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Brahms J. - Quintet And Quartets For Piano And Strings
30.60
Brahms J. - Quintet And Quartets For Piano And Strings
Piano Quintette: piano, 2 violons, alto, violoncelle
Dover Publications
This superb selection includes full scores of four great standards of the repert...
(+)
This superb selection includes full scores of four great standards of the repertoire: Quintet in F Minor, Op. 34. Quartet in G Minor, Op. 25. Quartet in A Major, Op. 26. Quartet in C Minor, Op. 60. Includes translation of Editor's Commentary.
30.60 EUR - vendu par Woodbrass
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Op. 34-Bärenreiter?s scholarly-critical edition of Brahms? popular Quintet in F...
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Op. 34-Bärenreiter?s scholarly-critical edition of Brahms? popular Quintet in F minor for piano and strings contains everything a cutting edge Urtext edition is meant to offer. It presents a solid and well researched musical text based on Brahms? autograph as well as the first edition and draws on the autograph of the two-piano version (composed six years later) for purposes of comparison. The edition also contains a discussion of the work?s historical context and performance practice as well as a comprehensive Critical Commentary with an evaluation of the sources and alternative readings.The editor Daniel Boomhower deals with the conflicting readings between the stringparts in the autograph engraver?s copy and those found in small print in the first published score as well as in the separate parts for that edition. Relevant readings from the two-piano version appear in the appendix of the Critical Commentary.New Bärenreiter Urtext editionExhaustive study of conflicting readingsNotes on performance practice (Eng/Ger)Informative Foreword (Eng/Ger) and Critical Commentary (Eng)
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Christopher Bunting the cellist and composer has given concerts broadcasts an...
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Christopher Bunting the cellist and composer has given concerts broadcasts and master classes throughout Europe Australasia and the United States. He gave the first BBC Broadcast of the Elegy with the Pianist Ernest Lush and also was the soloist in a broadcast performance of his Concerto for Cello and Strings. His Essay on the Craft of 'Cello Playing is highly valued internationally by teachers and students alike for its detailed discussion of a large range of technical questions.
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Star Wars : Episodes I II And III Instrumental Solos For Strings
23.25
Star Wars : Episodes I II And III Instrumental Solos For Strings
Violoncelle, Piano
Alfred Publishing
This book is part of a String series arranged for Violin, Viola, and Cello. The ...
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This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. / Violoncelle Et Piano
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Piano Trio For Violin, Cello And Piano (STEPTOE ROGER)
47.42
Piano Trio For Violin, Cello And Piano (STEPTOE ROGER)
Piano Trio: piano, violon, violoncelle
[Partition]
Stainer and Bell
Par STEPTOE ROGER. Strings/ Répertoire / Violon, Violoncelle et Piano
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Phantasy In F Sharp Minor. Violin, Viola, Cello And Piano (BRIDGE FRANK)
32.68
Phantasy In F Sharp Minor. Violin, Viola, Cello And Piano (BRIDGE FRANK)
Piano Quatuor: piano, violon, alto, violoncelle
[Partition]
Stainer and Bell
Par BRIDGE FRANK. Strings/ Répertoire / Violon, Alto, Violoncelle et Piano
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John Tavener: The Protecting Veil (Cello/Piano): Cello: Instrumental Work
24.99
John Tavener: The Protecting Veil (Cello/Piano): Cello: Instrumental Work
Violoncelle, Piano
[Partition]
Chester
Written for Stephen Isserlis Tavener's 1989 masterpiece The Protecting Veil fo...
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Written for Stephen Isserlis Tavener's 1989 masterpiece The Protecting Veil for cello and strings is now available for solo with rehearsal piano reduction.
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Trio For Violin, Bass Clarinet And Piano (HAYES MORGAN)
33.18
Trio For Violin, Bass Clarinet And Piano (HAYES MORGAN)
Violon, Clarinette Basse et Piano
[Partition]
Stainer and Bell
Par HAYES MORGAN. Strings/ Répertoire / Violon, Clarinette Basse et Piano
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Sonata Movement Arranged For Cello And Piano By Watson Forbes From The String Trio In B Flat (D.471)
10.64
Sonata Movement Arranged For Cello And Piano By Watson Forbes From The String Trio In B Flat (D.471)
Violoncelle, Piano
[Partition]
Stainer and Bell
Arrangeur: Watson Forbes. Par SCHUBERT FRANZ. Strings/ Répertoire / Violoncelle...
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Arrangeur: Watson Forbes. Par SCHUBERT FRANZ. Strings/ Répertoire / Violoncelle et Piano
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Fiddle Fancies For Cello And Piano. Cello Part (CARSE ADAM)
5.33
Fiddle Fancies For Cello And Piano. Cello Part (CARSE ADAM)
Violoncelle, Piano
[Partition]
Stainer and Bell
Arrangement: Max. Par CARSE ADAM. Strings/ Répertoire / Violoncelle et Piano
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Fiddler's Nursery For Cello And Piano. Cello Part (CARSE ADAM)
4.84
Fiddler's Nursery For Cello And Piano. Cello Part (CARSE ADAM)
Violoncelle, Piano
[Partition]
Stainer and Bell
Arrangement: Max. Par CARSE ADAM. Strings/ Répertoire / Violoncelle et Piano
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Time Out Of Time. Little Suite For Cello And Piano (SAMUEL RHIAN)
21.29
Time Out Of Time. Little Suite For Cello And Piano (SAMUEL RHIAN)
Violoncelle, Piano
[Partition]
Stainer and Bell
Par SAMUEL RHIAN. Strings/ Recueil / Violoncelle et Piano
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3 Buoys For Violin, Viola And Piano (HAYES MORGAN)
14.34
3 Buoys For Violin, Viola And Piano (HAYES MORGAN)
Violon, Alto et Piano
[Partition]
Stainer and Bell
Par HAYES MORGAN. Strings/ Répertoire / Violon, Alto et Piano
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Sheila Mary Nelson: The Essential String Method Vol. 3 and 4: Cello:
16.99
Sheila Mary Nelson: The Essential String Method Vol. 3 and 4: Cello:
Violoncelle, Piano
Boosey and Hawkes
Piano Accompaniment (Lower Strings). Nelson S
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Intermezzo And Other Favourites For Cello
12.32
Intermezzo And Other Favourites For Cello
Violoncelle, Piano
Kevin Mayhew
/ Violoncelle Et Piano
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Edward Gregson: A Song For Chris: Cello: Instrumental Work
19.99
Edward Gregson: A Song For Chris: Cello: Instrumental Work
Violoncelle, Piano
[Partition]
-
Avancé
Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...
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In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
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Wolfgang Amadeus Mozart: Piano Concerto No. 13 in C major K. 415: Piano &
27.00
Wolfgang Amadeus Mozart: Piano Concerto No. 13 in C major K. 415: Piano &
Piano Quintette: piano, 2 violons, alto, violoncelle
Barenreiter
Edition for piano two violins viola and violoncello-Edition for piano two vio...
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Edition for piano two violins viola and violoncello-Edition for piano two violins viola and violoncello (2-piano reduction with 1 each of the string parts) 'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived piano concertos. These three concertos may be performed not only with a large orchestra including wind instruments but also a quattro that is with two violins one viola and violoncello. They will be issued early in April of this year (1783).' As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his piano concertos K.413-5 and as we know from a letter Mozart wrote to his father inK.449 as well. In addition to orchestral forces it is also possible to use a chamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with piano. These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two pianos the solo Part - as well as the strings - are unchanged and thus identical with the version in the NMA. The piano arrangement adheres to the original orchestral score. Chamber music editions available for: Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871
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Wolfgang Amadeus Mozart: Piano Concerto No. 12 in A Major K.414: Piano &
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Wolfgang Amadeus Mozart: Piano Concerto No. 12 in A Major K.414: Piano &
Piano Quintette: piano, 2 violons, alto, violoncelle
Barenreiter
'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the app...
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'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived Piano concertos. These three concertos may be performed not only with a large Orchestra including wind instruments but also a quattro that is with two Violins one Viola and Violoncello. They will be issued early in April of this year (1783).'As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his Piano concertos K.413-5 and as we know from a letter Mozart wrote to his father in K.449 as well. In addition to orchestral forces it is also possible to use achamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with Piano.These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two Pianos the solo part - as well as the strings - are unchanged and thus identical with the version in the NMA. The Piano arrangement adheres to the original orchestral score.Chamber music editions available for:Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871
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Ludwig van Beethoven: Sextet Based On The Piano Concerto: Piano & Strings: Score
36.00
Ludwig van Beethoven: Sextet Based On The Piano Concerto: Piano & Strings: Score
Piano Quintette: piano, 2 violons, alto, violoncelle
Barenreiter
arranged for Pianoforte and String Quintet-Concerto for Pianoforte and Orchestra...
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arranged for Pianoforte and String Quintet-Concerto for Pianoforte and Orchestra No.4 Op.58: arranged for Pianoforte and String Quintet.Piano Violin (2) Viola (2) Violoncello.This anonymous sextet arrangement of Beethoven’s Fourth Piano Concerto was highly popular in Vienna during the composer’s lifetime. We know this from at least two sets of handwritten parts which were then in circulation.No Piano part has been handed down; indeed the original sets of parts probably omitted the Piano.The soloist presumably studied his part from the first edition of the solo part published with the original performance material in 1808. (The full score did not appear until 1861).The sextetversion deftly integrates the original wind parts into the string texture. The arrangement stands in the tradition of Piano reductions with chamber music accompaniment of the sort which were also made for Mozart’s Piano concertos K.413 to 415 and later for the Chopin concertos.This Urtext edition edited by the renowned Beethoven scholar Jonathan Del Mar presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.First ever publication of this arrangement.Includes a separate solo part as was customary in Beethoven’s day.Provides new possibilities for soloists to perform this work.
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Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
10.00
Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
Violoncelle, Piano
-
Facile
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
10.00
Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
Violoncelle, Piano
[Partition]
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Intermédiaire
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Judith Weir: Piano Quartet: Chamber Ensemble: Instrumental Work
Trio à Cordes: violon, alto, violoncelle
[Partition]
Chester
Judith Weir: My Piano Quartet (2000) is part of an extended series of works for ...
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Judith Weir: My Piano Quartet (2000) is part of an extended series of works for piano and strings which I have written over the last twenty years - although I didn¹t know it was going to be a series when I wrote the first of these works Music for 247 Strings in 1980. During this period it has been far more usual for composers to write for mixed wind and string ensembles. But I continued (and still continue) to be fascinated by the potential of strings and piano; particularly the chance to write for the instruments as soloists or as a group and often to use both these options simultaneously.String Parts.Premiered July 2000 at the Cheltenham Festival by the SchubertEnsemble.Piano Score available: CH61794
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The Entertainer
26.64
The Entertainer
Violoncelle, Piano
[Partition]
Schott
This volume from the popular 'Cellissimo' series contains 37 popular recital pie...
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This volume from the popular 'Cellissimo' series contains 37 popular recital pieces from classical to pop music. It is suitable for lessons, performances and competitions. As there is little literature for the cello in jazz and pop style, this volume has a special focus on modern styles such as blues, jazz, pop, rock, funk, folk, Latin, or tango. The selection motivates and introduces to playing techniques of pop music (slide, hard chop etc). Many pieces can be played in the 1st - 4th position, while some also use harmonics or the 5th - 7th position. Entertaining music has existed at all times, so the volume also contains arrangements of popular classics: 'Eine kleine Nachtmusik' by Mozart, 'An der schönen blauen Donau' by Johann Strauß, 'Pomp and Circumstance' by Edward Elgar, or 'The Entertainer' by Scott Joplin. The motivational package for cello lessons!/ Recueil / Violoncelle et Piano
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