Dale Warland Choral Series-Most of us think that ?going viral? is a 21st century phenomenon made possible by the immediacy and ubiquity of the Internet. But Tenting on the Old Camp Ground Walter Kittredge's haunting Civil War song of1863 went viral in the age of the telegraph and remains an enduring expression of the yearning for peace. Dale Warland sets this powerful text with a delicate touch including guitar accompaniment thatcalls for fingernail tapping on the body of the guitar.

String Bass Guitarone-Riqui Riqui Riqurran is a lively and exciting Venezuelan folk song which has been beautifully arranged for four-part (SATB) chorus by Gregg Smith. This version can be sung a cappella or with a string bass (or guitarone) accompaniment which is notated in the score. The piano accompaniment part however is scored for rehearsal purposes only. This is an enjoyable song to perform and will bring a South-American flavour to your repertoire.The English words have been provided by Alicia Smith.

With Guitar Or Piano Oboe Flute Or Violin-Tenting On The Old Camp Ground by Walter Kittridge for SATB chorus and Piano or Guitar with optional Oboe Flute or Violin. Edited by Gregg Smith with Guitar accompaniment by David Starobin.

Arranged by Mark Hayes this familiar Stephen Foster standard is available as SATB SAB and 2-part voicings. Mark Hayes has written instrumentation for fiddle banjo guitar bass and drums. “Oh Susanna” is brightand upbeat with a few knee slaps making this a strong selection for your folk song teaching and performance needs. Available separately: SATB SAB 2-Part StudioTrax CD Instrumental parts for guitar bass/drums banjo andfiddle.

For Mixed Chorus and Piano or Amplified Guitar-Beautiful poems by American poets Sara Teasdale and Phyllis McGinley each telling a very human Christmas story. Teasdale's Carol contrasts the magnificence of the songs of angels and kings with the baby Jesus who fellasleep before the song was done. McGinley's Ballad is a retelling of the ancient legend of Befana the Housewife always too busy to greet the new-born babe until it is too late.For SATB chorus with Piano oramplified Guitar.

Version for SATB Choir, Piano and optional Rhythm Guitar and Bass Guitar. / Chant Et Piano

Commissioned by the New London Chamber Choir and Spitalfields Music and first performed by the New London Chamber Choir and the London Sinfonietta conducted by the composer at the Spitalfields Music Summer Festival ShoreditchChurch London on 13th June 2011.Text by Gerrard Winstanley Ensemble consists of:Clarinet in BbAlto Saxophone (doubling Soprano Saxophone)Tenor SaxophoneBassClarinetViolinViolaDouble BassAmplified GuitarPiano 

Acallam na Senórach by Tarik O'Regan was co-commissioned by the National Chamber Choir of Ireland The DeBartolo Performing Arts Center at University of Notre Dame Indiana and Peak Performances at Montclair State University Montclair New Jersey.First performed on 25 November 2010 at St Ann’s Church Dublin by the National Chamber Choir of Irelandwith Stewart French (Guitar) directed by Paul Hillier.The Guitar part was edited by Stewart French.Tarik O'Regan on the music:In writing this musical setting of Acallam na Senórach I was drawn to the evenness of the dialogue. Instead of St Patricksimply converting the pagan warriors he is encouraged to listen to Ca lte’s stories and poems of an earlier time in which the saint delights.This secular/sacred osmosis is maintained unwaveringly throughout the entire text. By the end of the narrative one has witnessed not only the arrival of a new religion in Ireland but also a richly-recounted secular narrative map of the entire island: the peaceful and enriching shaking of two great hands.In preparing the libretto (the sung text) I have focused on only a few of the shorter constituent tales. This decision was born of the practical constraints of duration. I have however kept the skeleton albeit smaller of the overall frame in place. Finally for the sake of simplicity Ois n is removed from the primary narrative.The characters are not assigned specific voices. The narrative as a whole is carried by a persistently changing combination of voices and guitar. The one exception is Cas Corach the musician of the s d (underworld) who is most closely embodied throughout this setting in the solo interludes for guitar.The music itself is not ethnographically inclined; that is I have not attempted to reconstruct theories on Irish music of the period from which Acallam stems. However the score generally and especially in the guitar writing is imbued with an air

An easy four-part (SATB) arrangement of this fun piece with piano four-hands flute bass guitar guitar and drums Also available in two-part (HMC155)

Nico Muhly's How Little You Are was composed in 2015 and is arranged for SATB divisi chorus and three Guitar quartets. Based on 'Cowboy Poetry' texts the work masterfully weds guitar and vocal textures resulting in poignant Western impressions. Duration: approximately 40 minutes

from Scottish Folksong Suite-Recorder drum and guitar (or piano) give this traditional Scottish folksong special appeal. Performance Time: Approx. 3:00. Also in this set from this year are The Flowers o' the Forest (#08743219 SATB) and Bonnie Maryof Argyle (#08743218 TTBB a cappella). Also available in this set are three songs published in 2001: The Road to the Isles (#08703321 SATB) Robin Adair (#08703322 SATB a cappella) Rothsayo (08703323 SSA).

This one-of-a-kind '70s power-rock hit by Styx will surely add a unique touch to your concert programming. The epic and fanciful tale begins with a short and easy solo ballad followed by an awesome power-rock journey to its dramatic conclusion. Heroic and inspiring!Available separately: SATB SAB SSA Instrumental Pak (parts for Trumpet 1 & 2 Tenor Sax Trombone Synthesizer Guitar opt. Guitar 2 Bass and Drums) and ShowTrax CD. Performance Time: Approx. 3:40

SATB-Part of the Contemporary Sacred series which working to bring religious music into the 21st century. Rockalluia is a lively and spiritual song of praise which will be enjoyed by choirs and congregations alike. Arranged for SATB chor with Piano Accompaniment. There are also optional parts for Guitar Electric Bass and Drums.