20 easy carols for winter, Advent and Christmas for 1'3 trombones and piano. Par . What would Christmas time be without making music together' Advent, Christmas, and winter songs play an important role for all beginners on a melody instrument, because with these they can show off their progress on the instrument during the first year. And nothing is better suited to this than well-loved and popular Christmas classics.The volumes in our series for instrumental teaching, developed in collaboration with the Landesakademie für die musizierende Jugend in Baden-Württemberg, all contain 20 easy carols arranged in progressive level of difficulty. Experienced instrumental teachers have made a selection of carols for each instrument according to specific criteria. These can be mastered as part of music school lessons after just a few weeks and months. All the carols have been chosen and transposed so that the range and fingering combinations do not exceed the level of difficulty for the first three years of learning.The piano accompaniment is of moderate difficulty. For many of the carols, an ad lib upper or lower part is included which can also be played by instrumental pupils. The volumes are therefore suitable for individual as well as group tuition.The arrangements are based on the piano and instrumental books from the CHRISTMAS CAROLS project (Carus 2.403/03 und 2.404/03) which is part of the LIEDERPROJEKT, the charitable project to further singing with children. The books contain singing texts for all the carols, providing a full range of options for singing and playing together at Christmas.All the books include the printed music of the piano accompaniment. Digital playalong tracks are available for all the books.Further editions for flute, clarinet, alto saxophone, trumpet, violin, cello / Date parution : 2022-10-12/ Recueil / Trombone et Piano

Arrangeur: Timofei Dokschizer. Par SARASATE PABLO DE. / Niveau : Confirmé / Répertoire / Trombone et Piano

Paul Creston was born 10 October 1906 in New York of Italian parentage. Entirely self-taught with the exception of Piano and Organ lessons in his youth Creston pursued studies in theory composition literature and philosophy while working to support himself and his poor immigrant family. Fiercely independent by nature the composer developed his style free of any particular school of thought or teacher's influence and made rhythm a cornerstone of his work often emphasizing shifting subdivisions of regular meters.

di VITO-DELVAUX Berthe. Par ROGISTER JEAN. / Niveau : 4 / Partition / Trombone et Piano