Composer Simon Holt's The Legend Of Melusine was commissioned in 2014 by the Southbank Centre to celebrate the return of the Royal Festival Hall Organ and to celebrate the 150th anniversary of the RoyalCollege of Organists. The work lasts around 12 minutes and is arranged for Boy Treble Voice and Organ. This unique work sees the Organ as an accompaniment and complement to both the narration and singing of theBoy Treble throughout. The words of The Legend Of Melusine written by Holt himself portrays a version of the Melusine myth of European folklore a feminine spirit of the water that turns into aserpent from the waist down. This wonderfully engaging tale is matched by the superb vocal melodies and accompanying Organ work. 

Fantasia on a XIIth century SequenceInstrument : mixed choir (SATB) and organType : choral scoreNombre de Pages : 16

The Place Of Understanding is a work by Nico Muhly for High Voice and Organ commissioned by The Hanson Institute for American Music of the Eastman School of Music at the University of Rochester. The work sets 2 texts by Christina Rossetti and from the Book of Job and lasts around 13 minutes. Muhly states that The Place Of Understanding is essentially an Organ solo piece with tenor commentary making the Organ an equal partner in treating these two very diverse texts.

for SATB and organ This Easter anthem sets an evocative text by J. M. C. Crum. Stately expressive vocal lines are underpinned by a lively organ part with crisp staccato melismas that pop out of the texture.

Christmas Carol for SATB choir and Organ.First performed December 12th 2010 in the Chapel of King’s College Cambridge by the choir of King’s College Cambridge conducted by Stephen Cleobury. James Whitbourn - Winter's Wait by musicroom

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue