Cette oeuvre, commande du Conservatoire de Dijon et d'He?le?ne Bouchez, professeur au CNSM de Lyon, est de?die?e aux e?le?ves de l'orchestre du conservatoire de Dijon et a? Be?atrice Warcollier, son chef, Son but est d'exploiter des jeux d'attaques des cordes, celles-ci amplifie?es par les re?sonances la rythmique des percussions, vibraphone, marimba, cloches tubes, cymbale sur pied, caisse claire et timbales, Un quatuor de solistes s'e?chappe a? plusieurs reprises d'un quintette a? cordes souvent divise? pour obtenir des harmonies irise?es,Jeux exploite un the?me lyrique souvent utilise? en canon et deux e?tats d'une cellule de cinq notes qui s'introduit dans les contrepoints organise?s dans une suite de variations, Les atmosphe?res se succe?dent souvent en fondus enchai?ne?s, une attaque de?tro?nant peu a? peu l'autre, Le jeu lyrique alterne avec le percussif, l'homorythmie avec la polyrythmie - le talon de l'archet se veut violent au contraire de la pointe le?ge?re, Le final e?volue en vagues successives et s'ache?ve par un son arrache?, Matériel  : Ref, DLT2360E / Orchestre A Cordes

Piano [Keyboard / Organ], Percussions optional. Par CHARPENTIER MARC-ANTOINE. / Niveau : Elémentaire / Répertoire / Orchestre à Cordes

Piano [Keyboard / Organ], Percussions optional. Par HAENDEL GEORG FRIEDRICH. / Niveau : Elémentaire / Répertoire / Orchestre à Cordes

Piano [Keyboard / Organ], Percussions optional. Par MOURET JEAN-JOSEPH. / Niveau : Elémentaire / Répertoire / Orchestre à Cordes

Victoria Maesta. Par MUFFAT GEORG. Muffat, élève de Lully et Corelli, composé son concerto 'Victoria Maesta' ('victoire triste') en 1689, organiste et musicien de chambre à la Cour de l'archevêque de Salzbourg. Le titre fait référence à la prise de Belgrade au cours de laquelle le frère de l'archevêché a été tué en 1688 - donc la pièce commence avec une marche funèbre solennel en ut mineur, dans la technique du contrepoint élaborée et artistique dans le sens de type adagio de Corelli./ Répertoire / Orchestre à Cordes

Fantasia In F Minor for Strings (1799) after the Organ Piece for Mechanical Organ K.608.Despite their high quality Mozart?s works for unusual instruments or instrumental combinations often receive scant attention. One of these remarkable compositions is a piece for mechanical Organ K. 608 that he wrote for ? Müller?s Art Gallery ? in March 1791. By 1799 it had already appeared in print in Vienna as a fantasy for Piano four-hands.But there were also other transcriptions including one for two Flutes and another for String Quartet.Several sources and later editions attest to the popularity of this contemporary stringarrangement of 1799. Our new volume edited by Christopher Hogwood takes the relevant sources into account.It contains a trilingual preface (Eng./Ger./Cz.) discussing the work?s history and performance practice as well as a detailed critical report.- Almost unknown music from Mozart?s final year.- Transcription of 1799 for String Quartet.- Additional Double Bass part provided to allow performances with Chamber Orchestra.- Detailed preface critical report (Eng./ Cz ./Ger.). Also includes facsimiles.- Full score & parts (BA9505) available for sale.

for String Quartet op. 35a-Josef Suk played second Violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian St. Wenceslas hymn. The hymn?s message a plea for the well-being of the Czech people directed at their patron saint was immediately understood by the audience.The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914 played by the CzechPhilharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for Piano and Organ.This first Urtext edition prepared by the Sukscholar Zdenek Nouza is published in two scorings one for string quartet and another for String Orchestra (BA9584). The orchestral version differs in some details and has an added part for Double Bass.First Urtext editionInformative trilingual Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editorTwo versions published in two separate editions

Lament by Mack Wilberg for String Orchestra with optional Organ.This moving piece for String Orchestra is full of pathos and emotion. Stylistically evocative of Samuel Barber's Adagio for Strings and the distinctive musical language of Arvo Pärt Lament is based around a two-bar arching ostinato artfully developing musical fragments and enriching the texture to reach a powerful central climax. This is a welcome addition to the String Orchestra repertory.This piece was recorded on the 2019 Mormon Tabernacle Choir and Orchestra CD Tree of Life under the title 'And Wept Bitterly (Lament on an Ostinato for StringOrchestra)'.

Most commonly known for his famous Canon in D Johann Pachelbel was an organ virtuoso and composed many works including several toccatas. This toccata has been carefully adapted for strings into the key of D with someadded dynamics but with the original tempo variations and ornamentation preserved. An ideal teaching and performance piece from master arranger Lloyd Conley. Dur: 2:15