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Wolfgang Amadeus Mozart: Sonata In B Flat K.292: Bassoon: Score and Parts
18.50
Wolfgang Amadeus Mozart: Sonata In B Flat K.292: Bassoon: Score and Parts
Basson, Violoncelle
[Conducteur et Parties séparées]
G. Henle
Authoritative Henle Urtext Edition of Mozart's Sonata In B Flat K.292 for Basso...
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Authoritative Henle Urtext Edition of Mozart's Sonata In B Flat K.292 for Bassoon Cello and Continuo.
18.50 GBP - vendu par Musicroom GB
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[Conducteur et Parties séparées]
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Arrangeur: Timothy Bonenfant. Par DEBUSSY CLAUDE. All four movements of Claude D...
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Arrangeur: Timothy Bonenfant. Par DEBUSSY CLAUDE. All four movements of Claude Debussy's charming Petite Suite arranged for Flute, Clarinet (in A) and Bassoon: En Bateau, Cortege, Menuet, Ballet. Originally composed as a suite for four-hand piano, it is also well-known in its orchestral form, with the orchestration completed by Debussy's friend, Henri Büsser./ Répertoire / Flûte Traversière, Clarinette et Basson
23.97 EUR - vendu par LMI-partitions
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thirty popular melodies-Thirty popular melodies arranged by Christopher Tambling...
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Manfred Trojahn: Mendelssohns Möwen: Cello: Instrumental Work
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A Song without Words for Violoncello Solo-Manfred Trojahn on the origin and title of his impressive virtuoso solo work:'Admittedly I do not know if he had seagulls but since Mendelssohn was born in Hamburg he will not have gone through life without at least the impression of the cry of seagulls. Nor do I know if seagulls played any part in his life in Rome. I myself was astonished when one or two years ago in the Villa Massimo I was not exactly annoyed but disturbed by the strong rhythmical cry of seagulls. I was just about to write a bassoon solo when the seagulls started. Then the idea came to me that precisely this sequence of notes could serve as the basis of the work. And the sequence for thebassoon solo is in turn the basis of the piece for violoncello - this is how titles are born... Of course the violoncello meanders with virtuosic ease from the seagull motif to the 'elf-like' skittering brought to music by Mendelssohn and used time and again in his compositions finally becoming a cabaletta. Now cabalettas are not very representative of Mendelssohn but as I was composing I definitely wanted to put a cabaletta in this passage. I am sure Mendelssohn and I will easily agree on this especially since later justice is done to him in the rapid passages and of course in the tonal cadenza at the very end which is more indicative of his time than of mine ... isn't it?'
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François Couperin: Concert in G major: Cello Duet: Score
9.99
François Couperin: Concert in G major: Cello Duet: Score
En Français
2 Violoncelles (duo)
[Partition]
Leduc, Alphonse
for cello (or bassoon) and cello (or bassoon)
9.99 GBP - vendu par Musicroom GB
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Beneath the Starry Sky (BELLA MATE)
13.66
Beneath the Starry Sky (BELLA MATE)
Basson, Violoncelle et Piano ou 2 Violoncelles et
[Partition]
EMB (Editio Musica Budapest)
for bassoon, violoncello and piano or two violoncellos and piano. Par BELLA MATE...
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for bassoon, violoncello and piano or two violoncellos and piano. Par BELLA MATE. A special piece - a special story: In 2020, a renowned architect approached a composer to create a new piece of music for his daughter's wedding, which the happy father could give to the young couple as a wedding present. In earlier eras of private patronage, such a story would have been natural, but in the 21st century it is an odd story. The composition subtly alludes to the occasion: against the background of the piano, a duet of two instruments tells the story of a serene love (the piece can either be performed with a bassoon and a violoncello, or with two violoncellos). Máté Bella, who moves at home among different musical styles, shapes the song of lovers longing for each other in a way reminiscent of barcarolas sung by Venetian gondoliers. / Date parution : 2022-09-27/ Répertoire / Basson, Violoncelle et Piano ou 2 Violoncelles et
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Klar/Obskur (SCHWEITZER BENJAMIN)
35.52
Klar/Obskur (SCHWEITZER BENJAMIN)
Hautbois, Basson et Piano
[Conducteur]
Schott
Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the ...
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Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of „twilight“: air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds. The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this „motto-like“ opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning. The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, ‚arcane‘ bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the „elastic“ character of the middle section. Benjamin Schweitzer / Date parution : 2007-11-20/ Répertoire / Hautbois, Basson et Piano
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Wolfgang Amadeus Mozart: Sonata For Two Cellos: Cello: Instrumental Work
12.99
Wolfgang Amadeus Mozart: Sonata For Two Cellos: Cello: Instrumental Work
2 Violoncelles (duo)
[Partition]
Leduc, Alphonse
2 Violoncelles - Ou 2 Bassons-For cello (or bassoon) and cello (or bassoon).
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Pastorales De Noel (JOLIVET ANDRE)
37.51
Pastorales De Noel (JOLIVET ANDRE)
Flûte Traversière Basson et Harpe
[Partition]
Heugel
Par JOLIVET ANDRE. Pastoreles De Noë l by Andre Jolivet is a piece for Flute, B...
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Par JOLIVET ANDRE. Pastoreles De Noë l by Andre Jolivet is a piece for Flute, Bassoon and the Harp lasting nearly 13 minutes. This piece is really gentle and restrained which demonstrates the quality of Jolivet 's work but also reflects that period of WWII when France was under occupation. These scores are of medium level of ability. Pastoreles De Noë l features four sections: L'etoile (the Star), Les Mages (the Wisemen), La Vierge et l'Enfant (the Virgin and the Child) and Entree et Danse des Bergers (the Shepherds' dance). Each of these parts describes a part of theChristmas story, starting with the Flute and the Bassoon in a duet, followed by the entrance of the Harp to settle the first part. The second section is quieter, expressing the walk in the desert. The Virgin and the Child is like a lullaby and the piece finishes on a joyful dance to express happiness and devotion. Andre Jolivet is a French composer who was really inspired by the Antiquity, and had a strong interest for atonality. He also wrote many chamber music pieces, eleven concertos, some orchestral and some vocal music./ Répertoire / Flûte Traversière Basson et Harpe
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Take The Lead Plus. Pop Hits
15.60
Take The Lead Plus. Pop Hits
Violoncelle
[Partition + CD]
I.M.P.
Eight great flexible arrangements in two parts, for Bass Clef Instruments, inclu...
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Eight great flexible arrangements in two parts, for Bass Clef Instruments, including Cello, Trombone and Bassoon with specially recorded arrangements. The CD includes full backing tracks, professionally arranged and recorded. The Book contains carefully selected and editied Bass Clef arrangements for two parts in score format. Compatible with other editions in the series. / Pop and rock / Recueil / Basse Continue
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Sonatine Sportive Saxo Et Trio A Vent Partition Et Parties Reunies (TCHEREPNINE ALEXANDER)
44.40
Sonatine Sportive Saxo Et Trio A Vent Partition Et Parties Reunies (TCHEREPNINE ALEXANDER)
En Français
Saxophone et Trio à vent
[Partition]
Leduc, Alphonse
Par TCHEREPNINE ALEXANDER. for saxophone and woodwind trio (oboe, clarinet and b...
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Par TCHEREPNINE ALEXANDER. for saxophone and woodwind trio (oboe, clarinet and bassoon)/ Répertoire / Saxophone et Trio à vent
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Franz Schubert: Octet In F Op.Post.166 D 803: Ensemble: Study Score
16.00
Franz Schubert: Octet In F Op.Post.166 D 803: Ensemble: Study Score
Clarinette, Basson, Cor, 2 Violons, Viole, Violonc
[Partition]
Barenreiter
Octet in F major Op.post.166 D 803 for Clarinet (in B-flat) Bassoon Horn Viol...
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Octet in F major Op.post.166 D 803 for Clarinet (in B-flat) Bassoon Horn Violin (2) Viola Violincello Double Bass?I have done little new by way of lieder. In compensation I have tried my hand at several instrumental things for I have composed two quartets for Violins Viola and Violincello [A minor D 804; D minor D 810] and an octet [F major D 803] and will write yet another quartet [not carried out]. Indeed in this way I hope to prepare the way to the full-scale symphony. The latest news in Vienna is that Beethoven will give a concert [on 7 May 1824] ...I too am inclined to give a similar concert next Year God willing.?ThusSchubert writing on 31 March 1824 to his friend Leopold Kupelwieser in Rome in a lengthy letter whose first section is decidedly low-spirited. In order to prepare the way to the full-scale symphony by which he doubtless meant the genre as a whole rather than any specific work he wrote string quartets and a large-scale piece of chamber music for strings and winds taking Beethoven as his guide.Urtext of the New Schubert EditionParts (BA5617) and study score format 22.5 x 16.5cm (TP302) available for sale
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Franz Joseph Haydn: Concerto for Violoncello D major Hob.VIIb:2: Cello
28.50
Franz Joseph Haydn: Concerto for Violoncello D major Hob.VIIb:2: Cello
Violoncelle, Orchestre
[Partition]
Barenreiter
About Violoncello ConcertoUrtext der Haydn-Gesamtausgabe. By Franz Joseph Haydn....
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About Violoncello ConcertoUrtext der Haydn-Gesamtausgabe. By Franz Joseph Haydn. Edited by Sonja Gerlach. For Cello Solo oboe (2) bassoon ad lib. horn (2) strings. Score; Urtext Edition. Hob. VIIb:2. Duration 22'. Published by Baerenreiter-Ausgaben (German import). (BA4675) ISBN M006501915.
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Te Deum In B-Flat Major Hwv 281 (HAENDEL GEORG FRIEDRICH)
7.25
Te Deum In B-Flat Major Hwv 281 (HAENDEL GEORG FRIEDRICH)
Violoncelle, Contrebasse, Basson ou Orgue
[Partition]
Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te D...
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Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea”, the masque which was composed at almost the same time. Though in many respects this 'Te Deum” is reminiscent of the 'Utrecht Te Deum”, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition” (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum”./ Répertoire / Violoncelle, Contrebasse, Basson ou Orgue
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Sarabande (HAENDEL GEORG FRIEDRICH)
15.40
Sarabande (HAENDEL GEORG FRIEDRICH)
Quatuor à Vents
[Partition]
FLEX Editions
Flute, Oboe, Clarinet and Bassoon. Par HAENDEL GEORG FRIEDRICH. / Répertoire / ...
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Flute, Oboe, Clarinet and Bassoon. Par HAENDEL GEORG FRIEDRICH. / Répertoire / Quatuor à Vents
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Acanthe (ROUGERON PHILIPPE)
9.90
Acanthe (ROUGERON PHILIPPE)
En Français
Violoncelle ou Basson et Piano
[Partition]
Leduc, Alphonse
Violoncelle - Ou Basson. Par ROUGERON PHILIPPE. for cello (or bassoon) and piano...
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Violoncelle - Ou Basson. Par ROUGERON PHILIPPE. for cello (or bassoon) and piano/ Répertoire / Violoncelle ou Basson et Piano
9.90 EUR - vendu par LMI-partitions
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Christian Ludwig Dietter: Sonaten: Cello: Instrumental Album
5.95
Christian Ludwig Dietter: Sonaten: Cello: Instrumental Album
Violoncelle
[Partition]
Nova Music
Bassoon cello.
5.95 GBP - vendu par Musicroom GB
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Antonio Vivaldi: Concerto In D RV 95: Ensemble: Instrumental Work
Flûte Traversière, Hautbois, Violon, Basson et Bas
[Partition]
Breitkopf & Härtel
Antonio Vivaldi's Concerto In D Major RV 95 for Treble Recorder Oboe Violin B...
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Antonio Vivaldi's Concerto In D Major RV 95 for Treble Recorder Oboe Violin Bassoon and Continuo. Edited by Gottfried Bach and Nikolaus Delius. Score and parts.
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F. Thuille: Sestetto: Aerophone: Score and Parts
Sextuor
[Partition]
IMC (International Music Co.)
For chamber woodwind ensemble. Flute Oboe Clarinet Bassoon Horn and Piano.
43.25 GBP - vendu par Musicroom GB
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Joseph Bodin de Boismortier: Sonata: Cello: Instrumental Work
15.00
Joseph Bodin de Boismortier: Sonata: Cello: Instrumental Work
Violoncelle, Piano
[Partition]
Barenreiter
By Joseph Bodin de Boismortier. Edited by Hugo Ruf. For Cello/Bassoon Basso Con...
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By Joseph Bodin de Boismortier. Edited by Hugo Ruf. For Cello/Bassoon Basso Continuo. Violoncello. Playing Score; Single Part. Op. 50/3. Published by Baerenreiter-Ausgaben (German import). (BA3963) ISBN M006442058.
15.00 GBP - vendu par Musicroom GB
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Franz Joseph Haydn: Cello Concerto In C Hob.VIIb: Cello: Instrumental Work
15.25
Franz Joseph Haydn: Cello Concerto In C Hob.VIIb: Cello: Instrumental Work
Violoncelle, Piano
G. Henle
Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) w...
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Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.
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Rheinberger Ga 31 (RHEINBERGER JOSEF GABRIEL)
215.50
Rheinberger Ga 31 (RHEINBERGER JOSEF GABRIEL)
Orchestre de chambre
[Partition]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano ...
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Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano Quartet, which was enthusiastically received by the critics in Rheinberger’s time: “The themes are noble, with significant content, the motivic development is rich and interesting, above all free from anything resembling a mould … and such a healthy musical wind blows through the entire work that I believe I am not mistaken if I forsee for this work a great success. ” This is how a contemporary critic reviewed the work. Indeed, op. 38 proceeded to become the most successful of Rheinberger’s chamber music works during his lifetime. The Sextet op. 191b is an effective arrangement of his Piano Trio No. 4 op. 191, for flute, oboe, clarinet, bassoon, horn and piano. All works are also available in separate editions./ Répertoire / Ensemble de Chambre
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Boismortier Joseph Bodin De - Sonata Op. 16 - Cello And Basso Continuo
20.60
Boismortier Joseph Bodin De - Sonata Op. 16 - Cello And Basso Continuo
Violoncelle
Schott
NO. 5 G MINOR INSTRUMENTATION : CELLO (BASSOON, VIOLA DA GAMBA) AND BASSO CONTI...
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NO. 5 G MINOR INSTRUMENTATION : CELLO (BASSOON, VIOLA DA GAMBA) AND BASSO CONTINUO DATE DE PARUTION : 14/06/1985 NOMBRE DE PAGES : 24 COLLECTION : CELLO LIBRARY FORMAT : NEW EDITION PORTRAIT
20.60 EUR - vendu par Woodbrass
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Romances Sans Paroles Op. 19 #1 (MENDELSSOHN-BARTHOLDY FELIX)
14.80
Romances Sans Paroles Op. 19 #1 (MENDELSSOHN-BARTHOLDY FELIX)
Trio de Vents
[Partition]
FLEX Editions
Oboe, Clarinet and Bassoon. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Tri...
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Oboe, Clarinet and Bassoon. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Trio de Vents
14.80 EUR - vendu par LMI-partitions
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