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Thomas Augustine Arne: Arne Rule Britannia Unison: Unison Voices: Vocal Work
2.25
Thomas Augustine Arne: Arne Rule Britannia Unison: Unison Voices: Vocal Work
Chorale Unison
Unison
[ ]
Novello & Co Ltd.
When 18th century British composer Thomas Arne included his song Rule Britannia...
(+)
When 18th century British composer Thomas Arne included his song Rule Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden the country home of Frederick Prince of Wales he could not have imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule Britannia! is widely used in the Royal Navy and British Army and is featured each year at the Last Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing the Dutch actually ‘ruled the waves ’ so this song was more an exhortation than a status report. The lyrics were also a statement ofcivil liberty. Since Cromwell’s time Britain had had a standing army which could be turned against the native population. A standing navy however existed solely to protect the nation from invaders protecting a free populace.Rule Britannia! has been quoted extensively by other composers among them Beethoven Wagner Strauss and Arthur Sullivan. Thomas Arne also penned a version of God Save The King which came to be the British national anthem.
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Thomas Augustine Arne: Thomson Rule Britannia: SATB: Vocal Score
2.25
Thomas Augustine Arne: Thomson Rule Britannia: SATB: Vocal Score
Chorale SATB
[Vocal Score]
J. Curwen and Sons
When 18th century British composer Thomas Arne included his song Rule Britannia...
(+)
When 18th century British composer Thomas Arne included his song Rule Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden the country home of Frederick Prince of Wales he could nothave imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule Britannia! is widely used in the Royal Navy and British Army and is featured each year at theLast Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing the Dutch actually ‘ruled the waves ’ so this song was more an exhortation than a status report. The lyrics were also astatement of civil liberty. Since Cromwell’s time Britain had had a standing army which could be turned against the native population. A standing navy however existed solely to protect the nation from invaders protectinga free populace.Rule Britannia! has been quoted extensively by other composers among them Beethoven Wagner Strauss and Arthur Sullivan. Thomas Arne also penned a version of God Save The King which came to be the Britishnational anthem.This version is arranged by contemporary composer and friend Eaton Fanning who made changes to the famous semiquaver flourishes.
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Thomas Augustine Arne: O Ravishing Delight (Soprano and Piano): Soprano: Vocal
7.50
Thomas Augustine Arne: O Ravishing Delight (Soprano and Piano): Soprano: Vocal
Soprano, Piano
[Partition]
Novello & Co Ltd.
Eighteenth century theatrical music and operatic composer Thomas Arne is the cre...
(+)
Eighteenth century theatrical music and operatic composer Thomas Arne is the creator of Rule Britannia but here is in less patriotic and more dramatic mood. The recitativo and air O Ravishing Delight appear to survive from Arne’s 1742 opera The Judgement of Paris at the moment that Paris is overcome at the sight of the three goddesses and begs Hermes to take him away. The initial bars of the aria express Paris’s emotion in a largo section which then gives way to jolly allegro before returning to the tragic largo briefly and ending allegro.
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Thomas Augustine Arne: Rule Britannia Satb: SATB: Vocal Work
3.25
Thomas Augustine Arne: Rule Britannia Satb: SATB: Vocal Work
Chorale SATB
SATB
[Partition]
Novello & Co Ltd.
Vincent Novello was a British composer and Organist who gave the Novello publish...
(+)
Vincent Novello was a British composer and Organist who gave the Novello publishing company its first embryonic form. Here he arranges Rule Britannia! for Voice SATB with Piano accompaniment to introduce some contrapuntal interest in the verse.When 18th century British composer Thomas Arne included his song Rule Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden the country home of Frederick Prince of Wales he could not have imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule Britannia! is widely used in the Royal Navy and British Army and is featuredeach year at the Last Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing the Dutch actually ‘ruled the waves ’ so this song was more an exhortation than a status report. The lyrics were also a statement of civil liberty. Since Cromwell’s time Britain had had a standing army which could be turned against the native population. A standing navy however existed solely to protect the nation from invaders protecting a free populace.
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Georg Friedrich Händel Thomas Augustine Arne: Comus: Opera: Vocal Score
16.99
Georg Friedrich Händel Thomas Augustine Arne: Comus: Opera: Vocal Score
Opéra
[Partition]
Novello & Co Ltd.
The latest addition to the Novello Handel Edition. A stage work of 1745 based on...
(+)
The latest addition to the Novello Handel Edition. A stage work of 1745 based on John Milton's classical masque Comus created from a compilation of songs by Handel and Thomas Arne both pre-existing and original with the text adapted by John Dalton. This is the first ever complete publication of the work and is edited by Handel scholar Colin Timms. This work is for three or four Sopranos Mezzo-Soprano Tenor one or two Bass Soli and Orchestra. This edition is an 'important new contribution to scholarship with Colin Timms continuing the work of Anthony Hicks in putting together an edition of work from various sources'. There are 'somefine movements to be found by both composers not least the three airs and trio that Handel provided specially for performance in Exton Hall Rutland in 1745'. Choir & Organ November/December 2017 'Potential performers will appreciatre the excellent editorial preface. The print of this vocal score with piano reduction though small is very clear and well laid-out and orchestral parts including a fully realised continuo part are available from Novello.' Organists’ Review December 2017
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Thomas Augustine Arne: Where The Bee Sucks: SSA: Vocal Work
Chorale 3 parties
SSA
[Partition]
J. Curwen and Sons
Bantock has arranged Where the Bee Sucks for unaccompanied Voice SSA. He scores...
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Bantock has arranged Where the Bee Sucks for unaccompanied Voice SSA. He scores a single statement of the first quatrain and devotes the remainder of the piece to expressing the ‘under the blossom that hangs on the bow’theme.Thomas Arne English composer Violinist and Keyboard player was a major figure in 18th century English theatre music and the composer of Rule Britannia among many other songs. The song Where The Bee Sucks was writtenin 1740 for the Drury Lane production of The Tempest and it has never gone out of the repertoire since that time. Composer conductor and educator Granville Bantock’s (1868 1946) oeuvre is reaching new audiences throughrenewed interest in the performance of his works. He was an energetic and creative personality who was key in founding the City of Birmingham Symphony Orchestra and championing the music of Jean Sibelius in his day.
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Thomas Augustine Arne: Blow Blow Thou Winter Wind: SATB: Vocal Score
3.25
Thomas Augustine Arne: Blow Blow Thou Winter Wind: SATB: Vocal Score
Chorale SATB
SATB A Cappella
[Vocal Score]
Novello & Co Ltd.
Thomas Arne's Blow Blow Thou Winter Wind arranged by Desmond Ratcliffe for una...
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Thomas Arne's Blow Blow Thou Winter Wind arranged by Desmond Ratcliffe for unaccompanied SATB choir. This work is a setting of text from As You Like It Act 2 Scene 7 by William Shakespeare.Duration: approx. 2 minutes. A Piano accompaniment is included for rehearsal purposes only.
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12 Songs For High Voice. Book 2 (ARNE THOMAS AUGUSTINE)
12.30
12 Songs For High Voice. Book 2 (ARNE THOMAS AUGUSTINE)
Piano, Voix
[Partition]
Stainer and Bell
Book 2. Par ARNE THOMAS AUGUSTINE. The second book of songs by Thomas Arne, comp...
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Book 2. Par ARNE THOMAS AUGUSTINE. The second book of songs by Thomas Arne, completing the set of twelve selected for High Voice. Edited by Michael Pilkington. Book 1 - Catalogue No. SABB461./ Recueil / Chant et Piano
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12 Songs For High Voice. Book 1 (ARNE THOMAS AUGUSTINE)
12.30
12 Songs For High Voice. Book 1 (ARNE THOMAS AUGUSTINE)
Piano, Voix
[Partition]
Stainer and Bell
Par ARNE THOMAS AUGUSTINE. The first part of a collection of twelve songs by the...
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Par ARNE THOMAS AUGUSTINE. The first part of a collection of twelve songs by the celebrated British composer Thomas Arne, selected for High Voice and edited by Michael Pilkington. Book 2 - Catalogue No. SABB462/ Recueil / Chant et Piano
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Thomas Augustine Arne: Arne Which Properst Day Sing Satb/Pf: SATB: Vocal Score
2.99
Thomas Augustine Arne: Arne Which Properst Day Sing Satb/Pf: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Arne Which Properst Day Sing Satb/Pf
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Where The Bee Sucks (D - G) (ARNE THOMAS AUGUSTINE)
5.80
Where The Bee Sucks (D - G) (ARNE THOMAS AUGUSTINE)
Piano, Voix
[Partition]
Stainer and Bell
Par ARNE THOMAS AUGUSTINE. Ariel's Song from The tempest by William Shakespeare....
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Par ARNE THOMAS AUGUSTINE. Ariel's Song from The tempest by William Shakespeare. Music by TRhomas Arne, arranged by Duncan Edmonstoune./ Feuillet / Chant et Piano
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The Judgment Of Paris (ARNE THOMAS AUGUSTINE)
160.90
The Judgment Of Paris (ARNE THOMAS AUGUSTINE)
Opéra
[Partition]
Stainer and Bell
Par ARNE THOMAS AUGUSTINE. / Répertoire / Opéra
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When Daisies Pied (Cuckoo Song) (C - F) (ARNE THOMAS AUGUSTINE)
5.80
When Daisies Pied (Cuckoo Song) (C - F) (ARNE THOMAS AUGUSTINE)
Piano, Voix
[Partition]
Stainer and Bell
Par ARNE THOMAS AUGUSTINE. Songs/ Feuillet / Chant et Piano
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Love in a Village (BICKERSTAFF ISAAC (Arr)
528.00
Love in a Village (BICKERSTAFF ISAAC (Arr)
Voix et Orchestre
[Partition]
Barenreiter
A Comic Opera. Par BICKERSTAFF ISAAC (Arr. TOMS EDWARD). 'Love in a Village' was...
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A Comic Opera. Par BICKERSTAFF ISAAC (Arr. TOMS EDWARD). 'Love in a Village' was first performed on 8 December 1762 at the Covent Garden Theatre (London). It was to become one of the most popular British musical stage works of the century, and by 1791 it had also gained international acclaim. The question of why this pastiche comic opera was able to develop this special attraction can be described in terms of fashion and tradition. By bringing stylistically sophisticated compositions by various well-known composers such as George Frideric Handel, Thomas Augustine Arne und Francesco Geminiani into the traditional 'Ballad Opera', the theatre makers succeeded in renewing traditional ways of producing and performing playhouse entertainment. The music of 'Love in a Village' stems from four sources: Vocal music from the amusement gardens, Italian opera arias from the 1750s and 1760s, theatrical or occasional music and folk melodies. Love in a Village' thus further developed the methods first used by 'Ballad Opera' to create a comic opera from a sentimental plot and pre-existent vocal compositions. The fourth volume in our OPERA series consists of a linen-bound volume and an Edirom file stored on a USB card in credit-card format. The number of simultaneous users of the edition's digital component is unlimited./ Répertoire / Chant et Orchestre
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Thomas Augustine Arne Thomas Augustine Arne: Now Phoebus Sinketh In The West In
8.99
Thomas Augustine Arne Thomas Augustine Arne: Now Phoebus Sinketh In The West In
Voix Baryton, Piano
[Sheet music]
Novello & Co Ltd.
Now Phoebus Sinketh In The West In Eb
8.99 GBP - vendu par Musicroom GB
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Thomas Augustine Arne Thomas Augustine Arne: Why So Pale And Wan Fond Lover?:
Voix basse, Piano
[Partition]
Braydeston Press
An aria arranged for Bass Voice and Piano.
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Thomas Augustine Arne Thomas Augustine Arne: How Engaging How Endearing: Tenor:
5.50
Thomas Augustine Arne Thomas Augustine Arne: How Engaging How Endearing: Tenor:
Voix moyenne, Piano
[Partition]
Braydeston Press
An aria arranged for tenor voice and piano.
5.50 GBP - vendu par Musicroom GB
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Thomas Augustine Arne Thomas Augustine Arne: T Now Phoebus Sinketh In The West
8.99
Thomas Augustine Arne Thomas Augustine Arne: T Now Phoebus Sinketh In The West
Voix Tenor, Piano
[Sheet music]
Novello & Co Ltd.
T Now Phoebus Sinketh In The West In Ab
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Thomas Augustine Arne: Dr Where The Bee Sucks (For Rehearsal Only): SATB: Vocal
2.25
Thomas Augustine Arne: Dr Where The Bee Sucks (For Rehearsal Only): SATB: Vocal
Chorale SATB
SATB
[Sheet music]
Novello & Co Ltd.
Dr Where The Bee Sucks (For Rehearsal Only)
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Malcolm Martineau: The Chester Vocal Anthology: Mezzo-Soprano/Alto: Alto: Vocal
19.99
Malcolm Martineau: The Chester Vocal Anthology: Mezzo-Soprano/Alto: Alto: Vocal
Voix Alto, Piano
Chester
21 popular works for mezzo-soprano or alto voice with piano accompaniment featur...
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21 popular works for mezzo-soprano or alto voice with piano accompaniment featuring selected works from the major exam board syllabuses spanning Grades 5 to 8 and beyond. Includes a preface and performance notes by CatherineWyn-Rogers and Malcolm Martineau and a digital version of the book to view on any device.
19.99 GBP - vendu par Musicroom GB
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Thomas Augustine Arne: Morning (Solo Cantata): High Voice: Vocal Work
Voix haute, Piano
[Vocal Score]
Schirmer
A Solo Cantata for High Voice and Piano evoking 'The Morning'. The movements com...
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A Solo Cantata for High Voice and Piano evoking 'The Morning'. The movements comprise 'The Glittering Sun' 'The Lark' 'The Vilage Up' and 'Oh that on th'enamel'd Green'
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Thomas Augustine Arne: Alfred: SATB: Vocal Score
Chorale SATB
[Vocal Score]
-
Intermédiaire
Thames Publishing
A secular cantata edited by Alastair Mitchell.The purpose of bringing out an edi...
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A secular cantata edited by Alastair Mitchell.The purpose of bringing out an edition of nine pieces of the original 28 from The Masque Of Alfred is to provide choirs/orchestras with interesting unusual eighteenth-century music and a work of practical length for concert purposes. The work is an evocation of rural England as it was during Alfred's reign and gives some insight into his character.
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Thomas Augustine Arne: The Tinkling Guitar: Unison Voices: Vocal Score
Chorale Unison
[Vocal Score]
Thames Publishing
The Tinkling Guitar
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Thomas Augustine Arne: When Daisies Pied: SATB: Vocal Score
2.25
Thomas Augustine Arne: When Daisies Pied: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
When Daisies Pied
2.25 GBP - vendu par Musicroom GB
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The Lover's Recantation
Voix Soprano, Orchestre
Breitkopf & Härtel
/ Soprano Et Orchestre
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The Lover's Recantation
Voix Soprano, Orchestre
Breitkopf & Härtel
/ Soprano Et Orchestre
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The Lover's Recantation
Voix Soprano, Orchestre
Breitkopf & Härtel
/ Soprano Et Orchestre
5.40 EUR - vendu par LMI-partitions
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The Lover's Recantation
Voix Soprano, Orchestre
Breitkopf & Härtel
/ Soprano Et Orchestre
4.20 EUR - vendu par LMI-partitions
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The Lover's Recantation
Voix Soprano, Orchestre
Breitkopf & Härtel
/ Soprano Et Orchestre
12.10 EUR - vendu par LMI-partitions
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