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Nicolas Bacri: Capriccio romantico op.129: Cello and Accomp.: Instrumental Work
20.00
Nicolas Bacri: Capriccio romantico op.129: Cello and Accomp.: Instrumental Work
En Français
Violoncelle, Piano
Chant du Monde
Capriccio romantico op.129. Work for cello (or viola) and piano, commissioned b...
(+)
Capriccio romantico op.129. Work for cello (or viola) and piano, commissioned by the "Sommets Musicaux de Gstaad" Festival ? Adagio liberamente, Allegro moderato
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Astor (CHATROU PAUL)
20.00
Astor (CHATROU PAUL)
Violoncelle, Piano
Metropolis Music Publishers
Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and compo...
(+)
Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique./ Répertoire / Violoncelle et Piano
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Sonata For Violoncello And Piano F Major Op. 99
18.90
Sonata For Violoncello And Piano F Major Op. 99
Violoncelle, Piano
Barenreiter
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. T...
(+)
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano
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Sonata For Violoncello And Piano E Minor Op. 38
20.80
Sonata For Violoncello And Piano E Minor Op. 38
Violoncelle, Piano
Barenreiter
The first three movements of Johannes Brahms' E minor Cello Sonata were composed...
(+)
The first three movements of Johannes Brahms' E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms' life, however, it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann's advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata op. 38 by Cornelius van Vliet and Edwin Hughes, Hugo Becker and Carl Friedberg, as well as Julius Klengel. The cellists' van Vliet, Becker and Klengel's fingering and bowing allows for a better understanding of their performance practice. As such, the Bärenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works' origins, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms' Chamber Music', text booklet BA 9600 / Violoncelle Et Piano
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Tchaikovsky P.i. - Nocturne Op. 19 N. 4 - Violoncelle Et Piano
9.50
Tchaikovsky P.i. - Nocturne Op. 19 N. 4 - Violoncelle Et Piano
Violoncelle, Piano
EMB (Editio Musica Budapest)
Publié par Pejtsik ÁrpádInstrument: Violoncello and PianoSérie: Moments Musi...
(+)
Publié par Pejtsik ÁrpádInstrument: Violoncello and PianoSérie: Moments Musicaux for VioloncelloGenre: RomanticPages: 8 ppDate du parution: 1988
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Gounod - Ave Maria - Violoncelle Et Piano
9.50
Gounod - Ave Maria - Violoncelle Et Piano
Violoncelle, Piano
EMB (Editio Musica Budapest)
Publié par Pejtsik ÁrpádInstrument: Violoncello and PianoSérie: Moments Musi...
(+)
Publié par Pejtsik ÁrpádInstrument: Violoncello and PianoSérie: Moments Musicaux for VioloncelloGenre: RomanticPages: 6 ppDate du parution: 1991
9.50 EUR - vendu par Woodbrass
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Appassionato
30.20
Appassionato
Violoncelle, Piano
Wiener Urtext
Volume 2 of the Cellissimo series contains 25 popular original pieces for cello ...
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Volume 2 of the Cellissimo series contains 25 popular original pieces for cello and piano from the Baroque, Classical and Romantic eras and is a real treasure trove for advanced pupils, students, teachers and cello lovers.The cello literature comprises a lot of major standard works for lessons, concerts and competitions. Apart from classics by Vivaldi, Bréval, Beethoven, Mendelssohn, Schumann, Faurè, or Saint-Saëns, the volume also contains several lesser known pieces, e.g. by August Nölck (1862-1928) and Georg Goltermann (1824-1898).The pieces are of medium technical difficulty which corresponds to grade 3-4 or grade 5-8 of the international examination system. Some pieces can be played in the 2nd to 7th position, while several works require putting the thumb under. All selected works are particularly suitable for the development of sound, vibrato, differentiated bowing technique, as well as the performer's personal interpretation and musical presentation.Some of the pieces come with a basso part (violoncello 2) which is available for download free of charge.Other editions:Volume 1: Arietta. 40 easy original pieces for violoncello and piano (Schott, ED 22353) / Violoncelle Et Piano
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Classical Music For Children
16.41
Classical Music For Children
Violoncelle, Piano
Schott
22 easy pieces for cello and piano from the Baroque, Classical and Romantic eras...
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22 easy pieces for cello and piano from the Baroque, Classical and Romantic eras. The pieces are mainly playable in the first position and are particularly suitable from the second year of tuition. Many of the piano arrangements can also be played by pupils. / Violoncelle Et Piano
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Sonata For Pianoforte And Violoncello Op. 104
22.70
Sonata For Pianoforte And Violoncello Op. 104
Violoncelle, Piano
-
Intermédiaire
Barenreiter
Famous in his day, the Austrian composer and pianist Johann Nepomuk Hummel (1778...
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Famous in his day, the Austrian composer and pianist Johann Nepomuk Hummel (1778-1837) studied with Mozart and befriended Beethoven.Among his many works is a relatively late sonata for violoncello and piano composed in 1824 and published in 1826 - a delightful early Romantic piece in three movements supported by a capricious piano part.The expressive cello cantilena in the 'Romance? will capture the heart of every cellist.Our edition, edited by Mark Kroll, is the first scholarly-critical publication of this sonata. It is based on the first edition of 1826 and the autograph manuscript, which served as a master copy for the engraving.A comparison of the sources brought to light a number of details overlooked in the first edition, especially with regard to dynamics.- A must for all cellists and lovers of chamber music- Notes on performance practice in the Foreword (Ger/Eng)- Detailed Critical Commentary (Eng) / Violoncelle Et Piano
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Fantasy Pieces For Violoncello And Piano Op. 73
15.90
Fantasy Pieces For Violoncello And Piano Op. 73
Violoncelle, Piano
Wiener Urtext
Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. ...
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Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. 73 were first performed by his wife Clara and the clarinettist Johann Gottlieb Kotte. Initially entitled Soirée Pieces, the composer later had the works published under the name of Fantasy Pieces, thus establishing a connection with poetical aspects. The first edition published in July 1849 contained not only a clarinet part but also a violin and cello part. Since then, they have become an integral part of the Romantic repertoire for cello and piano. This edition is based on the text of the first edition as well as on subsequent corrections from Schumann's personal copy, with the extant composition manuscript serving as an important corrective. / Violoncelle Et Piano
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My First Concert
18.20
My First Concert
Violoncelle, Piano
Schott
The present volume contains a selection of very easy recital pieces for violonce...
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The present volume contains a selection of very easy recital pieces for violoncello and piano which can be played in the first position after 1-2 years of cello lessons. The selected pieces are original works from the Renaissance period to the present day: from the Baroque minuet, the classical sonatina or the Romantic character piece to contemporary music and tango, blues or pop. The pieces are suitable for individual, group and chamber music lessons, for practising on one's own and especially for the first auditions, concerts or competitions. A musical journey through 500 years of cello music! / Violoncelle Et Piano
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Sonata Per Violoncello E Pianoforte (PILATI MARIO)
18.50
Sonata Per Violoncello E Pianoforte (PILATI MARIO)
Violoncelle, Piano
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Intermédiaire
Ricordi
Revisione Sull'Autografo Di Rina You. Par PILATI MARIO. The artistic production ...
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Revisione Sull'Autografo Di Rina You. Par PILATI MARIO. The artistic production of the Neapolitan composer Mario Pilati (Naples, 1903-1938) has recently been undergoing a reappraisal. Having died at a young age, he never had the opportunity to gain the recognition he deserved, and much of his music has, in fact, fallen into oblivion. Less well-known than his Sonata in La (Sonata in A major) written a few years later for the same formation, his Sonata per violoncello e pianoforte (Sonata in D major for cello and piano) was composed in 1922 when the composer was nineteen years old, in the ninth year of his compositional studies in the class of Maestro Antonio Savasta. The Sonata, based on the opening of a piece by Carl Reinecke, is in sonata form, and develops over a single movement. In the piece, which has got clear post-romantic connotations, the expressive vein, singing lines and lyricism that would also distinguish Pilati’s later works can already be heard. / Niveau : Intermédiaire / Date parution : 1905-07-10/ Répertoire / Violoncelle et Piano
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Sonata for Cello and Piano (DYSON GEORGE)
23.00
Sonata for Cello and Piano (DYSON GEORGE)
Violoncelle, Piano
[Partition]
Stainer and Bell
Par DYSON GEORGE. The Cello Sonata by Sir George Dyson (1883?1964) is the most s...
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Par DYSON GEORGE. The Cello Sonata by Sir George Dyson (1883?1964) is the most substantial of the composer?s earliest surviving works and is a welcome addition to the repertoire of romantic British cello music. Within Dyson?s small yet distinguished output, it merits recognition both as a significant instrumental score in its own right, and as a precursor of a corpus of scores expertly written for solo or ensemble strings. Evident throughout this work is Dyson?s appealing and characteristic strain of melody and harmony, both recognisably English and distinctly personal. / Date parution : 2021-11-03/ Répertoire / Violoncelle et Piano
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Schott Cello Library
29.10
Schott Cello Library
Violoncelle, Piano
Schott
13 pieces of easy to intermediate standard ideal for lessons and concerts. As we...
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13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Piano
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Camille Saint-Saëns: Romance opus 36: Cello and Accomp.: Instrumental Work
11.99
Camille Saint-Saëns: Romance opus 36: Cello and Accomp.: Instrumental Work
Violoncelle, Piano
Durand
pour violoncelle et piano. ?Musique française? is a series designed for student...
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pour violoncelle et piano. ?Musique française? is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars. The second half of the 19th century saw the growth in popularity of instrumental Romances. These, which one could categorise as morceaux de salon, continued the characteristics of the vocal Romance, which was born in the middle of the Age of Enlightenment and which, at the beginning of the Romantic period, had achieved great success among composers, performers and audience alike.
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Butt-Chen: Cellowise: Cello: Instrumental Album
11.99
Butt-Chen: Cellowise: Cello: Instrumental Album
Violoncelle, Piano
[Conducteur et Parties séparées + CD]
Spartan Press
CELLOWISE is an exciting new collection of arrangements from the popular classic...
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CELLOWISE is an exciting new collection of arrangements from the popular classics. The standard is from Grade 3 upwards and included are Bach Badinerie Handel Sarabande Haydn Gipsy Rondo Gossec Gavotte and Tambourin Brahms Hungarian Dance and other favourites with attached CD of top quality performances making a pleasant and varied recital programme both to listen to and of course to play. Cellowise is featured on the 2014 Bauhinia Cup String Competition in Hong Kong and is on the current syllabuses of Trinity College London the Musik-PrüfungsKommission in Vienna and the Royal Irish Academy of Music in Dublin 2015-2018.FOOTNOTE TO CONTENTSOriginally a folk-dance from Medieval Spain the Sarabande became the spiritual centre-point of the 18th. Century dance suite and well-known to cellists through the Bach Suites.The Badinerie is a musical haiku stunning in its precision and economy of means and like a poem condenses much meaning and expression into few words.Sir Yehudi Menuhin once called the 'Erbarme Dich' solo the most beautiful piece of music ever written for the violin. This poignant duet for voice and obligato is about remorse betrayal and the universal theme of suffering. It is one of the centre-pieces of the St. Matthew Passion and is sung after Peter has denied Christ betraying him to the authorities and to his Crucifixion.Gavotte and Tambourin. These two Dances reflect the political opposites of the French Revolution - one a popular dance for partying and celebration the other more courtly and considered a favourite of Marie Antoinette.Rondo all'Ongarese and Hungarian Dance.Hungarian Folk music is fiery and impassioned with virtuoso techniques of embellishment and improvisation. Haydn and Brahms incorporated these elements into Classical forms.Like other Romantic and early-Romantic composers (Mendelssohn and Schubert) Brahms was attracted to Scotland as a wild and beautiful country of myth and
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Sonata (Version For Piano And Violoncello) / Mélancolie For Violoncello And Piano
29.70
Sonata (Version For Piano And Violoncello) / Mélancolie For Violoncello And Piano
Violoncelle, Piano
-
Intermédiaire
Barenreiter
Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in...
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Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck's friend, the cellist Jules Desart, was so impressed when he heard the Violin Sonata performed at the Société nationale de musique in Paris that he adapted the work for his instrument. This arrangement was first published in 1887 by inserting the cello part into the piano score of the original edition. For this purpose the piano score had received a new cover and the publisher had expanded the title of the composition to 'Sonate pour piano et violon ou violoncelle?. This version by the cellist Jules Delsart for piano and violoncello is the only arrangement of the work authorized by the composer and its first edition represents the main source for Bärenreiter's new scholarly-critical publication.Bärenreiter's new edition also includes a separate movement, 'Mélancolie?, first published after Franck's death in 1911, again for the same instrumentation, piano and violin or violoncello. This short piece is based on a solfège exercise and was written at the height of the composer's creative powers, at about the same time as his famous violin sonata.The edition is rounded off by an informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng), a complete list of sources, editorial notes and a Critical Commentary (Eng).- Pioneering new Urtext edition- Informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng)- Detailed Critical Commentary (Eng) / Violoncelle Et Piano
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Concert Pieces For Cello And Piano
42.20
Concert Pieces For Cello And Piano
Violoncelle, Piano
[Partition]
Barenreiter
Edition no.:BA9695 ISMN:9790006536580 Volume / Series:Bärenreiters Cello Collec...
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Edition no.:BA9695 ISMN:9790006536580 Volume / Series:Bärenreiters Cello Collection Editor:Sassmannshaus, Christoph Instrumentation of the work:Violoncello, Piano Product format:Piano reduction, Part(s), Teaching material Includes the following individual parts:Violoncello, Piano Binding:Stapled Pages / Format:32/64 S. - 30,0 x 23,0 cm In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák?s Humoresque , Mendelssohn Bartholdy?s Song without Words , Fauré?s Berceuse and The Swan by Camille Saint-Saëns. The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition , Egon Sassmannshaus. - Pieces for solo cello with piano accompaniment - Easy to medium difficulty - Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999) A selection: Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan
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Cyril Scott: Lullaby Op.57 No.2 for Cello and Piano: Cello: Instrumental Work
5.50
Cyril Scott: Lullaby Op.57 No.2 for Cello and Piano: Cello: Instrumental Work
Violoncelle, Piano
[Partition]
Novello & Co Ltd.
Lullaby (Op. 57 No. 2) was first composed in 1908 for Voice and Piano with lyr...
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Lullaby (Op. 57 No. 2) was first composed in 1908 for Voice and Piano with lyrics by Christina Rosssetti. It was transcribed for Cello or Violin and Piano by the famous cellist Charles Warwick Evans (1885-1974) in 1918.Cyril Scott (1879-1970) was a British composer pianist and poet. His most popular works which he is largely remembered by today were written in the years preceding the Second World War however he continued to compose prolifically in the face of indifference from the outside world right up until his death at the age of 91. His music is predominantly in the Romantic style and now serves as an enchantingreminder of a bygone age.
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Sonate Pour Violoncelle Et Piano En Fa Majeur - Op. Posth (SCHNEIDER FRIEDRICH)
39.40
Sonate Pour Violoncelle Et Piano En Fa Majeur - Op. Posth (SCHNEIDER FRIEDRICH)
Violoncelle, Piano
[Partition]
Breitkopf & Härtel
Par SCHNEIDER FRIEDRICH. Friedrich Schneider is known today above all for his ex...
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Par SCHNEIDER FRIEDRICH. Friedrich Schneider is known today above all for his extensive oeuvre in the area of the oratorio. No less important, however, in addition to his symphonic work, is his group of works for piano and/or chamber music. His cello sonata in F major, with all four movements large in scale, was probably composed in 1831 for the daughter of the Cologne music patron, Dr. Erich Heinrich Verkenius. With its expressiveness, monumental structure, and post-Beethovenian sensuality, this sonata already seriously anticipates Romanticism. Our edition offers two solo parts: an unmarked original text as well as a version with fingerings and bowings by the Leipzig based cellist Jürnjakob Timm./ Répertoire / Violoncelle et Piano
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Frederick Delius: Creole Dance: Cello: Instrumental Work
6.99
Frederick Delius: Creole Dance: Cello: Instrumental Work
Violoncelle, Piano
[Partition]
-
Intermédiaire
Thames Publishing
Koanga - La Calinda-The Creole Dance La Calinda from Koanga arranged for Cello...
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Koanga - La Calinda-The Creole Dance La Calinda from Koanga arranged for Cello and Piano by Christopher Palmer. Delius’ romantic third opera Koanga produced a number of interesting pieces infused with sensuality and notable for its nostalgic and folkish languor. Fenby’s orchestral arrangement was a stripped down affair and it is this version that is most performed and recorded and forms the basis of Palmer’s arrangement.
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Mats Lidström: Lamenting Matthew Crawley: Cello: Score
8.00
Mats Lidström: Lamenting Matthew Crawley: Cello: Score
Violoncelle, Piano
-
Avancé
CelloLid
For fans of the popular TV series Downton Abbey Christmas Day 2012 came to a sad...
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For fans of the popular TV series Downton Abbey Christmas Day 2012 came to a sad close as they witnessed the death of the well-loved character Matthew Crawley. This piece by Mats Lidström was composed in response to the shocking season finale and seeks consolation for what had just unfolded on the screen. Composed for Cello and Piano Lamenting Matthew Crawley also makes the perfect encore due to its romantic tone.
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Franz Schubert: Ave Maria From Three Melodies: Cello: Instrumental Work
8.99
Franz Schubert: Ave Maria From Three Melodies: Cello: Instrumental Work
Violoncelle, Piano
[Partition]
Chester
Franz Schubert (1797-1828) was an Austrian composer working in the early Romanti...
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Franz Schubert (1797-1828) was an Austrian composer working in the early Romantic era. His ever-popular Ave Maria was composed in 1825 as No.6 of his Op. 52 a setting of seven songs from Sir WalterScott?s epic poem The Lady Of The Lake. The text came from a part of the poem called Ellen?s Song.The melody has been re-used many times and is often set to the Catholic Prayer that starts with the samephrase (?Hail Mary? in English). Most memorably it was adapted by Walt Disney for his 1940 film Fantasia. It has been transcribed here for Cello and Piano by the Italian cellist Alfredo Piatti as one of his ThreeMelodies.
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Rodgers And Hart The Best Of - Piano-Vcl (RODGERS RICHARD / HART L)
23.40
Rodgers And Hart The Best Of - Piano-Vcl (RODGERS RICHARD / HART L)
Violoncelle, Piano
[Partition]
Hal Leonard
Par RODGERS RICHARD / HART L.. 27 de leur mieux, y compris : ensorcelé, tomber ...
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Par RODGERS RICHARD / HART L.. 27 de leur mieux, y compris : ensorcelé, tomber en amour avec amour, n'est-il pas romantique?, la Dame est un clochard, My Funny Valentine et plus encore ! / Date parution : 2005-06-27/ Recueil / Violoncelle et Piano
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Steven Isserlis's Cello World (With Piano)
20.60
Steven Isserlis's Cello World (With Piano)
Violoncelle, Piano
[Partition]
-
Intermédiaire
Faber Music Limited
Isserlis Steven (Editor). Par ISSERLIS STEVEN. Cello World is a must for all Cel...
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Isserlis Steven (Editor). Par ISSERLIS STEVEN. Cello World is a must for all Cellists. It is a wonderful collection of original works and arrangements from the repertoire of world-famous Cellist Steven Isserlis. The inspired line up of pieces includes Schumann's moving Intermezzo , Leonard's The Donkey And The Driver and Villa-Lobo's rippling Song Of The Black Swan . This is the perfect volume for cellists looking for a variety of challenging repertoire. / Niveau : Intermédiaire / Date parution : 1999-02-18/ Recueil / Violoncelle et Piano
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Romantic Piece Op. 75/4 Vc Pft
Violoncelle, Piano
IMC (International Music Co.)
/ Violoncelle Et Piano
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CAPRICCIO ROMANTICO, OP.129(BACRI NICOLAS) (BACRI NICOLAS)
44.70
CAPRICCIO ROMANTICO, OP.129(BACRI NICOLAS) (BACRI NICOLAS)
Violoncelle, Piano
[Partition]
Chant du Monde
Par BACRI NICOLAS. Work for cello (or viola) and piano, commissioned by the 'Som...
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Par BACRI NICOLAS. Work for cello (or viola) and piano, commissioned by the 'Sommets Musicaux de Gstaad' Festival Adagio liberamente, Allegro moderato / Date parution : 2023-04-14/ Répertoire / Violoncelle (ou Alto) et Piano
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Concertino Retromantico (FRANCO M)
24.70
Concertino Retromantico (FRANCO M)
Violoncelle, Piano
[Partition]
Metropolis Music Publishers
Par FRANCO M.. / Répertoire / Violoncelle et Piano
24.70 EUR - vendu par LMI-partitions
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