Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck's friend, the cellist Jules Desart, was so impressed when he heard the Violin Sonata performed at the Société nationale de musique in Paris that he adapted the work for his instrument. This arrangement was first published in 1887 by inserting the cello part into the piano score of the original edition. For this purpose the piano score had received a new cover and the publisher had expanded the title of the composition to 'Sonate pour piano et violon ou violoncelle?. This version by the cellist Jules Delsart for piano and violoncello is the only arrangement of the work authorized by the composer and its first edition represents the main source for Bärenreiter's new scholarly-critical publication.Bärenreiter's new edition also includes a separate movement, 'Mélancolie?, first published after Franck's death in 1911, again for the same instrumentation, piano and violin or violoncello. This short piece is based on a solfège exercise and was written at the height of the composer's creative powers, at about the same time as his famous violin sonata.The edition is rounded off by an informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng), a complete list of sources, editorial notes and a Critical Commentary (Eng).- Pioneering new Urtext edition- Informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng)- Detailed Critical Commentary (Eng) / Violoncelle Et Piano

Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano

Famous in his day, the Austrian composer and pianist Johann Nepomuk Hummel (1778-1837) studied with Mozart and befriended Beethoven.Among his many works is a relatively late sonata for violoncello and piano composed in 1824 and published in 1826 - a delightful early Romantic piece in three movements supported by a capricious piano part.The expressive cello cantilena in the 'Romance? will capture the heart of every cellist.Our edition, edited by Mark Kroll, is the first scholarly-critical publication of this sonata. It is based on the first edition of 1826 and the autograph manuscript, which served as a master copy for the engraving.A comparison of the sources brought to light a number of details overlooked in the first edition, especially with regard to dynamics.- A must for all cellists and lovers of chamber music- Notes on performance practice in the Foreword (Ger/Eng)- Detailed Critical Commentary (Eng) / Violoncelle Et Piano

13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Piano

The entire four movements of Henry Eccles' Sonata in G Minor for ViolonCello and Piano remain in the key of G minor, with many long, expressive phrases and some moments of fleet-fingered delight.Henry Eccles was a Violinist and composer of the Baroque era who was a musician to King William and Queen Mary and a member of the Royal Band of Queen Anne. The Duke d'Aumont brought him to Paris, where he entered the service of King Louis XIV. In 1720, Eccles published a book of sonatas for Violin and figured bass, from which renowned English composer Malcolm Lipkin has created this arrangement for 'Cello and Piano. / Violoncelle Et Piano

It is impossible to imagine today's cello lessons without the works by Jean-Baptiste Bréval (1753-1823).This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are experienced in playing in first position and do not shy away from occasional excursions into other positions.As a performance piece, the sonata can be accompanied either by a second cello, as in Bréval's original version, by piano, or even by both instruments. The sonata is particularly suitable for music lessons and concertos in the popular version for violoncello and piano by Joachim Stutschewsky, which was revised for the Schott Student Edition by Rainer Mohrs and edited and prefaced by Beverly Ellis.The new Schott Student Edition series offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano

Includes: J.S. BACH: Cello Suite #1 in G Major, BWV 1007 · J.S. BACH: Sonata in G minor, BWV 1029 · BOCCHERINI: Sonata in A Major · CORELLI: Sonata in D minor · LOCATELLI: Sonata in D Major · MARCELLO: Sonata in E minor · SAMMARTINI: Sonata in G Major · SCARLATTI: Sonata in D minor · VALENTINI: Sonata in E Major · VIVALDI: Sonata in A minor / Violoncelle

Sonata no. 2 in g minor op. 117 for Violoncello and Piano. Par FAURE GABRIEL. In contrast to the first cello sonata (HN 1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start. Friend and associate Vincent d'Indy wrote to Fauré the day after the premiere in May 1922: I would like to tell you how much I am still charmed by your so beautiful sonata. In it I found what is seemingly forgotten these days: music.” It therefore comes as no surprise that the sonata rapidly found its way into the concert repertoire, where it maintains an uncontested position to this today. The duo David Geringas and Markus Bellheim provided fingerings. / Classique / Répertoire / Violoncelle et Piano

Arrangement for Violoncello and Piano by Carl HüllweckThe gourmet's delightIn 1876, ten years before César Franck's violin sonata in the same key, Gabriel Fauré made a major contribution to the first flowering of French chamber music with his A-major Sonata op. 13. He even found a publisher for it right away, namely Breitkopf and Härtel in Leipzig. Both the work and the composer were warmly acclaimed immediately after the publication: This sonata contains everything that appeals to the gourmet: new forms, wonderful modulations, unusual tone colors, unexpected rhythms. With this work of such modest appearance, Mr. Fauré has leapt to the top ranks of the masters in one bound. Thus wrote Camille Saint-Saëns with pride about his pupil's work. The publisher seems to have picked out a true gem from Fauré's 'uvre, for the sonata soon became very popular, and in 1889, Breitkopf and Härtel heightened this popularity by releasing an arrangement for violoncello by Carl Hüllweck. It is likely that Fauré not only approved the arrangement, but also proofread it. Long out of print, this edition will once again allow cellists to enjoy Fauré's violin sonata in a competent period arrangement.

La référence AL29721 de l'éditeur Leduc dont l'auteur célèbre est Jevtic Ivan, qui a pour titre Sonata N01, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition

Du compositeur Brahms Johannes cette partition musicale dont le titre est Sonata op. 38 a été composée pour tous les amateurs ou professionnels de Violoncelle. Fan de Classique vous trouverez votre bonheur dans cette partition musicale des éditions Wiener Urtext. / Violoncelle Et Piano / Partition

Par VAN DER PALS LEOPOLD. Sonata in D-minor for cello and piano, Op. 5a (1906) Composed by Leopold van der Pals / Date parution : 2023-10-31/ Répertoire / Violoncelle et Piano

Arrangeur: Watson Forbes. Par BRAHMS JOHANNES. Johannes Brahms' Sonata Movement (Sonatensatz, 1853) arranged for Cello and Piano by Watson Forbes./ Répertoire / Violoncelle et Piano

Par BREVAL JEAN-BAPTISTE. Sonata No. 1 In C is a beautiful work for Cello with Piano Accompaniment, by French-born composer Jean-Baptiste Breval (1756-1825). The solo cello part is also included on a separate insert./ Répertoire / Violoncelle et Piano

Composed in 1919, Hindemith thoroughly revised his sonata two years later. Composer and pianist Fazil Say has taken up the challenge to reconstruct the piano part on the basis of the cello part and the structure of the extant middle movement. / Violoncelle Et Piano