The ultimate transition book, designed to help you make a fast and easy switch from bass to guitar! This is a complete and concise guide to modifying and adapting bass technique for the guitar. Includes special sections on chords, strumming, fingerpicking, scales, modes, and much more. / Guitare Basse Et Guitare

Vol. 3 de la nouvelle version réussie de guitare méthode de Dieter Kreidler continue le contenu du cours des précédentes deux volumes (bases de jouer de la mélodie, introduction à ensemble jouant, deux parties jouant avec des basses vides et introduction à changer de position) de manière humoristique et variée. Hormis les exercices variés sur deux volets jouant avec notices basses et jouant de la corde prolongée, l'élève est maintenant présenté solo facile de jouer aussi bien. Les exercices et les morceaux de la performance de divers styles est disposées dans un ordre progressif et complétée par des illustrations drôles, des énigmes, des tâches et des informations sur tous les aspects de la guitare. Le contenu est délibérément enseigné en très petites étapes et est donc parfaitement adapté pour des leçons privées et de groupes. / Guitare

Logiciel pour guitaristes et bassistes comprenant Editeur professionnel de partitions et de tablatures, Studio multipistes MIDI dédià à la création, un module d'apprentissage des gammes et des accords entièrement paramétrables avec des fonctions de stockage, de création et de rechercher (2000 positions d'accords) et un accordeur DIGITAL. Niveau amateur et professionnel / Méthode en français / Méthode / Guitare

Dans 10 Rock and Blues Solos, vous pourrez mettre en application des techniques de guitare solo incontournables (hammer-on, bend, slide, tapping). [Parties de guitare rythmique, de basse et de batterie incluses]. / Guitare / 72 pages / Partition

50 Easy Pieces For Guitar To Introduce Two-Part Playing. Par DIVERS AUTEURS (ARR.DIETER KREIDLER). 50 easy pieces, songs and well-known classical themes in easy settings with open string accompaniment ('open bass'). The ideal introduction to two-part playing, developed by an experienced teacher for practical teaching. This edition is clearly and deliberately structured and therefore easy to read. / Niveau : Très Facile à Facile / Recueil / Guitare

Par TISSERAND THIERRY. Ce deuxième volume s'adresse à des élèves de 2e et 3e années d'instrument. Chacune des pièces dans ce recueil, hormis le plaisir de faire de la musique, peut-être envisagée comme un moyen de progresser dans un geste, une technique ou un savoir-faire propres à la guitare. Ces pièces s'adressent à des débutants déjà aptes à jouer des mélodies en première et deuxième position, accompagnées par des basses en cordes à vide. / Niveau : Assez Facile / méthode - études / Méthode / Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

In A Nuts and Bolts Approach To Arranging For Fingerstyle Guitar Rolly Brown teaches an organised approach to exploring and combining rhythm, melody and harmony to create fingerstyle Guitar arrangements.This instructional DVD includes numerous tips, tools and techniques, a look at approaching different musical styles and just enough theoretical knowledge to get you started at arranging your own versions of whatever sort of music you want to create on the Guitar. Numerous examples are shown and discussed.The topics covered include:Arpeggiated rolling rhythmArranging for constant alternate bassChord choice and substitutionThe essential tones conceptArranging with a walking bass lineBossa Nova rhythmRagtimeFingerstyle bluesOriginal compositions / Guitare

Presented here is written and recorded guitar accompaniment to the entire volume 54 CD. This long awaited book includes easy-to-read music, chord symbols, and guitar frames above each example for the non-reading guitarist. Also included is a CD of Mike playing the voicings with the Maiden Voyage play-a-long. Special CD stereo separation allows you to eliminate the guitarist and sit in with just the bass and drums.These voicings are real world authentic chord voicings, not simplified sterile examples. It's a great opportunity to not only learn great jazz voicings, but to see how these voicings can be used to navigate blues, rhythm, and great standards. Band directors will love this one because now ALL members of the rhythm section can practice their comping with this world famous play-a-long (a book for pianists, drummers, and bassists has been available for many years.

Musique irlandaise offre le guitariste fingerstyle un répertoire passionnant de haunting mélodies et danse pulsante tunes. Irish guitare Encores présente approche unique de El McMeen à organiser des mélodies celtiques en CGDGAD de réglage. Dans cette leçon de DVD, McMeen est totalement explique ce réglage ouvert et vous montre comment utiliser les arpèges de la harpe-like, contrepoint basse-lignes mélodiques de cueillette et de techniques de bass en alternance. Contient une sélection de six pièces du répertoire classique et avec un livret de musique/onglet page 24. Bien pratique, intéressant et un outil d'apprentissage merveilleux, arrangements de El McMeen et jouant apportent une sensibilité unique à cette musique qui encourage et inspire les étudiants de la guitare. / Guitare

Extrêmement complet, ce DVD de plus de 100 minutes dévoile toutes les techniques modernes du jeu aux doigts (fingerstyle), en picking. Il prend ainsi le relais du DVD précédent, intitulé 'Techniques traditionnelles du picking', mais en reste néanmoins totalement indépendant. Vous pourrez ainsi fort bien vous intéresser directement aux techniques modernes, sans passer forcément par les techniques traditionnelles. Au programme : le new picking, l'alternance pouce/index, le super picking, la technique du double pouce, le new bass pattern, l'émancipation du jeu de basse, de la mélodie... Autant de nouvelles techniques à découvrir qui vous permettront d'enrichir considérablement votre vocabulaire guitaristique. Le tout étant bien entendu animé par de nombreux morceaux du 'maître' ! Durée : 100 mn / Guitare