This setting of the Magnificat and Nunc Dimittis is large in scale and features compelling melodies and harmonies moments of high drama and at the same time sensitive handling of the words. This is Wesley at his most masterful.Composer and Organist Samuel Sebastian Wesley is the grandson of Charles Wesley founder of Methodism and son of composer Samuel Wesley. He composed music almost entirely for the Anglican church and his works are frequently performed there.By most accounts Wesley was a difficult man who in his determination to improve the quality of country cathedral music often won enemies and lost support. After two unhappy appointments as cathedralOrganist Wesley accepted a position at the Leeds Parish Church which had a new building a new Organ and a vicar determined to create a choir for full Choral services. It was in these congenial circumstances that Wesley first presented this significant and influential Magnificat and Nunc Dimittis.

Arr. Timothy Johnson. Par WESLEY CHARLES. Glorious and reverent! A bright fanfare prelude on Charles Wesley's 'And Can It Be?' is ideal for church or school. Timothy Johnson's creative and appropriate treatment will inspire the congregation or concert audience from the opening notes to the heroic conclusion. Skillful reharmonization, counterpoint, and colorful orchestration combine with a beautiful contrasting 'solemne' section to make this arrangement a sure winner. Perfect for festival, concert, and church service alike. / Niveau : 4 / Répertoire / Concert Band ou Harmonie

In celebration of Charles Wesley's 300th birthday Joseph Martin gives us this lofty medley of some of Wesley's finest. Gathered into a potpourri of praise this montage will lift the roofs with festive joy. Extracted from hisbest-selling cantata Testament of Praise this encouraging tapestry of sacred songs is a must-do for congregations everywhere. Includes such favorites as “Praise the Lord Who Reigns Above ” “Rejoice theLord Is King ” and “O for a Thousand Tongues to Sing.”

Originally written for five Voices SATTB this arrangement of Thou Wilt Keep Him In Perfect Peace is simplied and arranged for Soprano and Alto Voice and Piano.Nineteenth century composer and Organist Samuel Sebastian Wesley is the grandson of Charles Wesley founder of Methodism and son of composer Samuel Wesley. He composed music almost entirely for the Anglican church and his works are frequently performed there. His goal throughout his working life was to raise the standard of country cathedral music in England.

This musical re-boot of the classic Wesleyan Advent text is very different from other versions. Primal in its energetic approach the piano announces instantly the robust qualities of this theme in minor mode. The slower chant-like middle section offers supreme contrast with layers of unctuous sonority. The brawny opening returns for the final exclamatory ending but not before the decisive tune is heard in canon. Original! Score and Parts (ob solo vn solo vc tamb ratchet) available as a digital download.

Glorious and reverent! A bright fanfare prelude on Charles Wesley's 'And Can It Be?' is ideal for church or school. Timothy Johnson's creative and appropriate treatment will inspire the congregation or concert audience from the opening notes to the heroic conclusion. Skillful reharmonization counterpoint and colorful orchestration combine with a beautiful contrasting 'solemne' section to make this arrangement a sure winner. Perfect for festival concert and church service alike.

From the best-selling cantata Testament of Praise comes this beloved hymn by Charles Wesley. An exalted text encompasses the very heart of the faith reminding us of God's love and matchless grace. A bold arrangement and abrilliant orchestration bring this hymn adaptation to the highest levels of usefulness and artistry.

The familiar words of Charles Wesley are treated to a thoughtful new musical fitting by respected musician Ken Berg. Beginning in E minor with treble voices in an unadorned unison the voices soon break into parts eventually opening into 4 parts. Then the men join the chorus on the theme eventually letting the women rest and move into a 4-part portion of their own. All resume together and end quietly in E major. Medium difficulty for more advanced church choirs.

Uses: Epiphany General Scripture: Luke 1:78 John 8:12 II Peter 1:19 Like a tapestry of sound this a cappella gem begins with measures of vocal ahs before moving into an expressive theme supported by rich satisfying harmonies. Impeccable part-writing enables choirs with tuning and accuracy and gives directors a chance to explore the deep beauty found in these lovely musical phrases. The Wesley text is a shining testimony of faith in Christ the Light of the World.

from Testament of Praise-This anthem is a powerful statement from the poetry of Charles Wesley set to confident assertive music as a call to purpose for any people committed to their faith. A true sermon in song this message is needful for our time as wededicate our missions to the work of grace. A real jewel from Testament of Praise a cantata dedicated to the words of Charles Wesley. Also available: iPrint Orchestration and StudioTrax CD.

Par COURT DOUGLAS. Charles Wesley has given the church some of its most popular and eloquent hymns that have shown the ability to stand the test of time. ‘O for a Thousand Tongues Sing’ was written to celebrate what Wesley referred to as his ‘second birth’. Wesley marked this day as the day he responded to the love and grave of God. / Niveau : 2 / Hymnes et chorals / Répertoire / Concert Band ou Harmonie

Charles Wesley's texts cross nearly all-denominational boundaries. Here Bob Burroughs gives us a rare motet set to familiar Wesley text. Try it on world communion Sunday.

Arr. Timothy Johnson. Par WESLEY CHARLES. / Niveau : 4 / Ouverture / Répertoire / Concert Band ou Harmonie