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Petite Suite For Flute, Clarinet And Bassoon (DEBUSSY CLAUDE)
23.97
Petite Suite For Flute, Clarinet And Bassoon (DEBUSSY CLAUDE)
Flûte Traversière, Clarinette et Basson
[Conducteur et Parties séparées]
Alry Publications
Arrangeur: Timothy Bonenfant. Par DEBUSSY CLAUDE. All four movements of Claude D...
(+)
Arrangeur: Timothy Bonenfant. Par DEBUSSY CLAUDE. All four movements of Claude Debussy's charming Petite Suite arranged for Flute, Clarinet (in A) and Bassoon: En Bateau, Cortege, Menuet, Ballet. Originally composed as a suite for four-hand piano, it is also well-known in its orchestral form, with the orchestration completed by Debussy's friend, Henri Büsser./ Répertoire / Flûte Traversière, Clarinette et Basson
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Pastorales De Noel (JOLIVET ANDRE)
37.51
Pastorales De Noel (JOLIVET ANDRE)
Flûte Traversière Basson et Harpe
[Partition]
Heugel
Par JOLIVET ANDRE. Pastoreles De Noë l by Andre Jolivet is a piece for Flute, B...
(+)
Par JOLIVET ANDRE. Pastoreles De Noë l by Andre Jolivet is a piece for Flute, Bassoon and the Harp lasting nearly 13 minutes. This piece is really gentle and restrained which demonstrates the quality of Jolivet 's work but also reflects that period of WWII when France was under occupation. These scores are of medium level of ability. Pastoreles De Noë l features four sections: L'etoile (the Star), Les Mages (the Wisemen), La Vierge et l'Enfant (the Virgin and the Child) and Entree et Danse des Bergers (the Shepherds' dance). Each of these parts describes a part of theChristmas story, starting with the Flute and the Bassoon in a duet, followed by the entrance of the Harp to settle the first part. The second section is quieter, expressing the walk in the desert. The Virgin and the Child is like a lullaby and the piece finishes on a joyful dance to express happiness and devotion. Andre Jolivet is a French composer who was really inspired by the Antiquity, and had a strong interest for atonality. He also wrote many chamber music pieces, eleven concertos, some orchestral and some vocal music./ Répertoire / Flûte Traversière Basson et Harpe
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Beneath the Starry Sky (BELLA MATE)
13.66
Beneath the Starry Sky (BELLA MATE)
Basson, Violoncelle et Piano ou 2 Violoncelles et
[Partition]
EMB (Editio Musica Budapest)
for bassoon, violoncello and piano or two violoncellos and piano. Par BELLA MATE...
(+)
for bassoon, violoncello and piano or two violoncellos and piano. Par BELLA MATE. A special piece - a special story: In 2020, a renowned architect approached a composer to create a new piece of music for his daughter's wedding, which the happy father could give to the young couple as a wedding present. In earlier eras of private patronage, such a story would have been natural, but in the 21st century it is an odd story. The composition subtly alludes to the occasion: against the background of the piano, a duet of two instruments tells the story of a serene love (the piece can either be performed with a bassoon and a violoncello, or with two violoncellos). Máté Bella, who moves at home among different musical styles, shapes the song of lovers longing for each other in a way reminiscent of barcarolas sung by Venetian gondoliers. / Date parution : 2022-09-27/ Répertoire / Basson, Violoncelle et Piano ou 2 Violoncelles et
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Klar/Obskur (SCHWEITZER BENJAMIN)
35.52
Klar/Obskur (SCHWEITZER BENJAMIN)
Hautbois, Basson et Piano
[Conducteur]
Schott
Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the ...
(+)
Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of „twilight“: air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds. The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this „motto-like“ opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning. The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, ‚arcane‘ bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the „elastic“ character of the middle section. Benjamin Schweitzer / Date parution : 2007-11-20/ Répertoire / Hautbois, Basson et Piano
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Sarabande (HAENDEL GEORG FRIEDRICH)
15.40
Sarabande (HAENDEL GEORG FRIEDRICH)
Quatuor à Vents
[Partition]
FLEX Editions
Flute, Oboe, Clarinet and Bassoon. Par HAENDEL GEORG FRIEDRICH. / Répertoire / ...
(+)
Flute, Oboe, Clarinet and Bassoon. Par HAENDEL GEORG FRIEDRICH. / Répertoire / Quatuor à Vents
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Hymne A La Joie (BEETHOVEN LUDWIG VAN)
11.79
Hymne A La Joie (BEETHOVEN LUDWIG VAN)
Quatuor à vent
[Partition]
FLEX Editions
Flute, Oboe, Clarinet and Bassoon. Par BEETHOVEN LUDWIG VAN. / Répertoire / Qua...
(+)
Flute, Oboe, Clarinet and Bassoon. Par BEETHOVEN LUDWIG VAN. / Répertoire / Quatuor à vent
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Furia Del Zarcillo (Tendril Rapture)
44.36
Furia Del Zarcillo (Tendril Rapture)
Hautbois, Basson et Piano
Hal Leonard
for Oboe, Bassoon, and Piano Score and Parts. Par LORENZ RICARDO. / Date paruti...
(+)
for Oboe, Bassoon, and Piano Score and Parts. Par LORENZ RICARDO. / Date parution : 2022-03-15/ Répertoire / Hautbois, Basson et Piano
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Te Deum In B-Flat Major Hwv 281 Alto (HAENDEL GEORG FRIEDRICH)
7.47
Te Deum In B-Flat Major Hwv 281 Alto (HAENDEL GEORG FRIEDRICH)
Alto (Viole)
[Partition]
Barenreiter
Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV...
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Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea”, the masque which was composed at almost the same time. Though in many respects this 'Te Deum” is reminiscent of the 'Utrecht Te Deum”, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition” (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum”./ Répertoire / Alto
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Banka (NIHASHI)
49.30
Banka (NIHASHI)
En Français
Hautbois, Clarinette en Sib, Saxophone en Mib et B
Leduc, Alphonse
Par NIHASHI. for oboe, clarinet, alto saxophone and bassoon/ Répertoire / Hautb...
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Par NIHASHI. for oboe, clarinet, alto saxophone and bassoon/ Répertoire / Hautbois, Clarinette en Sib, Saxophone en Mib et B
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Te Deum In B-Flat Major Hwv 281 (HAENDEL GEORG FRIEDRICH)
7.25
Te Deum In B-Flat Major Hwv 281 (HAENDEL GEORG FRIEDRICH)
Violoncelle, Contrebasse, Basson ou Orgue
[Partition]
Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te D...
(+)
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea”, the masque which was composed at almost the same time. Though in many respects this 'Te Deum” is reminiscent of the 'Utrecht Te Deum”, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition” (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum”./ Répertoire / Violoncelle, Contrebasse, Basson ou Orgue
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Quintet (AHO KALEVI)
89.40
Quintet (AHO KALEVI)
Saxophone Alto, Basson, Alto, Violoncelle et Contr
[Partition]
Fennica Gehrman
For Alto Saxophone, Bassoon, Viola, Cello And Double Bass. Par AHO KALEVI. / Ré...
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For Alto Saxophone, Bassoon, Viola, Cello And Double Bass. Par AHO KALEVI. / Répertoire / Saxophone Alto, Basson, Alto, Violoncelle et Contr
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Rheinberger Ga 31 (RHEINBERGER JOSEF GABRIEL)
215.50
Rheinberger Ga 31 (RHEINBERGER JOSEF GABRIEL)
Orchestre de chambre
[Partition]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano ...
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Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano Quartet, which was enthusiastically received by the critics in Rheinberger’s time: “The themes are noble, with significant content, the motivic development is rich and interesting, above all free from anything resembling a mould … and such a healthy musical wind blows through the entire work that I believe I am not mistaken if I forsee for this work a great success. ” This is how a contemporary critic reviewed the work. Indeed, op. 38 proceeded to become the most successful of Rheinberger’s chamber music works during his lifetime. The Sextet op. 191b is an effective arrangement of his Piano Trio No. 4 op. 191, for flute, oboe, clarinet, bassoon, horn and piano. All works are also available in separate editions./ Répertoire / Ensemble de Chambre
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Sonata In A Minor (VIVALDI ANTONIO)
25.00
Sonata In A Minor (VIVALDI ANTONIO)
Flûte à Bec Alto ou Flûte Traversière), Basson ou
Amadeus Verlag
For Treble Recorder Or Flûte, Bassoon Or Cello And Basso Continuo. Par VIVALDI ...
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For Treble Recorder Or Flûte, Bassoon Or Cello And Basso Continuo. Par VIVALDI ANTONIO. / Répertoire / Flûte à Bec Alto ou Flûte Traversière), Basson ou
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The Lure Of The Abyss (SARAD MIKOLAJ)
23.21
The Lure Of The Abyss (SARAD MIKOLAJ)
Clarinette, Basson et Marimba
PWM (Polskie Wydawnictwo Muzyczne)
For Clarinet, Bassoon And Marimba. Par SARAD MIKOLAJ. / Date parution : 2022-04...
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For Clarinet, Bassoon And Marimba. Par SARAD MIKOLAJ. / Date parution : 2022-04-12/ Répertoire / Clarinette, Basson et Marimba
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Nonet (TULL FISHER)
65.00
Nonet (TULL FISHER)
Flûte Traversière, Clarinette, Basson, Saxophone A
[Set de Parties séparées]
Boosey and Hawkes
for flute, clarinet, bassoon, alto saxophone, trumpet in C, trombone, tuba, perc...
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for flute, clarinet, bassoon, alto saxophone, trumpet in C, trombone, tuba, percussion and piano. Par TULL FISHER. / Répertoire / Flûte Traversière, Clarinette, Basson, Saxophone A
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Double Concerto Sib Maj (B-Dur) (STAMITZ)
30.80
Double Concerto Sib Maj (B-Dur) (STAMITZ)
Basson, Clarinette, Orchestre et Piano
[Partition]
Sikorski
Par STAMITZ. Piano score of Carl Stamitz's Double Concerto In B Flat for Clarine...
(+)
Par STAMITZ. Piano score of Carl Stamitz's Double Concerto In B Flat for Clarinet, Bassoon and a Piano reduction of the original orchestral part./ Répertoire / Basson, Clarinette, Orchestre et Piano
30.80 EUR - vendu par LMI-partitions
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The Entertainer (JOPLIN SCOTT)
18.40
The Entertainer (JOPLIN SCOTT)
Quintette à vent
[Partition]
FLEX Editions
Flute, Oboe, Clarinet, Horn and Bassoon. Par JOPLIN SCOTT. / Répertoire / Quint...
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Flute, Oboe, Clarinet, Horn and Bassoon. Par JOPLIN SCOTT. / Répertoire / Quintette à vent
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William Walton: Concerto For Viola And Orchestra: Viola: Study Score
25.95
William Walton: Concerto For Viola And Orchestra: Viola: Study Score
Alto et orchestre
Oxford University Press
William Walton Edition-William Walton's 1962 Concerto For Viola And Orchestra. S...
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William Walton Edition-William Walton's 1962 Concerto For Viola And Orchestra. Study score.This edition of Walton's celebrated Viola Concerto (1962 version) has been off-printed from the William Walton Edition full score and combines the scholarship of the Edition with the practical benefits of the smaller format. An introduction is provided by the volume editor Christopher Wellington.Instrumentation: solo Viola 2 Flutes (II Picc) Oboe Double Bass 2 Clarinet(II Bcl) 2 Bassoon 4 Horn 2 Trumpet 3 Trombone Timpani Harp Strings.
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Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
42.50
Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
Violon, Alto et Orchestre
[Conducteur]
Barenreiter
E flat major-There is no reference to the origin occasion or a performance of t...
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E flat major-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score and parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
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Bohuslav Martinu: Rhapsody-Concerto: Viola
21.50
Bohuslav Martinu: Rhapsody-Concerto: Viola
Alto, Piano
[Reduction]
Barenreiter
Concerto for Viola and Orchestra. By Bohuslav Martinu. Edited by Jurgen Sommer. ...
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Concerto for Viola and Orchestra. By Bohuslav Martinu. Edited by Jurgen Sommer. For Flute (2) Oboe (2) Clarinet (b flat) (2) Bassoon (2) Horn (4) Trumpet (2) Kettledrum Drums. Piano Reduction/Vocal Score. Duration 22'. Published by Baerenreiter-Ausgaben (German import). (BA4316 90) ISBN M006446872.
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Sonatine Sportive Saxo Et Trio A Vent Partition Et Parties Reunies (TCHEREPNINE ALEXANDER)
44.40
Sonatine Sportive Saxo Et Trio A Vent Partition Et Parties Reunies (TCHEREPNINE ALEXANDER)
En Français
Saxophone et Trio à vent
[Partition]
Leduc, Alphonse
Par TCHEREPNINE ALEXANDER. for saxophone and woodwind trio (oboe, clarinet and b...
(+)
Par TCHEREPNINE ALEXANDER. for saxophone and woodwind trio (oboe, clarinet and bassoon)/ Répertoire / Saxophone et Trio à vent
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Martinu Bohuslav - Rhapsody Concerto - Alto, Piano
24.80
Martinu Bohuslav - Rhapsody Concerto - Alto, Piano
Alto, Piano
Barenreiter
Concerto for Viola and Orchestra
Edition : Piano Reduction/Vocal Scor...
(+)
Concerto for Viola and Orchestra
Edition : Piano Reduction/Vocal Score
Editor : Sommer, Jürgen
Binding : stapled
Instrumentation : 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 4 Horn, 2 Trumpet, Kettledrum, Drums
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Roland-Manuel Suite Dans Le Gout Espagnol Hbs/Fgt/Tp/Clavec.Ou Piano (ROLAND-MANUEL)
26.61
Roland-Manuel Suite Dans Le Gout Espagnol Hbs/Fgt/Tp/Clavec.Ou Piano (ROLAND-MANUEL)
Orchestre de chambre
[Partition]
Durand
Oboe, Bassoon, Trumpet and Piano. Par ROLAND-MANUEL. / Répertoire / Musique de ...
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Oboe, Bassoon, Trumpet and Piano. Par ROLAND-MANUEL. / Répertoire / Musique de Chambre
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Franz Schubert: Quintet in A Major Op.114: Piano Quintet: Score and Parts
28.95
Franz Schubert: Quintet in A Major Op.114: Piano Quintet: Score and Parts
Piano Quintette: piano, 2 violons, alto, violoncelle
[Sheet music]
-
Intermédiaire
Peters
Written for a Quintet with Violin Viola Cello and Bassoon and Piano the Quint...
(+)
Written for a Quintet with Violin Viola Cello and Bassoon and Piano the Quintet in A Major (Trout)Op.114 is a wonderful early composition by these great Austrian master. It was Franz Schubert's first turly significant chamber work and this 1819 piece is indicative of his romantic genius and melodic warmth.
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Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
20.00
Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
Violon, Alto et Orchestre
Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...
(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score and parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
20.00 GBP - vendu par Musicroom GB
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Romances Sans Paroles Op. 19 #1 (MENDELSSOHN-BARTHOLDY FELIX)
14.80
Romances Sans Paroles Op. 19 #1 (MENDELSSOHN-BARTHOLDY FELIX)
Trio de Vents
[Partition]
FLEX Editions
Oboe, Clarinet and Bassoon. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Tri...
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Oboe, Clarinet and Bassoon. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Trio de Vents
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Franz Joseph Haydn: Symphony Nr. 91 E-flat major Hob. I:91: Orchestra: Part
11.00
Franz Joseph Haydn: Symphony Nr. 91 E-flat major Hob. I:91: Orchestra: Part
Alto seul
Barenreiter
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symph...
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Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symphony for ?Small? Orchestra i.e. without Trumpets and Timpani. However it has long passages for solo Violoncello and is also scored for two Bassoons. The editor of this edition recommends a performance with low Horns (additionally included in the wind set) to prevent the musical character of the Andante from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works operas and symphonies this edition is appearing based on the Henle Complete Edition of theWorks of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the Works of Joseph Haydn.- Orchestral parts in a large format (25.5 × 32.5 cm).- Full score & performance material (BA10978) available for sale.
11.00 GBP - vendu par Musicroom GB
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Michael Nyman: Drowning By Numbers: Chamber Ensemble: Score
34.99
Michael Nyman: Drowning By Numbers: Chamber Ensemble: Score
Violon, Alto et Orchestre
[Conducteur d'étude / Miniature]
Chester
Drowning By Numbers arranged by the composer from his sound-track for the film ...
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Drowning By Numbers arranged by the composer from his sound-track for the film by Peter Greenaway for Violin Viola and Chamber Orchestra. This work was commissioned by the London Mozart Players and first performedDecember 1998 at the Warwick Arts Centre. Duration 20 minutes. Full Score and parts are available on hire from the publishers. Instrumentation: Solo Violin Solo Viola 2 Flutes Oboe Cor Anglais 2 B Flat Clarinets 2 Bassoons 2 Horns in F 2 Trumpets in C Bass Trombone Piano Strings (8.6.4.4.2).
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Trilogy For Oboe (Clarinet), Bassoon And Piano, Part 1 - Go Get It
Orchestre de chambre
Doblinger
Ob Fg Klav / Musique De Chambre
22.20 EUR - vendu par LMI-partitions
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9 Canons Extr. Variations Goldberg (BACH JOHANN SEBASTIAN)
43.90
9 Canons Extr. Variations Goldberg (BACH JOHANN SEBASTIAN)
En Français
Hautbois, Clarinette, Basson (trio d'anches)
[Conducteur et Parties séparées]
Combre
Par BACH JOHANN SEBASTIAN. Transcription de Del Giudice / classique / Répertoi...
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Par BACH JOHANN SEBASTIAN. Transcription de Del Giudice / classique / Répertoire / Trio D'Anches
43.90 EUR - vendu par LMI-partitions
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