On the Bayou-This is the ragin'-est cajun-est arrangement you'll ever find of this great Hank Williams classic! Easy to learn and tons of fun to sing the middle section opens up for a roadhouse-style piano solo and a foot-stompin' dance break. Available: SATB SAB SSA Instrumental Pak ShowTrax CD. Performance Time: Approx. 2:45.

An expressive Thanksgiving text with tender lyrical accompaniment Now We Thank You Lord is an intimate expression of worship and adoration. Gently quoting Now Thank We All Our God this choral is appropriate any time two or more are gathered. Recommended!

Tarik O'Regan's I Listen To The Stillness Of You is taken from his larger work 'Mass Observation'. Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund, and the Barbara Abramoff Levy Fund. / SATB

Full Score- Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir Jerry Blackstone conductor thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund.   Composer's note:   Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watchedand heard (safety tracking empowerment and pride) has in some sense always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm hacking subjugation and embarrassment). The work takes its title from the British social research organisation Mass-Observation which aimed to record everyday life in the United Kingdom. Founded in 1937 Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work on the street and at various public occasions including public meetings sporting and religious events. Scored for chorus and percussion sextet  Mass Observation ebbs and flows between various polarities (human voices and percussion instruments pitched and unpitched sounds clear and opaque tonalities) over the course of its thirteen movements. There is a ritualistic nature to the overall pacing of the work reminiscent of a liturgical mass setting. The two groups of musicians are rarely aligned: for much of the piece they watch and listen to one another in silence.    Duration approximately: 40 Minutes  

Beautiful lines and meaningful words characterize this new sacred song for communion. This gentle anthem of grace moves like a steady procession of the faithful making it useful for communion moments. The anthem ends quietly like a prayer. Moving!