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Georg Philipp Telemann: Twelve Fantasias For Violin: Violin: Instrumental Album
13.50
Georg Philipp Telemann: Twelve Fantasias For Violin: Violin: Instrumental Album
Violon
[Partition]
Barenreiter
TWV 40:14 - 40:25-Georg Philipp Telemann (1681 - 1767) paid particular attention...
(+)
TWV 40:14 - 40:25-Georg Philipp Telemann (1681 - 1767) paid particular attention to the field of chamber music without bass. Intended for the amateur or student these pieces are genuine examples of Baroque music displaying an original devotion to music the effect of which can still be felt today. The 12 Fantasias for Violin without Bass 1735 formally display a cyclic construction with numerous variants. Elements of the sonata the concerto or the suite are taken up and expertly contrasted with one another. The richly developed part writing ensures full use of the playing possibilities of the instrument. About Bärenreiter Urtext: In the international musicworld “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Tartini G. - Quattro Sonate Per Violino
27.75
Tartini G. - Quattro Sonate Per Violino
Violon
Armelin Musica
Giuseppe Tartini (1692 - 1770) Quattro Sonate per Violino - Sonata Il Trillo ...
(+)
Giuseppe Tartini (1692 - 1770) Quattro Sonate per Violino - Sonata Il Trillo del Diavolo (Bg5) per VL/BC - Sonata Didone Abbandonata (Bg10) per VL/BC - Sonata Senti lo Mare per (Be1) per VL/VC - Sonata La mia Filli (Ba3) per VL solo A cura di / Edited by Federico e Giovanni Guglielmo La pubblicazione è composta da: - Partitura - Parte di violino secondo le fonti originale - Parte di Violino con revisione violinistica - Parte del Basso La straordinaria riscoperta in tempi moderni della musica di Antonio Vivaldi è stata strettamente connessa sin dagli anni cinquanta dello scorso secolo alla meritoria prima edizione (più o meno completa) da parte dell'Istituto Italiano Antonio Vivaldi fondato da Antonio Fanna. In seguito, oltre ad avere pubblicato quasi la totalità delle composizioni del Prete Rosso l'Istituto veneziano ha corretto e attualizzato le sue più antiche edizioni alla luce delle nuove conquiste musicologiche e con una precisa attenzione a quelle che erano le istanze che provenivano dagli esecutori 'storicamente informati'. Giuseppe Tartini non ha goduto di altrettanta fortuna. Dopo alcune edizioni assai poco accurate (si potrebbe parlare piuttosto di reinterpretazioni, quali furono tra le altre quelle del leggendario violinista Fritz Kreisler e di Riccardo Zandonai), legate prevalentemente alla sopravvivenza ottocentesca di alcuni brani (in particolare il Trillo del Diavolo, la Didone Abbandonata e le variazioni L'Arte dell'Arco) nel corso del XX secolo poche edizioni davvero attendibili sono state date alle stampe, in primis quelle della collana a cura di Edoardo Farina e Claudio Scimone (Le opere di Giuseppe Tartini, Carisch) ma anche grazie all'azione isolata di violinisti (Giovanni Guglielmo) e musicologi (Enrica Bojan e Agnese Pavanello). Ancora oggi siamo ben lontani dalla possibilità di avere una moderna e completa edizione dell'opere del Maestro delle Nazioni anche se grazie all'instancabile lavoro di Sergio Durante e con l'istituzione del 'Comitato Tartini 2020' si intravedono nuovi slanci e grandi opportunità. La mancanza di edizioni attendibili per gli interpreti si è sovente riverberata sulle esecuzioni - fossero queste inserite in saggi scolastici, concorsi internazionali o recital dei più noti virtuosi - al punto che è stato quasi impossibile liberare le opere tartiniane da tutta una serie di istrionismi e di stilemi ottocenteschi che ormai si erano profondamente radicati alla percezione di queste opere. La presente edizione mira quindi non tanto a fornire una nuova edizione critica (talune, ottime, già esistono) di queste quattro Sonate che sono state scelte per la loro notorietà, rappresentatività e bellezza quanto piuttosto a garantire agli interpreti, siano essi giovani studenti o affermati professionisti, un testo coerente e corretto. Per questo motivo in aggiunta ad una parte di violino priva di segni interpretativi abbiamo ritenuto utile introdurre una seconda parte di violino con diteggiature ed indicazioni dinamiche che potranno essere di giovamento sia per gli interpreti 'tradizionali' che per quelli interessati alle prassi esecutive storiche. Federico Guglielmo
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Flavio Henrique: Violin Solos On Brazilian Themes: Violin: Instrumental Album
10.99
Flavio Henrique: Violin Solos On Brazilian Themes: Violin: Instrumental Album
Violon
[Partition + Accès audio]
-
Facile
Mel Bay
Brazil offers a great and luxurious musical variety not only for its large exte...
(+)
Brazil offers a great and luxurious musical variety not only for its large extension of land but also for the multiple cultural interchange established along centuries among the several peoples which contributed to the formingof its rich and varied musical map. From that triple (though not always conscious) alliance among the native Indigenous the European colonizer and the African (those latter brought here as slave workers) resulted a 'Brazility'feeling which is common to every country side despite the distances that separate them: joyous melancholic nostalgic or ritual Brazilian music is always the most authentically expression of its people their happiness andsorrows. This work is an effort to display some Brazilian popular melodies arranged for violin and piano. The themes chosen coming from the country as well as urban areas are part of a repertoire quite familiar to everyBrazilian some of them already belonging for centuries to Brazil's memory. No intention of producing a scientific or musicological work has been nourished by the arrangers. What guided them in the choice of the songs presented inthis book was above all a poetic sense and deep love for the music of their country. Enclosed are 19 violin solos on historic Brazilian themes. A free piano accompaniment is available free online.
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Beissenger Drew - Ozarks Fiddle Music + Cd - Violin
35.30
Beissenger Drew - Ozarks Fiddle Music + Cd - Violin
Violon
[Partition + CD]
Mel Bay
Media : Book/CD Set
Author : by Drew Beisswenger and Gordon McCann
Lev...
(+)
Media : Book/CD Set
Author : by Drew Beisswenger and Gordon McCann
Level : Beginning
Date published : 9/24/2008
Style : Fiddle Tunes
Type : Solos<
Description :
This book, which includes 308 tune transcriptions, is organized around individual fiddlers who typically combine Appalachian-style fiddling with rags, pop standards, Midwest-style fiddling and sometimes a touch of Western swing to create a style often identifiable as Ozarks. Thirty Ozarks fiddlers and their lives are highlighted with biographical sketches, photographs, and tune histories. Another 50 great Ozarks fiddlers are presented in a similar manner but with less detail. The book and accompanying CD (with 37 tunes, many recorded in the field) emphasize the older fiddling traditions connected to the square dances and community events more than those connected to bluegrass music and modern contest fiddling. Some of the tunes in the collection are old standbys such as Bile Them Cabbage while others such as Finley Creek Blues are unique to the region.
The book is the result of years of work by two respected researchers. Gordon McCann won the prestigious Missouri Arts Award in 2002 for his decades of work documenting, studying, and accompanying Ozarks fiddle music. Drew Beisswenger, a music librarian at Missouri State University with a Ph.D. in ethnomusicology, has published three other works about fiddle music and is known for his strong transcription and analysis skills.
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