The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to off er performers works that satisfy clear critical and musicological criteria. This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of cello music: Luigi Boccherini, Sonata VI G. 4 - Antonio Caldara, Sonata ottava - Francesco Geminiani, Sonata op. V n. 2 H. 104 - Carlo Graziani, Sonata op. II n. 3 - Salvatore Lanzetti, Sonata op. I n. 5 - Benedetto Marcello, Sonata op. I n. 1 - Giovanni Battista Pergolesi, Sinfonia a violoncello solo - Giovanni Benedetto Platti, Sonata quarta - Nicola Porpora, Sinfonia a violoncello solo - Antonio Vivaldi, Sinfonia a violoncello solo RV 39 / Violoncelle Et Basse Continue

Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source for Sonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc's 1740 print of Sonatas I to VI & an edition probably made without the composer's consent & the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi's direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas . ' (Ensemble January 2004) 'This is certainly the definitive edition of these works. '(Strings August/September 2003) / Répertoire d'Examen / Répertoire / Violoncelle et Basse Continue

INSTRUMENTATION : CELLO AND BASSO CONTINUO DATE OF PUBLICATIONS : 05/04/2000 NUMBER OF PAGES : 20 ARRANGER : DARMSTADT, GERHART SERIES : CELLO LIBRARY

Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co

Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Vivaldi was familiar with the technique and idiomatic qualities of the cello and writing for the cello seems to have drawn from Vivaldi a special empathy: there is a degree of seriousness and expressive depth which is encountered much less consistently in his violin music. Perhaps it has something to do with the cello's low register since similar qualities inform his writing for bassoon.This Urtext edition edited by Bettina Hoffmann provides you with a clear and accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions. The solo cello part is also included on a separate insert.

Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi's 'uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students. The edition is based on the careful evaluation of Vivaldi's autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles, Cordes et Basse Continue

Les éditions Bärenreiter ont édité sous la référence BA 3745 cette partition musicale pour satisfaire au maximum les amateurs de musique Classique et plus particulièrement les pratiquant de Violoncelle. Cette partition a pour titre Sonate für Violoncello und Basso continuo et pour compositeur Bach Johann Christoph Friedrich. / Violoncelle Et Basse Continue / Partition

Dowani 3 Tempi Play est long une méthode efficace et éprouvée par le temps de pratiquer qui offre plus que conventionnels jouent au long éditions. Dowani 3 Tempi Play permet Outre-vous pour apprendre un travail systématique et avec un accompagnement à différents tempi.La première chose que vous entendez sur le CD est la version de concert dans un enregistrement de première classe avec instrument soliste et orchestre, continuo, ou l'accompagnement au piano. Puis le piano ou le clavecin d'accompagnement s'inscrit dans le tempo lent et moyen à des fins pratiques, avec l'instrument soliste entendre en sourdine au tempo lent. Enfin, vous pouvez jouer au tempo d'origine pour l'accompagnement d'un orchestre, le piano, ou basso continuo.Toutes les versions figurant sur le CD ont été enregistrés en direct par des solistes de renom, accompagnateurs, et des orchestres. Il n'y a aucun sons synthétisés dans une édition Dowani! / Violoncelle Et Basse Continue / 11 pages / niveau : Elémentaire / Partition Cd

Le violoncelliste et maestro di capella Jaccini, élève du joueur violoncelle Domenico Gabrielli, vit et travaille à Bologne. Son 1 opus se compose de deux sonates pour violoncelles - ce sont les premières compositions originales pour violoncelle avec accompagnement de Basso continuo. / Violoncelle Et Basse Continue

for Violoncello and Basso continuo-Telemann Sonata In D for Cello and Basso Continuo. ABRSM Grade 8 Syllabus title. Edition no.: HM 13

Ed. Critica M. Talbot - Per Due Violini E Violoncello Soli, Archi E Basso Continuo. Par VIVALDI ANTONIO. / Répertoire / 2 Violons, Cordes et Basse Continue

Ed. Critica M. Talbot - Per Quattro Violini E Violoncello Soli, Archi E Basso Continuo. Par VIVALDI ANTONIO. / Répertoire / 4 Violons, 2 Altos, Violoncelle, Basse et Basse Co