocation · Reverie · Soaring Exultation · Toccata./ Répertoire / Piano

50 Famous Pieces For Piano / Hard Cover. The popular anthology Best of Piano Classics is now available as an exclusive hardcover edition, with ribbon bookmark and high-quality binding. A thoughtful gift for any pianist! Selected for pupils in their first years of piano lessons, this volume contains 50 of the most beautiful original compositions for piano from the days of Johann Sebastian Bach (1685-1750) to the days of Alexander Grechaninov, providing playing material from the baroque period to the early 20th century. Apart from numerous individual pieces, it also contains easy sonatas and sonatinas by Haydn, Clementi, Mozart, and Beethoven. Complete with fingerings, tempo suggestions and notes on the execution of ornaments, this collection with its modern and reader-friendly layout is ideal for lessons and for playing at home. / Classique / Recueil / Piano

Cinq Morceaux Op. 75 No. 1-A fabulous work for piano by Finnish composer Jean Sibelius one of the most influential symphonic composers of the late 19th and early 20th century. When the Rowan Tree Is In Flower is a beautiful piece from the first movement of Five Pieces Op.75. For Solo Piano.

Promenade Series Of Piano Music No. 40-French composer and pianist Erik Satie?was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism repetitive music and the Theatre of the Absurd. An eccentric ?Satie?was introduced as a 'gymnopedist' in 1887 shortly before writing his most famous compositions the Trois Gymnopédies.The three short atmospheric pieces in ? time are now published as part of the Promenade Series of Piano Music (No. 40). Collectively the?Gymnopédies?are regarded as an importantprecursor to modern ambient music gentle yet somewhat eccentric pieces which when composed defied the classical tradition.

Par SATIE ERIK. Erik Satie was an influential composer of the Parisian avant-garde in the early 20th century. His most treasured works for piano are found here in one book. Each of the three Gymnopédies is written in two sections, with a melodic line formed from a modal scale placed over a rhythmically static accompaniment. There is no motivic or harmonic development. The three Gnossiennes are experimental in form, rhythm, and chordal structure. All are notated in ?free time? (i.e., lacking time signatures and bar lines), although each can easily be considered metric (4/4 time signature). / Date parution : 2022-02-10/ Recueil / Piano

Classics from the early 20th century Piano repertoire by Dmitri Kabalevsky. This wonderful album features a helpful and informative introduction and performance notes throughout.

A selection of pieces from the 19th and early 20th century suitable for pianists of Grade 3-4 standard. A publication from the Associated Board of the Royal Schools of Music.

Malats composed many pieces of salon music of which Serenata Espagnole with its thrilling virtuoso passages and Iberian exoticism is the most enduring. Serenata Espagnole is most frequently performed as a classical Guitar piece and has been recorded frequently over the years.Joaquin Malats was a highly regarded pianist of the early 20th century. A native of Barcelona he was a prize-winning graduate of the Paris Conservatoire who performed throughout Europe. He premiered Albeniz’s Iberia which was composed ‘Essentially because of [Malats] and for [Malats] ’ according to the composer.

An Expedition into Czech Piano Music
A collection of pieces for early intermediate pianists
- Cross-section of Czech piano literature from the 18th to the late 20th century
- Works selected and provided with fingering by piano virtuoso Ivo Kahánek
- Pieces of easy to moderate technical difficulty
The leading Czech pianist Ivo Kahánek has long devoted himself to training young musicians. With this album of recital pieces he offers young pianists quite easy pieces by well-known Czech composers.
The collection provides a cross-section of Czech piano literature from the 18th to the late 20th century. It contains pieces from the Czech classical period (Benda and Dusík), 19th-century and ?fin-de-siècle? romanticism (Vorí?ek, Smetana, Dvorák, Fibich, Suk and Novák) as well as pieces of various styles from the latter half of the 20th century (Vre?tál, Kabelác, Eben, Slavický, Dlouhý and Sluka). Fingering has been supplied by the editor to support pianists in their playing. All the pieces appear in their original form; they have neither been arranged nor adapted.
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- Benda, Jirí Antonín
Sonatina III A minor
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- Dusík, Jan Ladislav
Chansonette
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- Vorí?ek, Jan Vaclav Hugo
Rondo G major
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- Smetana, Bedrich
Friendly Landscape
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- Smetana, Bedrich
Souvenir
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Polka G minor
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- Dvorák, Antonín
Humoresque G-flat major
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- Dvorák, Antonín
Goblins' Dance
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- Fibich, Zdenek
Reminiscence
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- Suk, Josef
Idylls
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- Novák, Vítezslav
Devil´s Polka
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- Janácek, Leo?
The Frýdek Madonna
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- Janácek, Leo?
The Barn Owl has not Flown Anway!
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- Janácek, Leo?
Come with us!
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- Martinu, Bohuslav
Colombine Dances
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- Martinu, Bohuslav
Harlequin
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- Vrestál, Jirí
Study in Sixths
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- Kabelác, Miloslav
Preludio ostinato
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- Eben, Petr
Bells befor the Lights go out
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- Dlouhý, Milan
Bagatelle No. 2
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Swans
/ Partitions classique / Piano - instruments à clavier / Piano / BARENREITER

This album is a special edition not only due to its very affordable price but also because it features a cross section of Bärenreiter's extensive piano catalogue.The pieces and movements range from the 18th century through to the first decades of the 20th century. During these approximately 200 years keyboard playing developed considerably and together with the unstoppable rise of the pianoforte since the end of the 18th century, it became hugely popular.The fifteen composers who are represented in this edition have each, in their inimitable way, shaped the possibilities of sound and playing techniques of this instrument in their works. In our piano collection you will find compositions from the Baroque, Classical, Romantic and Early Modern eras. The pieces also vary in national style and range from low through to high technical difficulty. An appetizer for our Urtext editions - give it a try! / Piano

1 Piano 4 Hands Early Advanced Level-This Cuban-flavored piece was commissioned by the All Ohio Piano Ensemble for the advanced group of piano students called The Dream Team. The rhythmic energy of the Mambo and its ostinati pervaded the repertoire of the musical dance bands for the better part of the second half of the 20th century with Tito Puente and many others helping to establish the Mambo as an exciting and exotic dance.

This three-movement work written in 1953 demonstrates York Bowen’s deep understanding of the Piano and displays his marked individuality. York Bowne was a British composer whose fifty-year career musical career spanned much ofthe 20th century. Bowen was not only a prolific composer he was also a pianist conductor Organist Violinist and Horn player. He premiered many important works and his own music was featured many times at the Proms amongother concert series. Sir Henry J Wood believed Bowen had never received proper recognition and Camille Saint-Saens regarded him as the ‘finest of English composers’ early in his career. His compositional style changed littlethroughout his life so that his later oeuvre was less celebrated than his earlier works as music fashion had moved on.