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Ludwig van Beethoven: Mass In C Op.86: SATB: Vocal Score
11.50
Ludwig van Beethoven: Mass In C Op.86: SATB: Vocal Score
Chorale SATB
satb (soli), SATB (chœur), Clavier
[Vocal Score]
Peters
Editions Peter's presents a wonderful vocal score for Beethoven's Mass In C Op.8...
(+)
Editions Peter's presents a wonderful vocal score for Beethoven's Mass In C Op.86 arranged for SATB and Piano accompaniment.
11.50 GBP - vendu par Musicroom GB
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Peter C. Lutkin: The Lord Bless You and Keep You (with 7-Fold Amen): SATB: Vocal
11.25
Peter C. Lutkin: The Lord Bless You and Keep You (with 7-Fold Amen): SATB: Vocal
Chorale SATB
SATB, Orgue
[Partition]
Schirmer
Peter Lutkin's The Lord Bless You And Keep You arranged by William Stickles for...
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Peter Lutkin's The Lord Bless You And Keep You arranged by William Stickles for SATB choir with Piano or Organ accompaniment.
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Peter C. Lutkin: Te Deum Laudamus In C: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
Novello & Co Ltd.
Te Deum Laudamus In C
3.99 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Mass In C Minor: SATB: Vocal Score
13.95
Wolfgang Amadeus Mozart: Mass In C Minor: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Peters
Mis in c klein-Edition Peters Urtext version of W.A. Mozart's Mass In C Minor fo...
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Mis in c klein-Edition Peters Urtext version of W.A. Mozart's Mass In C Minor for Mixed choir with Piano Accompaniment.
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Johann Sebastian Bach: Klagt Kinder Cöthen Funeral Music BWV 244a: Mixed
18.50
Johann Sebastian Bach: Klagt Kinder Cöthen Funeral Music BWV 244a: Mixed
Chorale SATB
SATB, Orgue
[Partition]
Peters
Cöthen Funeral Music BWV 244a-The so-called Köthener Trauermusik (Cöthen Fun...
(+)
Cöthen Funeral Music BWV 244a-The so-called Köthener Trauermusik (Cöthen Funeral Music) was performed at the memorial service for Prince Leopold of Anhalt Cöthen on 24 March 1729. The history of reconstruction begins in the second half of the nineteenth century. In 1873 Wilhelm Rust co-editor of the first Complete Bach Edition and subsequently Thomaskantor established the fundamental relationship between the Köthener Trauermusik on the one hand and the St. Matthew Passion and Trauerode BWV 198 on the other. In the service of concert practice it is the intention of this attempted reconstruction to enrich the repertoire of church music for Passiontide and the period aroundthe Sunday before Advent on which the dead are commemorated. It is also hoped that it will contribute to the understanding of Bach?s ?Great Passion? whose sister work the Köthener Trauermusik is.
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Wolfgang Amadeus Mozart: Mass In C K317 'Coronation': SATB: Vocal Score
8.95
Wolfgang Amadeus Mozart: Mass In C K317 'Coronation': SATB: Vocal Score
Chorale SATB
SATB, Orchestre
[Vocal Score]
Peters
Mozart's Mass in C K317 'Coronation' for SATB and Piano.
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Ludwig van Beethoven: Fantasia in C minor Op. 80: SATB: Vocal Score
7.95
Ludwig van Beethoven: Fantasia in C minor Op. 80: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Peters
Koorfantasie in c-klein
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Peter Maxwell Davies: Peter Maxwell Davies: SATB: Vocal Score
29.99
Peter Maxwell Davies: Peter Maxwell Davies: SATB: Vocal Score
Chorale SATB
SATB, Orchestre
[Vocal Score]
Chester
Job (Vocal Score)-A substantial work for four soli SATB chorus and orchestra u...
(+)
Job (Vocal Score)-A substantial work for four soli SATB chorus and orchestra using text from the translation of Stephen Mitchell's The Book Of Job. Like Vaughan Williams in his Job: A Masque for Dancing Davies was inspired inpart by William Blake's 21 engravings for the Book of Job. His oratorio however is less dependent on find parallels for Blake's visual details given the direct poetry in David Lemon's adaptation of the Stephen Mitchelltranslation from the biblical original it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting though the other soloists occasionally reinforce hisplea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages; there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestralwriting for the smarmy Comforters the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job.Commissioned by theUniversity of British Colombia it was first performed in May 1997 by Valdine Anderson (soprano) Linda Maguire (mezzo soprano) Paul Moore (tenor) and Kevin McMillan (baritone) with the Vancouver Bach Choir and the CBC VancouverOrchestra conducted by the composer.Vocal score with piano reduction of the orchestral score. Duration c. 70mins.
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Peter Maxwell Davies: Il Rozzo Martello: SATB: Vocal Score
7.99
Peter Maxwell Davies: Il Rozzo Martello: SATB: Vocal Score
Chorale SATB
SATB
[Vocal Score]
Chester
Il Rozzo Martello for unaccompanied choir SATB by Peter Maxwell Davies was com...
(+)
Il Rozzo Martello for unaccompanied choir SATB by Peter Maxwell Davies was commissioned by BBC Radio 3. It was first performed on 14th August 1997 at the Queen Elizabeth Hall London by the BBC Singers conducted by StephenCleobury.A Michaelangelo sonnet lies at the heart of Il Rozzo Martello - a contemplation on the process of artistic creation and the role of inspiration within it the sculptor's ‘crude hammer’; of the title in Davies'swords ‘a pale echo of the creative efforts of exploring the same theme and similar imagery’. This introduction is distinguished from the setting of Michaelangelo's test by adopting a plainsong style although it builds to aclimax with progressively rich harmony Duration: c 12 minutes.
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Peter Sculthorpe: Lullaby: SATB: Vocal Score
3.50
Peter Sculthorpe: Lullaby: SATB: Vocal Score
Chorale SATB
SATB
[Vocal Score]
-
Intermédiaire
Faber Music Limited
Peter Sculthorpe's programme note reads as follows 'Lullaby is based upon one o...
(+)
Peter Sculthorpe's programme note reads as follows 'Lullaby is based upon one of the number of indigenous Australian melodies collected by Dr H.C. Lethbridge during the 1930s and is a lullaby for children victimised by war. It opens with several statements of indigenous melody the words lovingly entreating children to embrace sleep as night falls. This is followed by a short central section that questions the need for war its text taken from another song in the Lethbridge collection. The melody then returns leading to a quiet coda suggesting the calmness of sleep and for many children the beauteousness of Paradise.'The piece is set for unaccompanied mixedvoices.The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.
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Peter Bruun: Wandering In The Wood: SATB: Vocal Score
3.99
Peter Bruun: Wandering In The Wood: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Wilhelm Hansen
Wandering In The Wood by the Danish composer Peter Bruun scored for SATB (2009)...
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Wandering In The Wood by the Danish composer Peter Bruun scored for SATB (2009). Text by H.C. Andersen.
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Peter Bruun: Spring Song: SATB: Vocal Work
6.50
Peter Bruun: Spring Song: SATB: Vocal Work
Chorale SATB
[Partition]
Wilhelm Hansen
Peter Bruun's Spring Song (2000) for Mixed Choir (SATB). Text by H.C. Andersen. ...
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Peter Bruun's Spring Song (2000) for Mixed Choir (SATB). Text by H.C. Andersen. English version. Danish version: WH31026
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Howard Goodall: Sure of the sky sure of the sun: Mixed Choir: Vocal Score
3.50
Howard Goodall: Sure of the sky sure of the sun: Mixed Choir: Vocal Score
Chorale SATB
SATB, Piano
Faber Music Limited
Setting both English and German texts Sure of the Sky Sure of the Sun Des Hi...
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Setting both English and German texts Sure of the Sky Sure of the Sun Des Himmels sicher der Sonne sicher is a haunting and moving reflection on the futility of war. The 5-minute piece for SATB choir and brass was premiered at one of the UK?s three main World War I centenary commemoration events on 4 August 2014. It was launched by the London Symphony Chorus Schleswig-Holstein Festival Chor and Coldstream Guards at a twilight event attended by the Duke and Duchess of Cambridge Prince Harry and a number of world leaders all gathered together in the tiny woodland cemetery of St Symphorien near Mons Belgium the resting place for the first and lastBritish and the last Commonwealth soldiers to die on the Western Front.The texts are ?May 1915? by Charlotte Mew (1869-1928) and ?To a Missing Friend? by Goldfeld a German Jewish soldier killed in action the poem was discovered by Jewish military historian Peter C Appelbaum.
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Carol: An Heavenly Song
4.39
Carol: An Heavenly Song
Chorale SATB
SATB, Orgue
Schott
Continuant la richesse de la musique chorale de Maxwell Davies grâce à son rô...
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Continuant la richesse de la musique chorale de Maxwell Davies grâce à son rôle de maître de musique de la Reine, ' An céleste Song ' est le deuxième carol délicieux à la Royal Collection' et est adapté pour les chorales dans tous les domaines. / Choeur Mixte (SATB) Et Orgue
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The Light Of The Lord
4.40
The Light Of The Lord
Chorale SATB
SATB, Orgue
Schott
Ecrit pour souligner le 60e anniversaire de la fin de la seconde guerre mondiale...
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Ecrit pour souligner le 60e anniversaire de la fin de la seconde guerre mondiale, cette oeuvre chorale courte est appropriée pour professionnels, amateur et refrains églises. L'utilisation des textes bibliques (Esaïe) donne cette pièce un sentiment de cérémonie, et elle a été créée à la Service de Thanksgiving de 2005, en présence de sa Majesté la Reine. / Choeur Mixte (SATB) Et Orgue
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Benjamin Britten: Jubilate Deo In C: SATB: Vocal Score
4.50
Benjamin Britten: Jubilate Deo In C: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
-
Intermédiaire
Chester
Britten's Jubilate is written for SATB choir and Organ accompaniment.Benjamin Br...
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Britten's Jubilate is written for SATB choir and Organ accompaniment.Benjamin Britten's birthday (22nd November 1913 Lowestoft) falls on St. Cecilia's Day a happy augury for the career of one of Britain's greatestcomposers. Essentially a vocal composer Britten won international fame for his operas and song-cycles. He never abandoned the principles of tonality and was a 'modern' composer who reached a mass audience and a conservative whoseoriginality no radical would sensibly deny. He shared with his predecessors Parry Vaughan Williams and Holst an intense interest in works for amateurs and children. His brilliant gifts as a pianist and conductor coupled withhis virtuosic inventiveness also led him to compose music for great performers such as the cellist Mstislav Rostropovich and the singers Galina Vishnevskaya Dietrich Fischer-Dieskau and Janet Baker.The greatestpersonal influence on his music was the Tenor Peter Pears for whom he composed many operatic and vocal roles. In 1948 Britten Pears and Eric Crozier founded the Aldeburgh Festival now one of the most respected established fornew English music. In 1952 he was made a Companion of Honour in 1965 received the Order of Merit and in 1976 the year of his death he became the first composer to receive a life peerage.Oxford University Press wasBritten's first publisher. In the early 1930s A Boy Was Born and the Simple Symphony brought him great critical acclaim and launched his compositional career. Oxford is delighted to present some previouslyunpublished pieces in collaboration with the Britten Estate. These include the Double Concerto for Violin and Viola premiered at Snape by the Britten-Pears Orchestra under Kent Nagano in June 1997; Two Portraits forString Orchestra premiered on BBC Radio 3 in December 1995 by the Northern Sinfonia under Martyn Brabbins; The World Of The Spirit the full version first performed in 1938 on the BBC Home Service the abridged
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Claude Peter Primrose Burton: Magnificat And Nunc Dimittis In C: SATB: Vocal
Chorale SATB
SATB, Orgue
[Partition]
Novello & Co Ltd.
Magnificat And Nunc Dimittis In C
3.99 GBP - vendu par Musicroom GB
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Peter Maxwell Davies: The Jacobite Rising: SATB: Vocal Score
20.99
Peter Maxwell Davies: The Jacobite Rising: SATB: Vocal Score
Chorale SATB
SATB, Orchestre
[Vocal Score]
Chester
A work for SATB soli SATB chorus and orchestra using a variety of texts selec...
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A work for SATB soli SATB chorus and orchestra using a variety of texts selected by Alistair Grant who commissioned the work to commemorate the 250th anniversary of the Jacobite rising (1745-6). It was first performed inOctober 1997 in Glasgow by Lisa Tyrrell (soprano) Margaret McDonald (mezzo soprano) Neil Mackie (tenor) and David Wilson-Johnson (baritone) the Scottish Chamber Orchestra Chorus (chorus master Ben Parry) and the ScottishChamber Orchestra conducted by the composer.Vocal score with piano reduction of the instrumental score. Duration c. 40mins.
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Franz Joseph Haydn: Die sieben Worte des Erlösers (KA): SATB: Vocal Score
14.95
Franz Joseph Haydn: Die sieben Worte des Erlösers (KA): SATB: Vocal Score
Chorale SATB
satb (soli), SATB (chœur), Clavier
[Vocal Score]
Peters
Joseph Haydn's The Seven Last Words of Our Saviour on the Cross composed for mi...
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Joseph Haydn's The Seven Last Words of Our Saviour on the Cross composed for mixed choir (SATB) with Piano accompaniment. The Seven Last Words of Our Saviour On the Cross is an orchestral work by Joseph Haydn commissioned for the Good Friday service at Cádiz Cathedral in Spain.
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Magnificat (RILEY DENNIS)
9.39
Magnificat (RILEY DENNIS)
Chorale SATB
SATB A Cappella
[Conducteur]
Peters
Par RILEY DENNIS. SATB a cappella - Durée: c. 7 min / Contemporain / Répertoi...
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Par RILEY DENNIS. SATB a cappella - Durée: c. 7 min / Contemporain / Répertoire / A Cappella
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Ad Honoreum Stravinsky (RHODES PHILLIP)
7.17
Ad Honoreum Stravinsky (RHODES PHILLIP)
Chorale SATB
SATB A Cappella
[Conducteur]
Peters
Par RHODES PHILLIP. SATB a cappella - Durée: c. 5 min / Contemporain / Répert...
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Par RHODES PHILLIP. SATB a cappella - Durée: c. 5 min / Contemporain / Répertoire / A Cappella
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Henry Vaughan Alexander Levine: Christ's Nativity: SATB and Organ: Vocal Score
4.50
Henry Vaughan Alexander Levine: Christ's Nativity: SATB and Organ: Vocal Score
Chorale SATB
SATB, Orgue
Peters
The text comes from the pen of the seventeenth-century Welsh poet Henry Vaughan ...
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The text comes from the pen of the seventeenth-century Welsh poet Henry Vaughan a leading metaphysical voice during the Commonwealth period (1649-1660) when the republican government of Oliver Cromwell banned the Anglican Church. Christ's Nativity was commissioned by the Cathedral Choral Society of Washington D.C. with support from the Richard Wayne Dirksen Memorial Endowment Fund. The selected lyrics by Welsh poet Henry Vaughan fascinated me immensely and therfore prompted me to think about a specific musical environment for the piece best suited for merging the music into this wonderful poetic landscape. This poetry brings about a strong mixture of the Evangelicalmystery of Christ's Nativity mystically evoked by Nature and at the same time reveals the optimism and drama of an ordinary individual that any human being can easily identify with.
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Vocalise For Voice And Piano (3 Keys)
11.55
Vocalise For Voice And Piano (3 Keys)
Chorale SATB
SATB, Piano
Peters
Rachmaninoff's Vocalise, one of the most well-known of tunes for the voice, is h...
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Rachmaninoff's Vocalise, one of the most well-known of tunes for the voice, is here published in the original C sharp minor version (high voice), together with transpositions to B minor (medium) and G minor (low). A preface by Gordon Stewart (vocal coach at the Guildhall School of Music and Drama, London) provides historical context and a guide to performance. / Choeur Mixte Et Piano
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Charles Gounod: Messe Solennelle - St Cecilia Mass: SATB: Vocal Score
14.95
Charles Gounod: Messe Solennelle - St Cecilia Mass: SATB: Vocal Score
Chorale SATB
Soli, chœur mixte et piano
[Vocal Score]
Peters
The solennelle en l'honneur de Saint-Cécile is one of the few orchestral works ...
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The solennelle en l'honneur de Saint-Cécile is one of the few orchestral works of Gounod. The work was premiered on 22 November 1855 at Saint-Eustache in Paris. The closeness to opera and symphonic music makes itself felt throughout the piece. During Gounod's lifetime numerous adaptations and new editions appeared which prove the popularity of the work.
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John Tavener: In The Month Of Athyr: SATB: Score
8.99
John Tavener: In The Month Of Athyr: SATB: Score
Chorale SATB
SATB
[Partition]
Chester
A work for speaker and unaccompanied SATB choir using words from In The Month O...
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A work for speaker and unaccompanied SATB choir using words from In The Month Of Athyr by the celebrated Greek poet C.P. Cavafy. Commissioned by the Tallis Scholars to celebrate their 25th Anniversary and was firstperformed in November 1998 by the Tallis Scholars with Sting (speaker) conducted by Peter Phillips.
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Lennox Berkeley: Hymn For Shakespeare's Birthday (SATB/Organ): SATB: Vocal Score
3.25
Lennox Berkeley: Hymn For Shakespeare's Birthday (SATB/Organ): SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
Chester
This anthem was commissioned by Sam Wanamaker of the Globe Theatre Trust and fir...
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This anthem was commissioned by Sam Wanamaker of the Globe Theatre Trust and first performed at Southwark Cathedral by the Exultate Singers under Garrett O'Brien on 23rd April 1972.In spite of Berkeley's adherence to RomanCatholic traditions the hymn is close to Anglican patterns and shows Berkeley's return to diatonic materials after a more exploratory approach in the 1960s. There is even a melodic blue not or false relation also found in someof Berkeley's earlier music as well as later pieces such as the sixth Prelude and a prominent motif in Nelson. The Irish-born C. Day-Lewis (1904-72) was poet laureate from 1968 until hisdeath. Peter Dickinson
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Geoffrey Burgon: Magic Words: SATB: Vocal Score
17.99
Geoffrey Burgon: Magic Words: SATB: Vocal Score
Chorale SATB
SATB, Percussion(s)
[Vocal Score]
Chester
Six settings of Innuit texts for mixed voices and optional percussion. If percus...
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Six settings of Innuit texts for mixed voices and optional percussion. If percussion is not available then singers should clap the rhythms indicated four to each part depending on the acoustics of the building.MagicWords was commissioned for the Little Missenden Festival. It received its first performance there on 13 October 2000 by the Joyful Company of Singers conducted by Peter Broadbent. Duration c. 15 minutes. A piano part isincluded for rehearsal purpose.
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