|
| Diamond Dust - Piano
Concerto No. 2 (FUJIKURA
DAI)
Orchestre de chambre - Intermédiaire/avancé
Ricordi
Piano, flute, oboe, clarinet, horn, trumpet, trombone, percussion, 2 violins, vi...(+)
Piano, flute, oboe, clarinet, horn, trumpet, trombone, percussion, 2 violins, viola, cello, dbass. Par FUJIKURA DAI. English / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-08/ Répertoire / Ensemble de Chambre
Délais: 2-5 jours - En Stock Fournisseur |
|
|
| Subtilior Lamento:
Chamber Ensemble: Score
and Parts
Orchestre de chambre [Conducteur et Parties séparées]
Schott Helicon Music Corporation
for flute clarinet percussion piano violin and cello-Subtilior Lamento is a...(+)
for flute clarinet percussion piano violin and cello-Subtilior Lamento is a piece that draws some inspiration from the music of the so-called ‘Ars Subtilior’ movement of the fourteenth century. This early music features rhythmic complexities linear ornamentation and harmonic intricacy. In my piece I use canon to create textures that are at constant rhythmic unrest. Harmonies arise out of linear lines: lines I constructed to work in defining my harmonic world. The piece’s structural rigor and fluid surface are the two elements I wanted to keep in constant equilibrium - Hannah LashInstrumentation: fl.cl-perc(vib chimes)-pno-vn.vc
|
|
|
| Paul Mealor: Spectred
Light: Chamber Ensemble:
Score and Parts
Orchestre de chambre [Conducteur et Parties séparées]
University Of York Music Press
For Flute Clarinet and Piano/Vibraphone.Score and Parts.
|
|
|
| Helen Grime: Seven
Pierrot Miniatures
(Piano): Chamber
Ensemble: Score and Parts
Orchestre de chambre [Conducteur et Parties séparées]
Chester
For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed o...(+)
For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010.In Seven Pierrot Miniatures I took the Commedia dell’arte character Pierrot as my primary sourceof inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements whereas the Schoenberg comprises threesets of seven movements. Although there is no part for voice I have taken seven poems by Albert Giraud (none of them set in Pierrot Lunaire) as points of departure:1. The Clouds2. Decor3. Absinthe4.Suicide5. The Church6. Sunset7. The HarpEach movement takes its impetus from the corresponding poem but in the piece as a whole I wanted to explore the extreme contrasts of the multi-faceted character ofPierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun: movements 1 3 5 and 7 are closely linked both in terms of their musical material and asense of melancholy dream-like quality and longing. Movements 2 and 6 are also strongly connected with allusions to the more mischievous violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work juxtaposing a surreal shimmering calm with brutal outbursts. There is never any direct repetition yet there is a strong sense of material returning and mutating as the workunfolds.InstrumentationFlute doubling piccoloClarinet in Bb doubling Bass Clarinet in BbViolin doubling ViolaCelloPiano
Délais: En Stock |
|
|
| Nico Muhly: Doublespeak:
Chamber Ensemble: Score
and Parts
Orchestre de chambre [Livre]
St Rose Music Publishing
The sheet music for Nico Muhly's Doublespeak arranged for Chamber Ensemble and...(+)
The sheet music for Nico Muhly's Doublespeak arranged for Chamber Ensemble and composed for the orchestral sextet 'eighth blackbird'. The piece is arranged for Flute (Soprano Recorder) Clarinet in B flat Percussion (Castanets Tenor Drum Pedal Bass Drum) Glockenspiel Piano Violin and Cello. It works for 2-6 players and this item includes the full score as well as the parts. Doublespeak had its debut at the Edlis Neeson Theatre in Chicago performed by the new musical six-piece 'eighth blackbird'. The piece is a slow and repetitive one punctuated bymoments of stark beauty. It is according to Muhly something of a tribute to the great Philip Glass the forefather of minimalist classical music. It takes implicit inspiration from his entire oeuvre but also explicitly incorporates portions of his most famous and valued works interweaving them inside a new composition that captures what 'eighth blackbird' do best. The Doublespeak sheet music would be ideal for Chamber Ensembles looking to perform or practise minimalist music drawn from the 1960s and 1970s. If you love Philip Glass or Nico Muhly or both this composition is a real treat.
|
|
|
| Elisabeth Lutyens: Music
for Three: Chamber
Ensemble: Score and Parts
Orchestre de chambre [Conducteur et Parties séparées]
University Of York Music Press
For Flute (+ Piccolo Alto Flute) Oboe and Piano.Published in 1966.Score and Pa...(+)
For Flute (+ Piccolo Alto Flute) Oboe and Piano.Published in 1966.Score and Parts.
|
|
|
| Knud Jeppesen: Little
Summer Trio: Chamber
Ensemble: Score and Parts
Orchestre de chambre [Conducteur et Parties séparées] - Intermédiaire/avancé
Wilhelm Hansen
Jeppesen's Lille Sommer-Trio in full score and parts for Piano Trio. The Violin ...(+)
Jeppesen's Lille Sommer-Trio in full score and parts for Piano Trio. The Violin parts is equally suited to the Flute.
|
|
|
| Kaija Saariaho: Die
Aussicht: Chamber
Ensemble: Score and Parts
Orchestre de chambre [Conducteur et Parties séparées] - Intermédiaire
Chester
Score and Parts. Arranged for Soprano Flute Cello and Piano.
|
|
|
| Bagatelle in F major:
Chamber Ensemble: Score
and Parts
Orchestre de chambre [Conducteur et Parties séparées]
Simrock
Violin or Flute Violin Piano. Suk J.
|
|
|
| Elisabeth Lutyens:
Fantasie-Trio Op.55:
Chamber Ensemble: Score
and Parts
Orchestre de chambre [Conducteur et Parties séparées]
University Of York Music Press
For Flute Clarinet and Piano. Published 1963. First performance: Chantry Ensemb...(+)
For Flute Clarinet and Piano. Published 1963. First performance: Chantry Ensemble Dublin December 1963.
|
|
|
| Eugene Goossens: Suite
Op. 6: Chamber Ensemble:
Score and Parts
Orchestre de chambre [Conducteur et Parties séparées]
Chester
For Flute Violin and Harp or 2 Violins and Piano.
|
|
|
| Niels Viggo Bentzon:
Mosaique Musicale Op.54:
Chamber Ensemble: Score
and Parts
Orchestre de chambre [Conducteur et Parties séparées]
Wilhelm Hansen
Work for Flute Violin Cello and Piano.
|
|
|
| Jonathan Harvey:
Quantumplation: Chamber
Ensemble: Score and Parts
Orchestre de chambre [Conducteur et Parties séparées] - Intermédiaire/avancé
Novello & Co Ltd.
Commissioned by David Hellewell for the Apollo Emsemble with funds provided by t...(+)
Commissioned by David Hellewell for the Apollo Emsemble with funds provided by the Southern Arts Association. Written for flute clarinet violin cello piano and tam-tam.
|
|
