From Sports Et Divertissements-This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198)Choral inappétissant (Unappetizing Choral) is taken from Satie's larger work 'Sports Et Divertissements'. Sports et divertissements is a collection of 21 pieces for piano. These pieces are miniatures and they combine music poetry calligraphy and art in a charming and intimate way. Each piece in this set is very short none more than four lines long and each is accompanied by a small poem and by Satie's irreverent verbal commentary. When the work was first published it appeared with in Satie's own hand the music writtenin his idiomatic calligraphic style with red and black ink. It is also important to note that along with the poetry calligraphy and commentary each piece of music is accompanied by a tiny sketch.

Pour voix moyenne ou grave et piano - For Medium or Low Voice and Piano. Par SATIE ERIK. Ce recueil fait partie de la collection ' Musique vocale française ', dédiée au grand répertoire vocal français et destinée aussi bien aux étudiants qu'aux professeurs et chanteurs professionnels. Les plus célèbres mélodies de Erik Satie y sont présentées, dans leur tonalité originale ou bien transposées, dans de nouvelles gravures. / Niveau : Moyen / Répertoire / Voix Moyenne ou Grave et Piano

Par SATIE ERIK. La revue de café-concert (ou caf?conc?) était l?une des formes de divertissement populaire à Paris depuis la moitié du XIXe siècle et au début du XXe. Les programmes étaient composés de piécettes en un acte, d?airs d?opéra, de tours de chant, de danse, de numéros de cirque, etc. Dans le répertoire d?une soirée de café-concert, il y avait la valse chantée, sentimentale et très mélodique, sur des paroles racées ; Je te veux en constitue un exemple. Dans cette édition, la version transposée pour voix moyenne-grave de cette célèbre valse. / Date parution : 2022-07-20/ Répertoire / Voix Medium ou Grave et Piano

Par SATIE ERIK / OHANA MAURICE. / Classique / Répertoire / Soprano ou Voix D'enfant, Choeur et 14 Instruments

Trois Melodies by Erik Satie is made up of 3 beautiful movements; La statue de bronze Daphénéo and Le chapelier. Arranged for SATB Choir with accompanying Oboe by Jørgen Jersild.

Instrumentation : High voice - Pf(Fr.) Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy, Ravel, Messiaen and Poulenc are indispensable to the music lover. Nichols now turns his attentions to the mélodie, where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc, but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber, Viardot, Massé and Paladilhe. Even the more celebrated songs are often not easily found in practical editions, which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth, but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship, lightly worn and pithily expressed. As well as complete translations of the songs, there is a useful and concise introduction on singing in French, together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition. Graham Johnson Content : Niedermeyer:Le Lac (Meditation poétique);Berlioz:Absence;Gounod:Ô ma belle rebelle;Viardot: Fleur desséchée; Franck: S'il est un charmant gazon; Massé: Consolation;Lalo: Ballade à la lune; Saint-Saëns: La sérénité;Delibes: Chanson espagnole; Bizet: Pastorale; Massenet: Nuit d'Espagne; Chabrier: L'île heureuse; Paladilhe: Sérénité de la nuit; Fauré: Lydia; Fauré: Après un rêve; Duparc: Extase; Chausson: Le colibri; Debussy: Mandoline; Debussy: C'est l'extase langoureuse; Satie: Daphénéo; Satie: Spleen; Séverac: Ma poupée chérie; Dupont: Chanson des noisettes; Poulenc: La Grenouillère Editor :Nichols

MUSIQUE FRANÇAISE POUR CHOEUR MIXTE réunit une sélection des plus belles oeuvres originales pour choeur de compositeurs français et de superbes arrangements de quelques-unes des plus sublimes mélodies françaises. Ce volume qui conviendra aux choeurs de toutes tailles et de tous niveaux comprend des compositions originales de Hector Berlioz Gabriel Fauré Reynaldo Hahn et Camille Saint-Saëns. On trouvera également d’élégants arrangements de mélodies dont le Baïlèro de Joseph Canteloube Beau soir et Nuit d’ étoiles de Claude Debussy ÀChloris de Reynaldo Hahn Deux Prières de Darius Milhaud Nos souvenirs qui chantent de Francis Poulenc Chanson française de Maurice Ravel et le Choral inappétissant d’Erik Satie.

Here's a fresh idea which blends Silent Night Away in a Manger and The First Noel seamlessly with Satie's Gymnopedie No. 1 with great effect. The vocal and piano are carefully and artfully crafted creating a wonderful new offering. Truly inspired!

Instrumentation: High voice?Pf Format: Sheet Music Details: (Fr.) Those interested in French music have often had reason to be grateful to Roger Nichols his writings on Debussy, Ravel, Messiaen and Poulenc are indispensable to themusic lover. Nichols now turns his attentionsto the mélodie, where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc, but sets them alongside music ? almost impossible to find elsewhere in print ? by such under-estimated figures asReber, Viardot, Massé and Paladilhe. Even themore celebrated songs are often not easily found in practical editions, which makes thisselection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth, but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship, lightly worn and pithily expressed. As well as complete translations of the songs, there is a useful and concise introduction on singing in French, together with an illuminating historical note and critical commentary and Nichols gives full due to thepoets who were of crucial importance in the development of the mélodie tradition. Graham Johnson Contents: Reber: Guitare Gounod: Le soir Gounod: Le premier jour de mai Viardot: Les deux roses Viardot: La mésange Franck: Nocturne Massé:Souvenirs Lalo: Chant breton Saint-Saëns: Chanson triste Bizet: Vieille chanson Massenet: Madrigal Massenet: Ouvre tes yeux bleus Chabrier: Les cigales Paladilhe: Sonnet de Pétrarque Fauré: Automne Fauré: Le secret Duparc: La vie antérieure Chausson: Nocturne Debussy: Le jet d'eau Satie: Sylvie Séverac: Philis Honegger: Automne Poulenc: Fleurs

La revue de café-concert (ou caf'conc') était l'une des formes de divertissement populaire à Paris depuis la moitié du XIXe siècle et au début du XXe. Les programmes étaient composés de piécettes en un acte, d'airs d'opéra, de tours de chant, de danse, de numéros de cirque, etc. Dans le répertoire d'une soirée de café-concert, il y avait la valse chantée, sentimentale et très mélodique, sur des paroles racées ; Je te veux en constitue un exemple. Dans cette édition, la version originale pour voix élevée de cette célèbre valse. / Partitions classique / Vocale - chorale / Voix solo - piano / SALABERT