The 1st Violin part for Sir Edward Elgar's setting of The Snow Op.26 No.1 for Chorus Violins and Piano.

Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concertante for Oboe, Bassoon, Violin, Violoncello and Orchestra Hob. I:105 écrite et composée pour Piano et plus précisément pour Piano (Réduction) vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Piano (Réduction) / Chanson En Séparée

22 Stücke in 7 Zyklen für Violine und Klavier-Anniversary edition on the occasion of the 75th birthday of Valentin Silvestrov: 'This work could well be called (in analogy to Bach's 'Art of the Fugue') 'Art of the Melody' if there were a didactic mission. But here is no'art' whatsoever only melodies – flashing moments captured frozen in time songs without words – words which may be lost or forgotten.' (V. Silvestrov)

The Austrian violinist Jacob Dont (1815-1888) was a highly-respected composer and pedagogue whose compositions were primarily written for educational purposes. Of his 50+ works his 24 Studies and Caprices (Op. 35) are probably the best known and are often considered to be some of the most important and most technically advanced pieces available for Violin study. All the exercises focus on different aspects of technique including arpeggios double stops dexterity change of position legato change of string types of bowing trills and appoggiaturas. A truly indispensable work for any Violin student or teacher.

This 16 pages book is composed of 5 illustrated scores (including music tracks). The story and the educational aspect of it should please both children and teens.For all ages.Moussa's inviting you into his story, in the ancient empire of Mandé, where dreams and reality meet... Let traditional malian rythms and musics carry you away. This book is perfect for children from their 6th month of playing the violin. / Chant Et Guitare

These charming tender and ironic songs make an excellent concert suite and wonderful encores. They are scored for Voice and Violin.

For Violin and Piano.Published in 1987.Commissioned by Miranda Fulleylove with funds provided by Greater London Arts.First performance: BMIC London 13th April 1988.Score and Part.

Work for Mezzo-Soprano Tenor Baritone Flute Tuba 2 Percussionist Electric Guitar Electric Bass Violin and Cello. Song Cycle to a poem by Jorgen Sonne.

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.

Arranged for Soprano voice Violin and Piano.Violin part available separately: CH75240-01.Note from the composer:In the spring of 1996 my great friend and brilliant violinistFriedemann Eichhorn invited me and my girlfriend-at-the-time Hila Plitmann (a soprano) to give a concert with him in his home city of Speyer Germany. We had all met that year as students at the Juilliard School and wereinseparable. Because we were appearing as a band of travelling musicians 'Friedy' asked me to write a set of troubadour songs for Piano Violin and Soprano. I asked Hila (who was born and raised in Jerusalem) to write me a few'postcards' in her native tongue and a few days later she presented me with these exquisite and delicate Hebrew poems. I set them while we vacationed in a small skiing village in the Swiss Alps and we performed them for thefirst time a week later in Speyer.In 2001 the University of Miami commissioned me to adapt the songs for SATB chorus and string quartet and the Efroni Choir in Israel commissioned me to adapt them for SA Violin andPiano leaving me now with five(!) different versions of the same work: SATB and String Quartet; SATB Violin and Piano; SA and String Quartet; SA Violin and Piano; and the original Soprano Violin and Piano.Eachof the songs captures a moment that Hila and I shared together. 'Kalá kallá' (which means 'light bride') was a pun I came up with while she was first teaching me Hebrew. The bells at the beginning of 'Éyzeshélleg' are the exact pitches that awakened us each morning in Germany as they rang from a nearby cathedral.These songs are profoundly personal for me born entirely out of my new love for this soprano poetand now my beautiful wife Hila Plitmann.Eric Whitacre

German Text Listed In Foreword Only. English Text Provided With Music Contents:1. Blest Are They They Who In Sorrow.2. For Mortal Flesh Now Therefore Be Patient Howbeit The Lords Word The Redeemed Of The Lord.3. Lord Teach Me To Know But The Righteous (Chorus&Bar.)4. How Lovely Are Thy Dwellings (Chorus) (Hmc761).5. You Now Are Sorrowful Look Upon Me I Will Give You Comfort(Chorus & Soprano Solo) (Hmc763).6. For We Have On Earth Lo I Unfold Unto You A Mystery Lord Thou Art Worthy (Chorus & Baritone Solo).7. Blessed Are The Dead (Chorus).Full Score Available: (Hmb145a)Instrumental Parts: (Hmb145r)Piccolo 2fl 2ob 2cl 2bsn Contra Bsn 4hn 2tpt 3tbn Tuba Vln Viola Cello Contra Bass 2hp 3 Timp Organ String Count (12 12 8 6 4) Included In Instr. Set.Regarding The Harp Brahms Specifically Stated:'At Least Doubled'.This Set Of Orchestra Parts Includes Two For The Harp.Although The Standard String Set Of Parts Is (12-10-8-6-4) BrahmsScoring For Violin Ii Indicates Is Should Be Of Equal Strength WithViolin I. Therefore Two Additional Violin Ii Parts Are Included.String Supplemental (Hmb145s):8-Violin I 8-Violin Ii 5 Viola 4 Cello 4 Bass.Can Only Be Sold As A Set String Parts Not Available Separately.

Melancholy Ballinderry is a beautiful Celtic folk song that tells the sad story of Mary whose beloved Phelim is lost at sea. A violin part is included with the flowing piano accompaniment making this a lovelymulticultural selection for SSA voices. The violin part is available for free download at www.shawneepress.com/bin/BallinderryViolin.pdf . Available: SSA;PianoTrax CD.'

Par BUXTEHUDE DIETRICH. Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work’s charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy made by Gustav Düben, refers to the accompanying violin parts in the words “con due vel piu violini”. This may indicate that each part should be played by several instrumentalists. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B