Another beautiful and original setting of the well-known Sabbath eve text. The modal harmony is Shukiar's own changing when you least expect it. Yet this piece for solo or unison choir and keyboard will be easily learned by amateur choirs - and quickly picked up by congregations who will enjoy its style. Level: Meduim

Younger choirs will enjoy singing this unison work that captures the playfulness of cats in the piano accompaniment and highlights numerous names that we call our feline friends. A wonderful exercise in diction!

Discovery Level 1-Share the sights and sounds of December with this cheerful holiday original that will warm every heart! Easily learned for younger choirs in elementary and middle school. With flute. Available separately: 3-Part Mixed Unison/opt. 2-Part VoiceTrax CD. Duration: ca. 2:30.

As notated in 1724 by Marcello. For unison choir or solo voice with continuo in Hebrew and Italian.

The Blues Service-New settings of the two evening canticles which incorporate jazz elements including harmony in voice parts and organ and many â??blueâ?? notes. Despite these jazz elements the music is very approachable with natural syncopation and mostly homophonic writing. It is also available for mixed choir (ISMN 979-0-060-13011-3). Either version would be enjoyable and rewarding additions to a church choirâ??s modern liturgical repertoire or indeed concert repertoire of all choirs.

Great for a children's choir or beginning adult choirFrom our Jean Ashworth Bartle Choral SeriesFrom Psalm 103

Tim Knight composed his setting of Magnificat And Nunc Dimittis for a small Choir at a London church however it has since been taken up by many others.This set of evening canticles can be used by upper or unison Voices and is written in a range that makes it accessible and quickly learnable by all Choirs.The enterprising Choral director will of course find ways to share the music amongst upper and lower voices. The pieces are approachable and accessible and have been used in workshops by the RSCM Northern area.

For Narrator Children's Choir And Instrumental Accompaniment (Piano Version)-Following on the success of her two operatic works for children and teens – Douce et Barbe Bleue Les Fables Enchantées Little Thummie and Cendrillon (based on Perrault) as well as the adaptation of Maupassant’s short story The Dumpling (2014) – Isabelle Aboulker once again hits the bull’s eye with Myla And The Boat-Tree a commission from the Villecroze Music Academy. In 2015 this musical tale for Narrator Children’s Choir and Instrumental Accompaniment was awarded the “Music for Young Performers Prize” by the French Music Publishers Association. Both in the French version and MarciMeth’s excellent English translation it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity the composer tells the story of a little girl dealing with the death of a person she’d cherished above all: her grandfather. Written for choir in unison this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions: for Narrator Children’s Choir and Piano (AL30732) for Narrator Children’s Choir and Trio (Clarinet in Bb Cello and Piano: AL30733) for Narrator Children’s Choir and Instrumental Ensemble (Flute Oboe Clarinet in Bb Bassoon Horn Trumpet in C Trombone Percussion 2 Violins Alto Cello Bass: AL30734) Choral score: AL30743 Listen to Isabelle Aboulker talking about “Myla and the Boat-Tree”:

For Unison Choir and Organ (or Piano).Commissioned for the Chapel Choir of the Abbey School Woodbridge Suffolk directed by Andrew Clarke. Herbert Chappell - The Woodbridge Service by musicroom

The Wind Sings On The Mountain is a song for Unison Voices with Piano accompaniment. It features on the Syllabus for the ABRSM 'Initial' Choral Singing Award.F. Roy Bennett was a respected musiceducator and author of the 20th century who wrote many books of music theory and history that are highly prized by primary and secondary school music teachers. As a composer he was a gifted writer of words and music for schoolchoirs.

A Unison part (with some divisions into two parts) for Unison voices in the key of B Flat arranged for use with the original edition for Choir and Organ by C.S.Lang.

MacMillan's setting of text by R. C. Trevelyan using a traditional dutch carol. This is a simple piece for unison choir which is given a colourful piano part to enhance its sense of progress. Easy for children to pick up and attractive to listen to.

A work by Leslie Woodgate (chorus master at the BBC for some 30 years) for unison choir and piano with words by Elizabeth Fleming.