SKU: TM.10059SC
Strings in score are in C clefs; strings in modern clefs in parts.
SKU: TM.05564SET
SKU: TM.10059SET
SKU: CA.3104209
ISBN 9790007205836. Language: German/English.
Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and parts available separately - see item CA.3104200.
SKU: TM.08985SC
P/C in set.
SKU: TM.02282SET
Oboe solo in No. 5 Arie.
SKU: TM.08986SC
Included in the Dover score #249506.
SKU: TM.10062SC
Cembalo in score (figured bass/continuo).
SKU: TM.05018SET
Chorus I = Soprano, Chorus II = Tenor, Bass. Chorus in Italian only.
SKU: TM.05018SC
SKU: TM.08985SET
SKU: TM.10062SET
SKU: CA.3104214
ISBN 9790007205874. Language: German/English.
Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200.
SKU: CA.3104213
ISBN 9790007205867. Language: German/English.
SKU: TM.02282SC
SKU: TM.05564SC
SKU: TM.08986SET
SKU: TM.05019SC
Cem in score only. Cem line is figured, not realized. Typeset edition.
SKU: TM.10068SC
SKU: CA.3119763
ISBN 9790007210540. Text language: German/English.
Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and part available separately - see item CA.3119700.