Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer?s sacred works. Some painful experiences in 1875 his first daughter died, and in 1877 he lost two other children in quick succession may have led to Dvorák?s preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-publishedarrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation. / Date parution : 2023-06-02/ Répertoire / Choeur Mixte SATB et Piano

Par DVORAK ANTONIN. Dvorák's Opus 29 choruses are infused with all the nationalistic style and spirit of his more famous orchestral and chamber works. Presented in the original Czech with a simple pronunciation guide plus English singing translations. A most rewarding sing./ Répertoire / SATB

Par DVORAK ANTONIN. Em Pianoehlungen: Chormusik der Romantik - Literaturem Pianoehlung - Gattungen: Weltliche Chorsätze - Reihen bei Carus: Chorsammlungen für gemischten Chor -/ Répertoire / SATB

Par DVORAK ANTONIN. Em Pianoehlungen: Chormusik der Romantik - Literaturem Pianoehlung - Gattungen: Weltliche Chorsätze - Reihen bei Carus: Chorsammlungen für gemischten Chor -/ Répertoire / Voix

Par DVORAK ANTONIN. Em Pianoehlungen: Kammerchor - Em Pianoehlungen von Frieder Bernius - Gattungen: Weltliche Chorsätze - Reihen bei Carus: Chorsammlungen für gemischten Chor -/ Répertoire / Choeur Mixte

Ouverture d'une chorale chaud citant de Dvorak thème 'Largo' ('Going Home'), cet hymne se déplace ensuite dans une chanson douce contemporaine de la nostalgie et le confort. / Choeur Mixte (SATB)

Antonin Dvorak Requiem Mass scored for soprano alto tenor and bass solists SATB choir and orchestra. Vocal Score edition edited by Michael Pilkington. This new edition follows the layout of the previous edition (NOV070088) which it supersedes.

From In The World Of Nature-Im Haine (In Nature Op.63) was a song-cycle written in 1882 for amateur performance. The five unaccompanied part-songs were settings of poems by the Czech poet Vitezslav Halek inspired by the countryside. No. 2 is loosely translated as ?Bells Ring At Dusk? and tells of the bells ringing to call people to Vespers at the end of the day. It is scored for SATB choir a cappella. Antonin Dvorak (1841-1904) was best known for his New World Symphony composed in the short time he spent in America the rest of his career was spent in his native Bohemia and the rest of Europe.

Aus: Vier Chorlieder. Par DVORAK ANTONIN. Tonalité : B-Dur - Opus : 29 #1 - Kirmße, Heidi (Trad. ) -/ Répertoire / Choeur SATB

Aus: V Prìrode. Par DVORAK ANTONIN. Tonalité : G-Dur - Opus : 63 #1 - Kirmße, Heidi (Trad. ) -/ Répertoire / Choeur SATB

Aus: V Prìrode. Par DVORAK ANTONIN. Tonalité : G-Dur - Opus : 63 #5 - Kirmße, Heidi (Trad. ) -/ Répertoire / Choeur SATB

Based on Dvorak's 'Going Home' movement from his New World Symphony, this best-selling anthem is now available in SAB voicing. Its tender and plaintive spirit is both inspiring and moving. Beautiful! / Choeur Mixte (SATB)

Aus: V Prìrode. Par DVORAK ANTONIN. Tonalité : G-Dur - Opus : 63 #4 - Kirmße, Heidi (Trad. ) -/ Répertoire / Choeur SATB

Incorporating Taps-Uses: Remembrance Funeral Memorial Day PatrioticScripture: Psalm 23Written as a remembrance to the victims of the 9/11 terrorist attacks on the United States this introspective elegy is a movingtribute. Written with an expressive harmonic vocabulary the composer makes use of several traditional sources in creating a mournful mosaic of sound. Schubert Dvorak and the haunting motives of Taps co-mingle togethersupported by delicate piano writing and sections of a cappella writing.

'Te Deum' pour solistes soprano et basse, chorale SATB et orchestre. / Chant Et Piano / Partition