With his clarinet quintet, begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger's last opus. Shortly after he had sent it to his publisher, he died of heart attack in May 1916. The quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, we are now publishing it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube. / Quintette De Clarinettes

Les oeuvres tardives de musique de chambre de Johannes Brahms comptent à coup sûr parmi les pages les plus merveilleuses jamais écrites pour la clarinette. Si Brahms, dans les dernières années de sa vie, semble avoir éprouvé une certaine lassitude de la composition, sa rencontre en 1891 avec Richard Mühlfeld, clarinettiste solo de la chapelle de la cour de Meinigen, qui l'enthousiasma par la beauté sonore de son jeu, lui inspira de nouvelles compositions. Le Trio op. 114, avec ses accents d'une mélancolie tout automnale est apprécié de tous les clarinettistes et est désormais disponible chez Henle dans une édition révisée. Le manuscrit autographe de l'opus 114 est conservé à Munich, patrie de la maison d'édition Henle. Le texte musical repose sur la nouvelle édition intégrale des oeuvres de Brahms et répond ainsi au plus niveau de précision et d'exactitude scientifique. Le pianiste Klaus Schilde a doté cette édition Urtext de précieux doigtés. / Trio pour Clarinette (Alto), Violoncelle Et Piano

The first movement of Mozart's second clarinet quintet-Mozart's Sonata Allegro For Clarinet And String Quartet is certainly an exciting addition to the Clarinet repertoire. The first movement of Mozart's projected Second Clarinet Quintet the 'fragment' that is the basis of this work had been known about for many years and was always considered a trial run for the great K581; however recent dating has shown the two pages of manuscript date from after the Clarinet Quintet.The distinguished Mozart scholar Timothy Jones has proved this to be the beginning of a response to the popularity of K581. It was only as a result of his early death that the workremained incomplete. Jones has completed the work using his deep knowledge of late Mozart and we have now a very important new addition to the Clarinet Quintet repertoire.

After Concertino for Clarinet and String Quartet-Inspired by Concertino for Clarinet and String Quartet which draws on fragments of folk tunes from northwestern China. This edition presented for solo clarinet (B flat or A).

Compositeur : Brahms, Johannes
Instrumentation : Chamber Music with Wind Instruments
Editeur Musicologique : Grassi, Andrea Massimo
Couverture Reliée
Contenu :
Clarinet Quintet in b minor op. 115 for Clarinet, 2 Violins, Viola and Violoncello

Alexander Zemlinsky is mainly known for his operas and orchestral songs with their opulent late Romantic orchestration. His earlier, inspired hit, the Trio for Clarinet op. 3, written in 1896, owes a great deal to his first important role model Johannes Brahms as far as inflection and instrumentation are concerned. And it was none other than Brahms himself who enthusiastically recommended the trio to his publisher Simrock, following the first performance in Vienna. As the autograph has disappeared, our edition follows the musical text in the first edition. It underwent careful examination and was cleared of numerous, partly blatant engraver's errors. Alongside the piano score, our edition comprises a part for clarinet in Bb/A, an authentic alternative part for violin as well as a cello part. / Trio De Pianos

Scored for clarinet, cello and piano Clarinet Trio (BH 12624) is in three movements, with a total duration of 20 minutes. The first movement, 'Ljud stort, ljud' (Sound big, sound), was commissioned in 2008 to celebrate the centenary of Svenska kulturfonden. 'Som det stilla vi söker' (Like the tranquillity we seek) and 'Slå våg, slå' (Crash wave, crash) were commissioned in the same year by the Bergen International Festival. Piano Trio (BH 12982) is the same work adapted by the composer in 2011-12 for violin, cello and piano.Note that the piano and cello parts are not interchangeable between the respective versions. / Clarinette, Violoncelle Et Piano

For Clarinet and String Quartet.Published in 2011.Parts.This work was commissioned by Linda Merrick and the Kreutzer Quartet to whom it is dedicated as a project involving commission performance recording and  educational and outreach work. It was supported by funds provided by the PRS for  Music Foundation RVW Trust The Holst Foundation the Royal Northern College of Music and the Ida Carroll Trust. The first performance was given at the Royal Northern  College of Music Manchester on June 15th 2011.

Clarinet Trio In A Minor Op. 114 - With Critical Report - Series II Volume 7. Par BRAHMS JOHANNES. With Critical Report / Loose, Katharina / Répertoire / Violon, Cor (Eb) et Piano / Clarinette (Alto), Vio

Par STOCKHAUSEN KARLHEINZ. / Répertoire / Flûte Traversière, Hautbois, Cor Anglais, Clarinet

pour clarinette (La), 2 violons, alto, et violoncelle. Par BRAHMS JOHANNES. En 1890, Brahms avait pour ainsi dire pris la résolution d’en finir avec la composition. Mais sa rencontre avec le clarinettiste Richard Mühlfeld lui donna tellement d’inspiration qu’en peu de temps il composa aussitôt plusieurs œuvres pour lui. Le Quintette op. 115 aux mélodies célestes fait partie depuis sa création en 1891 des œuvres préférées du public comme des musiciens. Dès la préparation pour la mise à l’impression – et sans doute avec un regard sur la diffusion future de l’œuvre – fut réalisée une version alternative avec un alto à la place de la clarinette, qui fut créée par ni plus ni moins que le grand Joseph Joachim lui-même, et qui reçut l’autorisation de Brahms. C’est pourquoi l’édition Urtext de Henle, revue sur la base du texte de la Nouvelle édition intégrale des œuvres de Brahms, comprend également la partie d’alto alternative. La responsable d’édition Kathrin Kirsch donne dans une courte préface un aperçu sur la genèse de l’œuvre, et fournit dans les Bemerkungen ou Comments d’intéressants éléments de discussion sur les variantes liées à la réception de l’œuvre./ Répertoire / Clarinette (La), 2 Violons, Alto et Violoncelle

Score and Parts-Score and Parts. For Clarinet and String Quartet. Written in 1994 the premiere performance was given by the Chamber Music Society of Lincoln Center Alice Tully Hall New York City David Shifrin clarinet.