The Eugénie Rocherolle Series Intermediate Piano Solos. 10 delightful piano solos written in the boogie-woogie style that students and audiences will love! Includes familiar tunes by the Beatles, Elvis, and Mozart, as well as boogie classics AND two Rocherolle originals! Titles: Boogie Alla Turca · Boogie Woogie Romp · Cow-Cow Boogie · G-Whiz Boogie · Heartbreak Hotel · Pine Top's Boogie · St. Louis Blues · When I'm Sixty-Four · When the Saints Go Marching In · You've Got a Friend in Me.

The exciting sound of the Blues born in America finds its way into all styles of music heard around the world. These days everyone hears that familiar colour in rock pop folk classical and other jazz styles. Thiseasy-to-follow and complete programmed course teaches you to create your own Blues music at the Piano.Explanations and examples are given and become even more advanced. This book will work more easily for you when youalready know a little about reading Piano music. Playing the Blues teaches you essential music theory in a fun hands-on way so a Piano teacher can include this as a part of regular lessons.All the elements of basic Bluesare here. This is a guide a textbook and a teacher. If you study music and want to know how to play the Blues style this is the book for you! The accompanying online audio contains 26 of the exercises and examples from thebook.

Foreword by Chuck Leavell-The authentic guide to traditional and modern blues keyboard playing with rhythm and soloing concepts for piano and organ. Build your blues vocabulary with ideas for ensemble playing; intros turnarounds licks and endings; piano and organ accompaniment; phrasing and soloing; and much more. Written by Marty Sammon the keyboardist in Buddy Guy's acclaimed band. This book includes access to audio demonstration tracks online for download or streaming featuring Marty and his band playing the examples in the book.

Par GORDON ANDREW D.. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for thisbook is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. / Niveau : 3 / Recueil / Piano

Ces deux DVD offrent une occasion rare de visite avec Mac Rebennack (alias Dr. John), une des plus brillants et les plus distinctifs des voix musicales l'Amérique. Ce joueur de piano magistral, auteur-compositeur prodigieux, deux fois lauréat de prix Grammy et célèbre Ambassadeur de la musique de la Nouvelle-Orléans illustre sa remarquable technique instrumentale, discute de ses influences et partage des histoires fascinantes d'une vie à la musique. / Piano (Ou Clavier)

Piano Playbook: Blues and Soul includes superb new Piano arrangements of 45 blues and soul classics, complete with Vocal line and Guitar chords. Chosen to reflect a variety of moods, this selection has been produced to the highest standards and comes in a handy 6 x 9 in. format that combines convenience with durability. The spiral binding ensures that the Piano Playbook sits flat on a Piano or other music stand, while the crisp engraving is a pleasure to read. / Piano/Vocal/Guitare (PVG)

Fourteen solos arranged by Frank Booth with tips on playing. Includes 'Bad Penny Blues', 'Barrel House Boogie' and 'Frankie And Johnny'. / Piano

Une sélection des arrangements de 17 blues, par Stephen Duro, pour Piano facile, compléter avec des paroles et des symboles de la corde, le cas échéant. Comprend la Solitude, It Ain't nécessairement tellement et la Géorgie sur mon esprit. / Piano / 48 pages / Partition

Premier Piano Alfred Cours Jazz Rags and Blues Book 2A comprend des pièces originales qui renforcent les concepts introduits dans la leCon livre 2A. Compositeur populaire Martha Mier a composé toute nouvelle musique dans une variété de styles, y compris le ragtime, boogie, et le jazz. Chaque pièce a un accompagnement de duo qui ajoute un intérêt harmonique et rythmique stabilité. Les pièces de la livre page par page corrélation avec les matériaux de la leCon du livre 2A. / Piano

Développer vos connaissances du piano avec la nouvelle série 100 lessons. Avec 100 modules couvrant toute une gamme de sujets, chaque leçon dans ces volumes comprend des instructions détaillées pour jouer dans le style présenté de façon professionelle. Vous aurez également des conseils très utiles, des schémas de gammes, des grilles d'accords, des photos et pour renforcer votre expérience d'apprentissage 2 CD audio contenant toutes les démos et play-along des exemples de la méthode sont inclus. / Piano

Par MIGLIAZZA ARTHUR / RUBIN DAVE. This comprehensive instructional book takes students through a step-by-step process of learning both the basics and the more advanced techniques of the style so that they can eventually become their own teachers. Based on Arthur Migliazza's uniquely systematic method of instruction, and over 19 years of experience teaching students of all skill levels, this book covers everything from left-hand bass patterns, right-hand licks and essential chords, to turnarounds, intros, endings, and even a chapter on how to play by ear./ Méthode / Piano

Par KOWALCHYK GAYLE. Piano students of all ages enjoy playing pieces in the boogie and blues style. Students in their beginning years of piano study can enjoy these bouncy selections which are written in five-finger hand positions. Each piece is as fun to learn as it is to play. / Instrumental Music, Miscellaneous, Piano Music / Recueil / Piano

Mélodies classiques de piano, l'opéra et la littérature orchestrale sont revisités dans cette série unique. Les accords comportent des styles de jazz, dont ragtime et du blues. Les étudiants qui sont familiers avec certains de ces joyaux pourront profiter de leurs nouveaux réglages, tandis que ceux de les jouer pour la première fois pourront se familiariser avec ces merveilleuses mélodies. / Piano