Symphoniae Sex Senaeque Sonatae. Par WERNER GREGOR JOSEPH. Symphoniae sex senaeque Sonatae (Richard Moder). Jeweils eine dreisätzige Symphonia und eine viersätzige Kirchensonate bilden ein Paar, die beiden Stücke stehen einander meist tonartlich nahe, sind aber in . . . / Niveau : 2/2/2 - 3/2 / Répertoire / Musique de Chambre

Symphoniae Sex Senaeque Sonatae. Par WERNER GREGOR JOSEPH. Symphoniae sex senaeque Sonatae (Richard Moder). Jeweils eine dreisätzige Symphonia und eine viersätzige Kirchensonate bilden ein Paar, die beiden Stücke stehen einander meist tonartlich nahe, sind aber in . . . / Niveau : 2 - 3/2 - 3/2/2 - 3 / Répertoire / Musique de Chambre

Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck's friend, the cellist Jules Desart, was so impressed when he heard the Violin Sonata performed at the Société nationale de musique in Paris that he adapted the work for his instrument. This arrangement was first published in 1887 by inserting the cello part into the piano score of the original edition. For this purpose the piano score had received a new cover and the publisher had expanded the title of the composition to 'Sonate pour piano et violon ou violoncelle?. This version by the cellist Jules Delsart for piano and violoncello is the only arrangement of the work authorized by the composer and its first edition represents the main source for Bärenreiter's new scholarly-critical publication.Bärenreiter's new edition also includes a separate movement, 'Mélancolie?, first published after Franck's death in 1911, again for the same instrumentation, piano and violin or violoncello. This short piece is based on a solfège exercise and was written at the height of the composer's creative powers, at about the same time as his famous violin sonata.The edition is rounded off by an informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng), a complete list of sources, editorial notes and a Critical Commentary (Eng).- Pioneering new Urtext edition- Informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng)- Detailed Critical Commentary (Eng) / Violoncelle Et Piano

Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano

All 5 sonatas for cello and piano, and 3 sets of variations on themes by Mozart and Handel. Basic works of the cello repertoire carefully reproduced from the authoritative complete-works edition published by Breitkopf & Härtel. Inexpensive source for studying 8 major works of the chamber music repertoire. Cello Sonata No. 1 in F Major, Op. 5, No. 1 (dedicated to King Friedrich Wilhelm II)
I: Adagio sostenuto-Allegro
II: Allegro vivace
Cello Sonata No. 2 in G Minor, Op. 5, No. 2 (dedicated to King Friedrich Wilhelm II)
I: Adagio sostenuto ed espressivo-Allegro molto più tosto presto
II: Rondo
Cello Sonata No. 3 in A Major, Op. 69 (dedicated to Baron Ignaz von Gleichenstein)
I: Allegro, ma non tanto
II: Scherzo
III: Adagio cantabile-Allegro vivace
Cello Sonata No. 4 in C Major, Op. 102, No. 1 (dedicated to Countess Marie von Erdödy)
I: Andante-Allegro vivace
II: Adagio-Tempo d'Andante-Allegro vivace
Cello Sonata No. 5 in D Major, Op. 102, No. 2 (dedicated to Countess Marie von Erdödy)
I: Allegro con brio
II: Adagio con molto sentimento d'affetto-Allegro-Allegro fugato
Twelve Variations on See, the Conqu'ring Hero Comes, from Handel's Judas Maccabaeus, WoO 45 (dedicated to Princess Christiane von Lichnowsky)
Twelve Variations on Ein Mädchen oder Weibchen, from Mozart's Die Zauberflöte, Op. 66
Seven Variations on Bei Männern, welche Liebe fühlen, from Mozart's Die Zauberflöte, WoO 46 (dedicated to Count Johann Georg von Browne)

Includes: Sonata I (RV 47) Sonata II (RV 41) Sonata III (RV 43) Sonata IV (RV 45) Sonata V (RV 40) Sonata VI (RV 46).   Please note this comes with a separate Cello part.

Beethoven's five sonatas for cello and piano are basic works of the cello repertoire and his three sets of variations on themes by Mozart and Handel are perennial favorites of chamber-music programs as well. This volume contains all eight works in score format carefully reproduced from the authoritative complete-works edition published by Breitkopf and Hartel.

Italian-born composer Benedetto Marcello (1686-1739) composed a diversity of music from church music and oratorios to solo cantatas duets and sonatas. Benedetto was a younger contemporary of Antonio Vivaldi and his music can be easily recognised as having a ‘Vivaldian flavour’.Available here is one his first compositions for solo Cello and Continuo the Sonata in F Op.2 No.1 realised here with a Piano accompaniment. This edition has been edited by Walter Schulz and Eberhard Wenzel.

For Viola Da Gamba-This superbly produced volume brings together nine of Bach's most performed compositions: six Cello Suites and three Sonatas for Viola da Gamba and Harpsichord. Reprinted from the definitive Bach-Gesellschaft edition.

The French composer Camille Saint-Saëns endowed the music world with a multitude of masterpieces for violoncello including concertos sonatas and miniatures such as The Swan and the Allegro appassionato Op.43.This first publication of the Sonata in D major is based on Bärenreiter?s Camille Saint-Saëns ?uvres instrumentales complètes. Although we know from correspondence that two complete autographs existed only an incomplete autograph source containing the 1st movement and part of the 2nd movement which breaks off have come down to us. In his final work for violoncello Saint-Saëns juxtaposes highly rhythmical episodes with more poetic ones. These contrasts arereinforced by bold shifts of harmonic colouring and a highly inventive thematic development.These movements are destined to become standards for cellists.First ever Urtext edition of this incomplete work based on Camille Saint-Saëns ?uvres instrumentales complètesInformative Introduction (Fr/Eng/Ger)

Arrangement for Violoncello and Piano by Carl HüllweckThe gourmet's delightIn 1876, ten years before César Franck's violin sonata in the same key, Gabriel Fauré made a major contribution to the first flowering of French chamber music with his A-major Sonata op. 13. He even found a publisher for it right away, namely Breitkopf and Härtel in Leipzig. Both the work and the composer were warmly acclaimed immediately after the publication: This sonata contains everything that appeals to the gourmet: new forms, wonderful modulations, unusual tone colors, unexpected rhythms. With this work of such modest appearance, Mr. Fauré has leapt to the top ranks of the masters in one bound. Thus wrote Camille Saint-Saëns with pride about his pupil's work. The publisher seems to have picked out a true gem from Fauré's 'uvre, for the sonata soon became very popular, and in 1889, Breitkopf and Härtel heightened this popularity by releasing an arrangement for violoncello by Carl Hüllweck. It is likely that Fauré not only approved the arrangement, but also proofread it. Long out of print, this edition will once again allow cellists to enjoy Fauré's violin sonata in a competent period arrangement.

It is impossible to imagine today's cello lessons without the works by Jean-Baptiste Bréval (1753-1823).This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are experienced in playing in first position and do not shy away from occasional excursions into other positions.As a performance piece, the sonata can be accompanied either by a second cello, as in Bréval's original version, by piano, or even by both instruments. The sonata is particularly suitable for music lessons and concertos in the popular version for violoncello and piano by Joachim Stutschewsky, which was revised for the Schott Student Edition by Rainer Mohrs and edited and prefaced by Beverly Ellis.The new Schott Student Edition series offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano

VI 'Sonata' - Oeuvre VePrivilège GénéralOeuvre écrite pour violoncelle et basse continue. / Violoncelle Et Basse Continue / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7

Sonata for Violin and Violoncello-Following the intoxicating sounds of La Valse the smaller scoring and modern musical language of Sonata For Violin And Violoncello were a shock. Yet this pioneering work has now become a permanent fixture onthe concert stage.To help the players two performance scores are provided in which the other instrument’s part is also given. Both parts are included in a marked and an unmarked version.Sonata For Violin AndVioloncello was composed by Maurice Ravel between between 1920 and 1922.

André Previn is a German-American pianist conductor and composer. He is considered one of the most versatile musicians in the world today and is the winner of four Academy Awards for his film work and ten GrammyAwards for his recordings (and one more for his Lifetime Achievement).Previn wrote Cello Sonata (also known as ?Sonata For Cello And Piano?) for Yo-Yo Ma and it was first performed by thecelebrated cellist and the composer in 1993. The sonata in three movements (I. Vivace - Andante espressivo Allegro; II. Adagio; III. Allegretto Fast) was recorded as part of the album ?From OrdinaryThings?. For advanced (Grade 8+) level players. Total performance time is ca. 30 minutes.