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Alle piccole e grandi ombre (COLASANTI SILVIA)
17.73
Alle piccole e grandi ombre (COLASANTI SILVIA)
Violoncelle et Récitant
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per voce recitante e violoncello testo di Mariangela Gualtieri (2017). Par COLAS...
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per voce recitante e violoncello testo di Mariangela Gualtieri (2017). Par COLASANTI SILVIA. / Date parution : 2022-04-12/ Répertoire / Violoncelle et Récitant
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Koto Concerto (FUJIKURA DAI)
88.73
Koto Concerto (FUJIKURA DAI)
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Version für Ensemble. Par FUJIKURA DAI. / Date parution : 2022-03-15/ Répertoire / Ensemble de Chambre
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Horn Concerto No. 2 (FUJIKURA DAI)
78.87
Horn Concerto No. 2 (FUJIKURA DAI)
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SHESH (NEMTSOV SARAH)
73.93
SHESH (NEMTSOV SARAH)
Orchestre à Cordes
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für (verstärktes) Streichorchester. Par NEMTSOV SARAH. / Date parution : 2022...
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für (verstärktes) Streichorchester. Par NEMTSOV SARAH. / Date parution : 2022-03-15/ Répertoire / Orchestre à Cordes
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coronAtion II: Naufraghi del mondo che hanno ancor (NEUWIRTH OLGA)
197.19
coronAtion II: Naufraghi del mondo che hanno ancor (NEUWIRTH OLGA)
Flûte, Clarinette, Violon, Alto et Piano
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cinque isole della fatica - für Klavier, Flöte, Klarinette in B, Violine und V...
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cinque isole della fatica - für Klavier, Flöte, Klarinette in B, Violine und Viola. Par NEUWIRTH OLGA. / Date parution : 2022-02-03/ Répertoire / Flûte, Clarinette, Violon, Alto et Piano
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L'Apocalypse Arabe (ODEH-TAMIMI SAMIR)
207.04
L'Apocalypse Arabe (ODEH-TAMIMI SAMIR)
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nach Etel Adnans L'Apocalypse arabe. Par ODEH-TAMIMI SAMIR. / Date parution : 2...
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nach Etel Adnans L'Apocalypse arabe. Par ODEH-TAMIMI SAMIR. / Date parution : 2022-03-15/ Répertoire / Chant et Ensemble de chambre
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ERSTE KLASSIKSAMMLUNG FÜR VIOLONCELLO (CAPPELLARI ANDREA)
19.71
ERSTE KLASSIKSAMMLUNG FÜR VIOLONCELLO (CAPPELLARI ANDREA)
Violoncelle
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100 Melodien im Drei- Bis Achttonraum in Ansteigendem Schwierigkeitsgrad. Par CA...
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100 Melodien im Drei- Bis Achttonraum in Ansteigendem Schwierigkeitsgrad. Par CAPPELLARI ANDREA. / Niveau : Facile / Date parution : 2021-11-25/ Recueil / Violoncelle
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Concerto Per Violino, Archi E Bc, Rv 239 Op. Vi/6 (VIVALDI ANTONIO)
39.43
Concerto Per Violino, Archi E Bc, Rv 239 Op. Vi/6 (VIVALDI ANTONIO)
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composers assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldis Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 280 Op. Vi/5 (VIVALDI ANTONIO)
39.43
Concerto Per Violino, Archi E Bc, Rv 280 Op. Vi/5 (VIVALDI ANTONIO)
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composers assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldis Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 259 Op. Vi/2 (VIVALDI ANTONIO)
39.43
Concerto Per Violino, Archi E Bc, Rv 259 Op. Vi/2 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et B.C.
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composers assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldis Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et B.C.
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Concerto Per Violino, Archi E Bc, Rv 324 Op. Vi/1 (VIVALDI ANTONIO)
39.43
Concerto Per Violino, Archi E Bc, Rv 324 Op. Vi/1 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composers assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldis Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 216 Op. VI/4 (VIVALDI ANTONIO)
39.43
Concerto Per Violino, Archi E Bc, Rv 216 Op. VI/4 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et B.C.
-
Intermédiaire/avancé
Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composers assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldis Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et B.C.
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Concerto Per Violino, Archi E Bc, Rv 318 Op. Vi/3 (VIVALDI ANTONIO)
39.43
Concerto Per Violino, Archi E Bc, Rv 318 Op. Vi/3 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
-
Intermédiaire/avancé
Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composers assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldis Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Play Happy (Violoncello) - edizione con CD e MP3: Cello Solo: Instrumental
13.99
Play Happy (Violoncello) - edizione con CD e MP3: Cello Solo: Instrumental
Violoncelle
[Partition + CD]
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100 facili melodie da 3 a 8 note di autori classici. The volumes of the ?Play Ha...
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100 facili melodie da 3 a 8 note di autori classici. The volumes of the ?Play Happy? series contain 100 pieces from the classical repertoire arranged for beginners at their first steps in playing an instrument. These editions include: a part with piano accompaniments, the backing tracks both in download (mp3 files) and on the attached CD (audio files).
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Play Happy (Violoncello): Cello Solo: Instrumental Collection
12.50
Play Happy (Violoncello): Cello Solo: Instrumental Collection
Violoncelle
-
Facile
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100 facili melodie da 3 a 8 note di autori classici. ?Play Happy? is a collectio...
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100 facili melodie da 3 a 8 note di autori classici. ?Play Happy? is a collection of 100 pieces from the classical repertoire arranged for beginners at their first steps in playing an instrument. Piano accompaniments included.
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Dai Fujikura: Flare - String Quartet Nr. 2: String Quartet: Parts
54.99
Dai Fujikura: Flare - String Quartet Nr. 2: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
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Flare - String Quartet Nr. 2
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Dai Fujikura: Flare - String Quartet Nr. 2: String Quartet: Instrumental Work
19.99
Dai Fujikura: Flare - String Quartet Nr. 2: String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
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Flare - String Quartet Nr. 2
19.99 GBP - vendu par Musicroom GB
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20th Century Italian Composers Vol. 1: Cello
19.50
20th Century Italian Composers Vol. 1: Cello
Violoncelle, Piano
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Compositori Italiani del XX secolo Vol. 1-⢠New volume of the Ricordi Instr...
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Compositori Italiani del XX secolo Vol. 1-⢠New volume of the Ricordi Instrumental Library series dedicated to the instrumental repertoire of the Twentieth Century. The series includes publications for piano violin/piano guitar and now cello/piano.⢠This anthology fills an editorial void by re-proposing a series of pieces that would otherwise be difficult if not downright impossible to find and yet have played a special role in the evolution of music for cello and piano in Italy.⢠The criteria adopted in choosing these pieces are: their musical value their interest from a piano teacherâs point of view and their ability to represent a given period in the history of Italian music and culture.
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Reach Out (FUJIKURA DAI)
53.25
Reach Out (FUJIKURA DAI)
Quatuor
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Par FUJIKURA DAI. Langue: Italiano / Date parution : 1905-07-02/ Répertoire / Q...
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Par FUJIKURA DAI. Langue: Italiano / Date parution : 1905-07-02/ Répertoire / Quatuor
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Christmas Time
21.68
Christmas Time
Violoncelle
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/ Violoncelle
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Musica Per Archi (COLLA ALBERTO)
44.36
Musica Per Archi (COLLA ALBERTO)
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Dall'Adagio Del Quartetto In Memoria Di Prokofe'V - Partitura. Par COLLA ALBERTO...
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Dall'Adagio Del Quartetto In Memoria Di Prokofe'V - Partitura. Par COLLA ALBERTO. Dall'Adagio Del Quartetto In Memoria Di Prokofe'V - Partitura / Musique contemporaine / Date parution : 1905-06-29/ Répertoire / Quatuor à Cordes
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2 Sonate In Re Maggiore (G. 571-572) Per 2 Violoncelli
9.85
2 Sonate In Re Maggiore (G. 571-572) Per 2 Violoncelli
2 Violoncelles (duo)
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/ 2 Violoncelles Ou Plus
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Souris Sans Sourire Per Quart. D'Archi
44.36
Souris Sans Sourire Per Quart. D'Archi
Quatuor à cordes: 2 violons, alto, violoncelle
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Phrase A Trois (BUSSOTTI SYLVANO)
64.08
Phrase A Trois (BUSSOTTI SYLVANO)
Trio à Cordes: violon, alto, violoncelle
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Per Violino, Viola, Violoncello. Par BUSSOTTI SYLVANO. / Musique contemporaine ...
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Per Violino, Viola, Violoncello. Par BUSSOTTI SYLVANO. / Musique contemporaine / Date parution : 1905-06-29/ Répertoire / Violon, Alto et Violoncelle
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Quint. In Re Per Pf. E Archi (PILATI MARIO)
73.93
Quint. In Re Per Pf. E Archi (PILATI MARIO)
Quintette
[Partition]
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Per Pfianoforte E Archi. Par PILATI MARIO. / Répertoire / Quintette
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Concerto Per Vc., Archi E B.C.: In Re Min. Rv 406 - F.III/7 Tomo 212
20.70
Concerto Per Vc., Archi E B.C.: In Re Min. Rv 406 - F.III/7 Tomo 212
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/ 1 Ou 2 Violoncelle(s)
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Concerto Per Vc., Archi E B.C.: In Fa Rv 411 - F.III/14 Tomo 233
20.70
Concerto Per Vc., Archi E B.C.: In Fa Rv 411 - F.III/14 Tomo 233
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Ronda (DONATONI FRANCO)
32.04
Ronda (DONATONI FRANCO)
Piano Quatuor: piano, violon, alto, violoncelle
[Conducteur]
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Per Violino, Viola Violoncello, Pianoforte. Par DONATONI FRANCO. / Musique cont...
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Per Violino, Viola Violoncello, Pianoforte. Par DONATONI FRANCO. / Musique contemporaine / Date parution : 1905-06-23/ Répertoire / Violon, Alto, Violoncelle et Piano
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"... Von Zeit Zu Zeit ..." (HUBER KLAUS)
22.67
"... Von Zeit Zu Zeit ..." (HUBER KLAUS)
Quatuor à cordes: 2 violons, alto, violoncelle
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Intermédiaire
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Ii. Streichquartett. Par HUBER KLAUS. Langue: Deutsch / Niveau : Intermédiaire ...
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Ii. Streichquartett. Par HUBER KLAUS. Langue: Deutsch / Niveau : Intermédiaire / Répertoire / 2 Violons, Alto et Violoncelle
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Bezel (GARUTI M)
22.67
Bezel (GARUTI M)
2 Flûtes Traversières et Contrebasse
[Conducteur et Parties séparées]
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Per Due Flauti Contrabbassi (1997). Par GARUTI M.. / Musique contemporaine / R...
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Per Due Flauti Contrabbassi (1997). Par GARUTI M.. / Musique contemporaine / Répertoire / 2 Flûtes Traversières et Contrebasse
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